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The papers consist primarily of the Kosatkin-Rostovskiĭ's memoirs. His manuscript memoirs (150 p.) discuss his life up to 1906. Her typescript memoirs (440 p.) discuss her childhood, career as an actress in St. Petersburg, 1917-1918 in Petrograd, and the emigration in France. Also included are his diary for June-July 1940; a few letters written to him; clippings of his newspaper articles (many signed with the pseudonym "Antar"); and a book with his poetry and with essays dedicated to him; "Krestnym putem k voskresenii︠u︡" (Paris, 1948).

The collection contains correspondence, manuscripts, clippings, books and periodicals. There are two letters from Aleksandr Glazunov and one each from Aleksandr Grechaninov and Nikolaĭ Metner. The manuscripts deal with both cultural affairs and the Russian Revolution. Among the cultural topics are essays on music, Isadora Duncan, Maksim Gorḱiĭ and literary affairs. There are articles about general aspects of the Revolution and about such individuals as Lenin, Stalin, Chicherin, Dzerzhinskiĭ and Kamenev. Many of the articles are memoiristic in nature, particularly those about life in Moscow and in the provinces during the Revolution, Dzerzhinskiĭ and Kamenev. There are clippings of articles written by Sabaneev and a number of books and periodicals either written by Sabaneev or containing articles by him.

The typescript memoirs "Vospominaniia: Zhizn' i rabota v Khudozhestvennom Teatre" discuss her childhood, education, theatrical career, personal life, the 1917 Revolution and the Civil War, and the emigration in Germany in the 1920s. Persons appearing more or less briefly in the memoirs include Vladimir Nemirovich-Danchenko, Konstantin Stanislavskii-Alekseev, Sergei Diagilev, Savva Morozov, Mstislav Dobuzhinskii, and Ol'ga Knipper. However, the memoirs are chiefly personal in nature, and provide relatively little information on Pavlova's theatrical career or the Khudozhestvennyi Teatr in particular. A sizeable part concerns the period of the Civil War and its immediate aftermath (1918-22) in the Ukraine and the Crimea.

Papers consist of correspondence, manuscripts, and printed materials. Correspondents include Nadezhda Teffi and Pierre Fresnay. There are manuscripts of stories, novels, plays, scenarios, and memoirs by Oks. Oks' memoirs touch on his legal career in Russia and meetings with Sarah Bernhardt and Fedor Shali︠a︡pin; the memoirs of his wife, Lidii︠a︡ Borshch, concern the period of the Revolution and Civil War in Russia and meetings with Maksim Gorḱiĭ in Italy in the 1920s. Among the printed materials are the first issue of the emigre literary journal "Chisla," theatrical newspapers from Petrograd in 1914-16, and issues of French periodicals with Oks' memoirs about his legal career in Russia, including contacts with Lenin and Trotsky.