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Correspondence, manuscripts, photographs, memorabilia, and printed materials concerning Berg's lifelong interest in and work for his alma mater. Berg served the University in many capacities such as vice-president and president of the Alumni Association of Columbia College, 1954-1958, and member of the board of directors of the Alumni Federation of Columbia University, 1946-1958. The correspondence deals chiefly with alumni affairs; some of the major correspondents include Harry J. Carman, Lawrence Chamberlain, Frank S. Hogan, Mr & Mrs Richard Rodgers, and Arthur Hays Sulzberger. Among the photographs are two signed by Dwight D. Eisenhower. Also included is a typescript memoir of Berg's three years as a student in the Columbia School of Law (1927). Berg collaborated with three other students on this memoir. Aaron Berg's correspondence with Dwight D. Eisenhower is at the Eisenhower Library. Also included are literary autographs and manuscripts purchased on the Aaron Berg Fund.

Papers of Abraham Alstyne Slover, consisting mostly of his undergraduate writings and memorabilia. Included in this material are one volume of notes on Prof. John McVickar's lectures on "The History of Literature" March-July 1825, seven notebooks of Slover's verse and prose, and the manuscripts of several public lectures with newspaper accounts of them. There is also a family Bible containing genealogical records, chiefly births, marriages, and deaths in the 18th and 19th centuries.

Correspondence by and relating to Housman and to his brother, Laurence Housman. Nearly all of the letters were written to Cyril Clemens, who was working on a proposed biography of A.E. Housman. The collection includes six letters from A.E. Housman and an important group of 94 letters from Laurence Housman, which contain comments on his brother's life and activities, religious beliefs, reading, and manuscripts. There are 45 letters from relatives and persons closely related to A.E. Housman, among them his sisters, Clemence Housman and Katharine E. Symons, his publisher, Grant Richards, and his associates at Oxford University, James T. Nance and Alfred W. Pollard. Also included in the collection are twelve manuscripts, the most noteworthy of which are two signed poems by Laurence Housman and a 4-line verse in Lord Dunsany's holograph entitled "A. E. Housman.".

A collection of three albums containing poetry and drawings, many by the Russian poet Mikhail Iur'evich Lermontov.

A collection of three albums containing poetry and drawings, many by the Russian poet Mikhail I. Lermantov. Album 1, 1808-1822, belonged to Elizaveta Arkadievna Annenkova-Vereshchagina. It contains poems by Russian and French poets. Some of the verses by Russian poets are copies; others are autographs. Many poems have penciled annotations identifying the poets who wrote them. These notes were added at a later date and their accuracy can not be trusted. In addition to verses, this album contains numerous drawings, none of which have been attributed to or identified as works of Lermontov. Other poets whose works are identified include N. Vakhrameev, Ivan Dmitriev, Dawidoff, A. Guselnikov, Zhukosky, Popov, Vasily Kapnist, Princess Nadzhda Golitsnya, and S. Martinoff.

Autograph manuscript poem "An Inscription On A Groto of Shells".

A collection of seventeen letters and one manuscript of Coppard. The letters were written to Cyril Clemens and deal with short story writing, poetry, contemporary writers, and political figures. The holograph manuscript in the collection is of Coppard's poem "Rascal Song." Also, nineteen letters and postcards to Coppard's brother, George A. Coppard.

Correspondence, manuscripts, printed materials, and a photograph concerning his friendship with and scholarly interest in Hart Crane, H.P. Lovecraft, and Samuel Loveman. There are 55 letters from Samuel Loveman, 3 from John Unterecker, and 4 from Brom Weber, and other correspondence about Crane. There are also several Loveman poetry manuscrip]ts and his photograph, as well as printed articles and interviews about Crane

Correspondence and works of Andre Racz, including one letter from Gabriela Mistral, 1952, a portrait of her (etching-aquatint), Ricz's etching (metal plate) for Mistral's POEMAS DE LAS MADRES (Santiago, Chile, 1950), a Christmas card, 1970, illustrated and signed by Racz, and a holograph of Thomas Merton's poem AUBADE--HARLEM, Racz's facsimile of this poem etched on a zinc plate, and his artist's proof pulled from the plate. Also, signature practice page for scroll presented to President Sovern by the Executive Committee of the Faculty in appreciation of his work as chairman, 1968.