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The collection includes correspondence from Konstantin Balḿont, Nikolaĭ Evreĭnov, Zinaida Gippius, Georgiĭ Grebenshchikov, Vasiliĭ Maklakov, Sergeĭ Potresov and Nadezhda Teffi. There is one letter each from Boris Bakhmeteff, Vera Bunina, Aleksandr Grechaninov, Aleksandr Kuprin and Alekseĭ Tolstoĭ. The manuscripts include poems and a play scenario by Nadezhda Teffi as well as Roshchina-Insarova's autobiographical essays and article about Sergeĭ Lifar.́ In addition, there are three scrapbooks containing clippings and programs of Roshchina-Insarova's performances, and approximately 40 photographs of her.

Typescript memoirs that concern Grebenshchikov's years at the Pavlovskoe Voennoe Uchilishche (Pavlovsk Military Academy) from 1909-1911. Inserted throughout the memoirs are a number of photographs.

Collection includes correspondence, manuscripts, documents, photographs, and printed materials. There are letters from Rodion Berezov, Aleksandra Tolstai︠a︡, I︠A︡kov T︠S︡vibak, and Mark Weĭnbaum as well as one letter each from Georgiĭ Grebenshchikov, Dmitriĭ Shakhovskoĭ, and Igor ́Sikorskiĭ. There is a poem and letter drafts by Matviĭchuk, dating from 1945-1973. The arranged manuscripts include a brief memoir by Matviĭchuk entitled "Ushedshee." The essay discusses his family, the Civil War, and life in the Soviet Union during the 1920s. Matviĭchuk left the Soviet Union during World War II, and eventually emigrated to the United States. There is a box of clippings and several boxes of emigre newspapers and journals, many of which contain essays by Matviĭchuk.

Correspondence, manuscripts, photographs, a document, a subject file, printed materials and scrapbooks of Tarydina. The correspondence includes letters from Rodion Berezov, Georgiĭ Grebenshchikov, Olǵa Spesivt︠s︡eva, Aleksandra Tolstai︠a︡ and I︠A︡kov T︠S︡vibak. While most of the manuscripts are Tarydina's own, there is an essay by Natalii︠a︡ Logunova, and a copy of one by Maksimilian Voloshin about Tarydina's father, General Nikandr Marks. There are several dozen photographs that chronicle emigre theatrical events she produced during the 1940's in New York in collaboration with her husband, I︠A︡kov Shigorin. There is a 1917 contract with the Bolśhoĭ Letniĭ Teatr and a subject file concerning Tarydina's father. The clippings and scrapbooks relate to Tarydina's theatrical career at the Moscow Malyĭ Theater, in Odessa and in New York as well as to her essays published in the emigre press.