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Youngling's drawings of architectural decorations and ornaments for ceilings and walls in largely unidentified buildings, presumably in New York City.

Included is Cox's correspondence, circa 1880 until his death in 1919, with architects, painters, sculptors, and writers including Bernard Berenson, Edwin Howland Blashfield, Will Hicock Low, John La Farge, Henry Oliver Walker, H. Siddons Mowbray, Theodore Robinson, Elliott Daingerfield, Lucia Fairchild Fuller, Howard Pyle, William A. Coffin, Russell Cowles, Daniel Chester French, Irving R. Wiles, James Monroe Hewlett, Harry Wilson Watrous, Edward R. Simmons, Maxfield and Stephen Parrish, Augustus Saint-Gaudens, Louis Saint-Gaudens, John C. Van Dyke, Wendell P. Garrison, Richard Watson Gilder, Robert Underwood Johnson, the architectural firm of McKim, Mead & White, Stanford White, Charles F. McKim, Cass Gilbert, Charles Adams Platt, and others. Of note are 136 from Cox to lawyer and author Leonard E. Opdyke. Correspondence, circa 1870-1922, with family members, particularly his father, Jacob Dolson Cox (a Union officer), his mother, Louise Howland King Cox (a painter), and his brother Jacob Dolson Cox, Jr. (a Cleveland industrialist and founder of the Cleveland Twist Drill Company). Correspondence of various other family members either among themselves, beginning circa 1860, or with Kenyon Cox is included. Also, manuscripts of Cox's essays, addresses, articles, and other writings on art, circa1870-1919; poetry; and juvenilia.

Included are photocopies of Cret's architectural drawings for the Hartford County Building, Hartford, Conn., 1926-1927; the Federal Reserve Building, Washington, D.C., 1936; the Folger Shakespeare Library, Washington, D.C., 1929; and miscellaneous projects. Also, Cret's sketches for monuments (including studies for the Quentin Roosevelt Fountain, 1919), covers and title pages for publications, a bridge, a bas-relief, a map, a medal, and a bookplate, circa 1901-1931. Includes one student drawing from the Ecole des Beaux Arts.

Collection consists primarily of White's letterpress books and correspondence, with some related bills, receipts, and other ephemera, 1887-1906, relating to his professional and personal matters. Correspondence, 1907, relates to his estate. Correspondents of note include William A. Boring, Richard Morris Hunt, Augustus Saint-Gaudens, Louis C. Tiffany, John La Farge, Charles McKim, Frederick Law Olmsted, Whitney Warren, Stefano Bardini, Bessie White, William Merritt Chase, William Robert Ware, Kenyon Cox, Cornelius Vanderbilt, Percy Baker, Cass Gilbert, Childe Hassam, John Singer Sargent, John Wanamaker, Carrère & Hastings, Thomas Dewing, James McNeill Whistler, Lawrence White, Richard White, and other architects, artists, contractors, suppliers, clients, friends, and family members. One letter book contains letters, 1922, by White's son Lawrence Grant White. Also included are White's architectural drawings for houses he built for himself at St. James, Long Island, 1892-1904, and 121 East 21st Street, New York, undated; miscellaneous drawings; and a few architectural drawings by Lawrence Grant White, and drafts of his translation of Dante's DIVINE COMEDY.