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Amos Vogel papers, 1896-2001, bulk 1960-1990

68 linear feet
Abstract Or Scope
This collection documents the professional work of film critic, professor, and author, Amos Vogel. The bulk of the records are concerned with numerous films that Vogel has screened for Cinema 16, the independent film society that he founded and directed for sixteen years, as well as administrative records, correspondence, photographs, and printed material.
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Giorgio Cavaglieri architectural records and papers, 1934-2005, bulk 1960-2005

96 document boxes
Abstract Or Scope

This collection includes original and reprographic architectural drawings, project files, photographs, correspondence, and professional papers related to preservation architect Giorgio Cavaglieri's architectural work, professional associations, and writings.

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Gordon Bunshaft architectural drawings and papers, 1909-1990, bulk 1950-1979

20 linear feet
Abstract Or Scope
Gordon Bunshaft (1909-1990) was an American architect who, as a partner at Skidmore, Owings & Merrill, had a significant impact on large-scale corporate architecture. His projects include such significant urban office towers as the Lever House in midtown Manhattan, as well as modern office campuses set in natural landscapes, including such examples as the American Can Company in Greenwich, Connecticut or the Connecticut General Life Insurance Company headquarters in Bloomfield, Connecticut. Additionally, his interest in art caused him to actively integrate work by well-known modern artists into the public plazas and interiors of SOM's projects. The professional aspects of this collection can be found in clippings, project photography, oral history records, and publications, however, the majority of the collection is personal and reflects the life of Gordon and his wife Nina Bunshaft. Through correspondence, snapshots, objects, and personal papers the collection focuses on the Bunshafts' friends, their travels, and their impressive art collection of both modern and ancient sculptures and paintings.
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Hugh Ferriss architectural drawings and papers, 1906-1980, bulk 1918-1960

440 drawings
Abstract Or Scope
Hugh Ferriss (1889-1962) was an architectural renderer known for his vision of the modern city and his ability to translate vast projects into dramatic but clear-cut images. Ferriss published two books: The Metropolis of Tomorrow (1929) and Power of Buildings (1953). The collection was donated to Avery Library by Ferriss' family after his death, and has been supplemented by several later additions from other sources. 363 original drawings in the collection have been photographed and digitized and can be viewed via links in the finding aid's container listing.
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Lawrence A. Wien papers, 1954-1982

60 linear feet
Abstract Or Scope

Correspondence, documents, financial records and memorabilia. The personal correspondence of Lawrence A. Wien, 1960-1983; including memoirs and notes on interests both personal and financial. The Lawrence A. Wien Foundation files include correspondence, 1958-1976, information on the Foundation's 10-year trust, and information on tax returns. Files for the Charles and Rosanna Batchelor Memorial fund consist of general correspondence, grant requests, and miscellaneous financial documents. The Committee to Increase Corporate Philanthropic Giving files comprise a large part of the collection. Among the numerous individual corporations represented are the American Broadcasting Company and the Zale Company. Wien's Foundation for the Improvement of Housing Arrangements for Official Foreign Personnel has personal files for each person receiving the Foundation's benefits, guarantees for those individuals, and letters ment to solicit funds from various corporations

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Lincoln Square Urban Renewal Project photographs, 1957-1958, bulk 1957-1958

1 manuscript box
Abstract Or Scope

This collection contains 249 black and white photographic negatives of buildings within the designated slum clearance area of the Lincoln Square Urban Renewal Project in New York City. The photographer is unidentified. Address locations are identified in the negative.

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Max Abramovitz architectural records and papers, 1925-1990

14,000 drawings
Abstract Or Scope
Max Abramovitz (1908-2004) was an American architect, whose firm Harrison & Abramovitz was one of the leading architectural practices in post-war America. Major commissions include Lincoln Center's Philharmonic Hall and the United Nations complex. The collection contains over 14,500 drawings, over 5,000 photographs, 24 boxes of manuscript material, 7 boxes of oversize material, 23 boxes of financial records, 5 boxes of reprint tear sheets, 36.75 linear feet of specification notebooks, photo albums, sketchbooks, art and artifacts.
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Philip Johnson architectural drawings, 1943-1994, bulk 1943-1970

5,100 drawings
Abstract Or Scope

This collection contains approximately 5100 drawings, including preliminary design drawings and unbuilt studies, presentation drawings, and working drawings, for more than 100 individual projects designed by Philip Johnson, some in collaboration with John Burgee. Locations include the United States, Canada, France, Germany, Israel, and Venezuela. Major commissions included in this collection are the Glass House in New Canaan, CT; the New York State Pavilion for the 1964 World's Fair, Queens, NY; the New York State Theater at Lincoln Center, NYC; Asia House, NYC; the H.L. Moses Building at Montefiore Hospital, Bronx, NY; the master plan for Welfare Island, NYC; the Munson-Williams Proctor Institute, Utica, NY; the Amon Carter Museum, Fort Worth, TX; and buildings for Sarah Lawrence College, Seton Hill College, the University of St. Thomas, and Yale University. Also of note in this collection are many presentation renderings by Helmut Jacoby and other architectural renderers. A subset of this collection includes drawings created for the 1996 monograph on Philip Johnson by Peter Blake.

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Wallace K. Harrison architectural drawings and papers, 1913-1986, bulk 1930-1980

22 manuscript boxes
Abstract Or Scope
The Wallace K. Harrison architectural drawings and papers consists of architectural drawings, photographs, correspondence, notes, speeches, manuscripts, press releases, clippings, memoranda, printed material, job lists, curriculam vitae, contracts, articles, and other material related to Harrison's architectural projects. The collection also contains a significant amount of material regarding Harrison's position as director of the Office of Inter-American Affairs, director of planning of the United Nations Headquarters and biographical material. Approximately a third of the collection is made up of photographs. Photographers include Wendy Barrows, Shirley Burden, George Cserna, Y[uzo] Nagata, and Ezra Stoller, among many others. There is also a collection of 148 art books that belonged to Harrison referred to as his "doodle books." A list of these books with brief descriptions of where Harrison drew in them is contained in the finding aid. Projects documented include Lincoln Center, Metropolitan Opera House, Rockefeller Center, Albany Mall (Empire State Plaza), United Nations, X City, ALCOA building, Corning Glass building, First Presbyterian Church, La Guardia Airport, Socony-Mobil building, Battery Park City, Radio City Music Hall, New York World's Fair (1939 and 1964), Institute for Advanced Study, National Academy of Science, Pahlavi National Library Competition, Oberlin College's Hall Auditorium, Pershing Memorial, Rockefeller University, Hopkins Center, The Anchorage, Avila Hotel, and numerous other buildings and residences.
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