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Papers of Adam Pavlovich Benningsen and his wife Feofanii︠a︡ Vladimirovna Benningsen. This collection contains a substantial number of letters which Adam Benningsen wrote to his wife while serving with the White armies in South Russia during 1919-1921. The bulk of the collection consists of manuscripts by Adam Benningsen: a lengthy memoir of his service in the Tsar's army in World War I and in the White armies in the Civil War; diaries and draft memoirs relating to the same period; memoirs of the fall of France in 1940 and of his own imprisonment, apparently by the Germans, during World War II; and two short manuscripts containing theological reflections. A short memoir of the Revolution by Feofanii︠a︡ Benningsen ("Iz zapisok grafini F. V. Benningsen," 1917)., a collection of White Army poems and songs, and a hand-produced satirical journal emanating from the White Army's camp at Gallipoli (1921) complete the collection. Correspondence: Series of letters from A. P. Benningsen to F. V. Benningsen (1919-1920) and other letters from A. P. Benningsen to F. V. Benningsen (1919-1921). Manuscripts: Diary of Adam P. Benningsen (22 July-4 September, 1914; "Iz zapisok grafini F. V. Benningsen" (1917); Prison diary of A. P. Benningsen (1943); "Razvei gore v golom pole", No. 15, (Gallipoli, 16 June, 1921); Religious reflections of Adam P. Benningsen. Notebooks: Memoirs of Adam P. Benningsen (1914-1921?), 4 notebooks, continuous pagination; Drafts of memoirs and diaries by Adam P. Benningsen; Memoirs of the fall of France by Adam P. Benningsen ("May 1940"); Theological reflections by Adam P. Benningsen. Songs and poems of the White army

A collection of three albums containing poetry and drawings, many by the Russian poet Mikhail Iur'evich Lermontov.

A collection of three albums containing poetry and drawings, many by the Russian poet Mikhail I. Lermantov. Album 1, 1808-1822, belonged to Elizaveta Arkadievna Annenkova-Vereshchagina. It contains poems by Russian and French poets. Some of the verses by Russian poets are copies; others are autographs. Many poems have penciled annotations identifying the poets who wrote them. These notes were added at a later date and their accuracy can not be trusted. In addition to verses, this album contains numerous drawings, none of which have been attributed to or identified as works of Lermontov. Other poets whose works are identified include N. Vakhrameev, Ivan Dmitriev, Dawidoff, A. Guselnikov, Zhukosky, Popov, Vasily Kapnist, Princess Nadzhda Golitsnya, and S. Martinoff.

Most of the collection consists of letters to Golśteĭn; there are some as well to her second husband, Vladimir A. Gol'shtein. The materials reflect Gol'shtein ties to Russian liberalism and populism and also to both French and Russian art and literature. There are groups of cataloged letters from Renʹe Arcos (15), Mykhailo Drahomaniv (52), Andrʹe Fontainas (31), Renʹe Ghil (32), Viacheslav Ivanov (17), Petr Lavrov (49), Vladimir Vernadskii (20), and Maksimilian Voloshin (29). There are also items by Jurgis Baltrušaitis, Henri Martin Barzun, Henri Bergson, Ivan Bunin, Sergei Diagilev, Paul Fort, Vladislav Khodasevich, Aristide Maillol, and Odilon Redon. Manuscripts are chiefly by Golśhteĭn, and include her memoirs on Drahomaniv. There are also poems by Voloshin and by Konstantin Bal'mont. Subject files deal with such topics as the Russian famine of 1891-92 and the Russian Liberation Committee at the time of the Civil War. There is a copy of Gol'shtein's book, "Serf Life in Russia."

There are three typescript memoirs relating experiences from Gubarev's youth and from the Civil War. There are also typescript copies of three fictional sketches and of 21 poems on various themes, one of which was published in "Novoe Russkoe Slovo" in 1974.

Typed poems of Zlinchenko. Included are typed copies of four groups of poems: "Teni schasti︠́a︡" "Volnui︠u︡shchai︠a︡ taĭna" "Nesbyvshai︠a︡si︠a︡ mechta" and "Vzdokhi sveta." Also in the collection is a copy of Zlichenko's book.

This collection includes approximately 75 stories, several collections of poems, and two novels by Pli︠u︡shkov; there are also about 25 essays by him on literary topics, and a brief autobiography. Photographs are chiefly of Pli︠u︡shkov and his wife. In addition, there is a photocopy of a document concerning the medical treatment given to Maksim Gorḱiĭ in 1887 by Pli︠u︡shkov's father after Gorḱiĭ attempted suicide.

The collection consists primarily of correspondence and manuscripts. There are letters from Korneĭ Chukovskiĭ, Mikhail Karpovich, Andre Mazon, Vladimir Nabokov, and Evgeniĭ Zami︠a︡tin. There is also one item each from Sergeĭ Esenin, Pavel Mili︠u︡kov, Ivan Pavlov, and Nikolaĭ Roerich. Manuscripts include photocopies of poems by Korneĭ Chukovskiĭ, Sergeĭ Esenin, and Boris Pasternak. There are subject files on Dostoevskiĭ, Turgenev, Soviet education, and Slavic studies in the United Studies, and a photograph of Isaak Babel ́with his daughter.

Typescript memoirs are "Chechenskai︠a︡ konnai︠a︡ divizii︠a︡ 1919 god;" "Mini︠a︡ti︠u︡ry proshlago: Leĭb-Draguny;" "Tridt︠s︡at ́piat ́let tomu nazad;" and translations into French of two poems by Aleksandr Pushkin. Also included is a mimeographed collection of pieces on the history of the Pskov Corps of Cadets, entitled "Dosug kadeta pskovicha.".

The collection includes correspondence from Konstantin Balḿont, Nikolaĭ Evreĭnov, Zinaida Gippius, Georgiĭ Grebenshchikov, Vasiliĭ Maklakov, Sergeĭ Potresov and Nadezhda Teffi. There is one letter each from Boris Bakhmeteff, Vera Bunina, Aleksandr Grechaninov, Aleksandr Kuprin and Alekseĭ Tolstoĭ. The manuscripts include poems and a play scenario by Nadezhda Teffi as well as Roshchina-Insarova's autobiographical essays and article about Sergeĭ Lifar.́ In addition, there are three scrapbooks containing clippings and programs of Roshchina-Insarova's performances, and approximately 40 photographs of her.