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Alfred Maurice Galpin papers : [on Hart Crane & Samuel Loveman], 1922-1981
0.5 linear feetCorrespondence, manuscripts, printed materials, and a photograph concerning his friendship with and scholarly interest in Hart Crane, H.P. Lovecraft, and Samuel Loveman. There are 55 letters from Samuel Loveman, 3 from John Unterecker, and 4 from Brom Weber, and other correspondence about Crane. There are also several Loveman poetry manuscrip]ts and his photograph, as well as printed articles and interviews about Crane
Catalogus Translationum et Commentariorum records, 1946-1985
6 linear feetManuscripts, subject files, index cards, printed materials and microfilms relating to the CATALOGUS TRANSLATIONUM ET COMMENTARIORUM. The two manuscripts are contemporary and deal with the letters of St. Basil. The subject files include correspondence, notes, and printed materials providing largely biographical information on a wide range of medieval translators and commentators. The index cards list the present day locations of many relevant medieval and renaissance books and manuscripts. The printed materials include photostatic copies and negatives of medieval texts as well as catalog listings of and articles about these texts and their authors. The microfilms, some of which are negatives, are of some of the relevant medieval and renaissance works
Eleanor M. Tilton papers, 1770-1991
68 linear feetThis collection includes nine letters of Ralph Waldo Emerson as well as letters of Louis Agassiz, Amos Bronson Alcott, Oliver Wendell Holmes, Sr., Henry Wadsworth Longfellow, James Russell Lowell, John Lothrop Motley, Charles Sumner, and John Greenleaf Whittier. In addition, there are two incomplete manuscripts by Emerson and one document from the Liverpool Custom-house signed by Nathaniel Hawthorne as Consul for the United States. The collection also includes the corrected typescript, index, and page and galley proofs for Thomas Franklin Currier, A BIBLIOGRAPHY OF OLIVER WENDELL HOLMES (New York, 1953) which was edited by Professor Tilton. Also, some early correspondence and photographs of the Tilton family and friends. There are letters from the actors Annie Louise Ames, Richard J. Dillon, and Hans L. Meery to Tilton's grandfather, Bernard Paul Verne, as well as photographs, tintypes, and daguerreotypes of the Verne family and friends.
Frederick James Eugene Woodbridge papers, 1884-1950
4.5 linear feetManuscripts of essays and course notes taken while a student at Amherst College, 1884-1889, and at Berlin University, 1892-1894. Articles, addresses, essays, lectures, lecture notes and reading notes. Also included are diaries for the years 1936-1940 and correspondence concerning Amherst College, Columbia University, and Woodbridge's stay as a visiting scholar in Berlin, 1931-1932. Among his correspondents are: Frederick S. Allis, Secretary of the Amherst Board of Trustees; Stanley King, President of Amherst; and Nicholas Murray Butler, President of Columbia. Some photographs are also included.
Ivan I. Morris papers, 1931-1976
18 linear feetCorrerspondence, manuscripts, notes, memoranda, documents, photographs and printed materials. In addition to personal correspondence and documents, there are files of Amnesty International, the human rights organization of which Morris was American Section chairman. Also included are notes and manuscripts of Morris' studies in Japanese literature and culture, particularly relating to his many books and translations. His interest in puzzles, and compilations of several volumes of them, are reflected in notes and correspondence. Among the major correspondence are Donald Keene, Anthony Powell, Sacheverell Sitwell and Arthur Waley
Jacques Barzun papers, 1900-1999
225 linear feetJoseph L. Blau papers, 1912-1987
15 linear feetJoseph Schwartz papers on Hart Crane, 1921-1985
6 linear feetCorrespondence, articles, research notes, manuscripts, illustrations, printed materials, and a phonograph record collected by Schwartz in compiling his HART CRANE, A REFERENCE GUIDE (Boston, G.K. Hall [1983]). Among the correspondents are Alfred Gilman and Allen Tate. There is also a xerox copy of the script for a production of "The Bridge" by Hart Crane as a dance drama performed at Bennington College in the early 1930s