Search

Letters from Egan to Henry Goddard Leach. These concern the stories and poems of both men, United States-Scandinavian affairs, President Wilson, Danish theater and literature, and the effect on Denmark of the American embargo during the first World War.

Letters from McClure to David Meltzer discussing McClure's writings, especially during a visit to New York in 1961. Also, three poems sent to Meltzer; one letter, dated 1965, and addressed to Joe Pinelli; letters from McClure to his agent, Max Gartenberg, 1965-1967, concerning his negotiations with Grove Press; and 43 drafts of his MEAT SCIENCE ESSAYS, published by City Lights Books in 1963 and 1966.

A collection of letters, documents, and printed materials relating to the Library, including letters from Archibald MacLeish, Leonora Speyer, Genevieve Taggard, Allen Tate, and John Hall Wheelock concerned with the recording of their poems for the series.

Correspondence, manuscripts, drawings, photographs, and printed material of Lax. Included are letters of Mark and Dorothy Van Doren and Thomas Merton. The bulk of the collection is comprised of Lax's poetry and journal manuscripts, many written in Patmos and Kalymnos, Greece, and originally sent to Emil Antonucci of the Journeyman Press in New York for publication. Also, printed photographs and unprinted negatives of pictures taken by Lax, primarily in Greece.

Thomas's correspondence with critics and magazine editors concerning her work; and the correspondence of her literary executors with Mark Van Doren about the publication of a posthumous volume of her poetry. Manuscripts and typescripts of her poems; the typescript of the posthumous edition of her poetry, poems rejected by the editors of this book, and their notes; and her prose manuscripts, including her M.A. thesis on the literary and psychological sources of Lawrence Durrell's "The Sonnet of Hamlet;" and the typescript of her anthology of poetry for use in secondary schools.

Correspondence, manuscripts, audio cassettes, photographs, and printed materials. The correspondence covers the years 1934 through 1999 and consists mostly of letters to and from James L. Weil, whose Elizabeth Press was Bronk's publisher from 1969 to 1981, from Eugene Canadé, an artist who illustrated many of Bronk's books, from Bronk's sisters, and from many friends. There are also letters from W.H. Auden; Paul Auster, Cid Corman (Bronk's first publisher and founder of ORIGIN, the magazine in which many of Bronk's early poems first appeared), Robert Creeley, Samuel French Morse, Gilbert Sorrentino, and many other well-known authors. The manuscripts include notebooks and binders containing handwritten and typed drafts of poems and essays. They document nearly all of Bronk's published writings including the collection of essays he completed in the 1940s which was published in 1980 as THE BROTHER IN ELYSIUM as well as the collection of poems published in 1981 as LIFE SUPPORTS: NEW AND COLLECTED POEMS for which Bronk won the American Books Award in 1982. There are also page proofs, photographs of Bronk, many audio cassettes of Bronk reading his work in the 1970s and the 1980s and printed materials