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Ernst Reichl papers, 1899-1981

5 boxes
Abstract Or Scope

Correspondence, manuscripts, documents, mock-ups, book dummies, proofs, book jackets, photographs, and printed materials of Reichl.

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Gilbert Highet papers, 1929-1978

21.27 linear feet
Abstract Or Scope

Correspondence, manuscripts, typescripts, notes, photographs, and printed materials relating to his research, writing, and teaching. The correspondence relates chiefly to research for his books, articles, essays, and lectures as well as reactions, scholarly and popular, to his works. There are single letters for authors including Maxwell Anderson, Lawrence Durrell, Randall Jarrell, and Upton Sinclair; several letters each from John Masefield, James Thurber, and E.B. White; 21 letters from Clifton Fadiman; correspondence with Columbia University faculty and students; with classical scholars in the United States, Great Britain, and Europe; with publishers including Alfred A. Knopf and Oxford University Press; with his literary agent Curtis Brown, Ltd.; with HORIZON MAGAZINE, as chairman of its Advisory Editorial Board; with the Book-of-the-Month Club, as a Judge; with Encyclopedia Britannica Sound Seminars; correspondence concerning his very popular syndicated radio talks; and letters from his readers, ranging from members of women's literary clubs to headmasters of British secondary schools.

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Pamela Moore Papers, 1939-2018, bulk 1950-1964

12.75 linear feet
Abstract Or Scope
Pamela Moore (1937-1964) was an American novelist, best known for Chocolates for Breakfast (1956). The papers contain correspondence, clippings, contracts, diaries, drafts, manuscripts, memorabilia, photographs, notebooks, notes, outlines, proofs, school materials, sketch books, and a collection of published editions of Moore's novels.
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Sophie Wilkins papers, 1930s-2003

17.22 linear feet
Abstract Or Scope
Sophie Wilkins worked as an editor for Alfred A. Knopf and as a translator. The records contain correspondence, manuscripts, subject files and other materials documenting her work, and her literary and personal relationships.
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