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Correspondence files and financial papers. The files include correspondence, contracts, clippings and programs, ledgers and financial accounts, submission books, and calendars and memorandum books. Authors for whom there are extensive files include the following: Truman Capote; Patrick Dennis; John Dos Passos; Lloyd C. Douglas; John Hersey; Alice Tisdale Hobart; Paul Horgan; William Humphrey; Frances Parkinson Keyes; Margaret Mitchell; Alan Paton; Kenneth Roberts; Lillian Smith; John Steinbeck; George R. Stewart; Ben Ames Williams; and Kathleen Winsor

Correspondence, manuscripts, photographs, and printed materials of Lamont. Letters from George Santayana (1863-1952), with Lamont and others, a few early manuscripts, interviews and other notes on Santayana, and general correspondence about him. A series of letters from John Dewey to Lamont, discussing his ideas on humanism and religion. Extensive correspondence with the family of John Masefield including approximately 100 letters from Judith Masefield to Lamont, primarily written shortly after the death in 1967 of her father the poet John Masefield, and dealing with his life and work. Also, a few of her own writings; a number of the letters are descriptive of historical England and her concern for contemporary events. Among the letters from other family members are fifteen from Lamont's nephew, Jack Masefield, and 53 from his cousin Sir Peter G. Masefield, 1970-1983, conveying news about Judith as well as interest in the publication of John Masefield's letters from the World War I years and their continuing appreciation of Lamont's work on Masefield. There is discussion on the publication of Masefield's letters to Corliss' mother, Florence Lamont, printed in 1979.

Correspondence, manuscripts, memoranda, contracts, and miscellaneous material from the files of Don Congdon Associates, Inc., literary agency, dealing with the editing and publishing of American and English books, serial rights, reprints, dramatic rights, translations, foreign rights, promotion, and copyright restrictions. Select files pre-date the firm's establishment because some clients of Harold Matson Company, Inc. became clients of Don Congdon Associates, Inc. The cataloged correspondence include: Ray Bradbury, Lillian Hellman, William Manchester, William Shirer, William Styron, and Francois Truffaut.

Correspondence, manuscripts, notes, notebooks, documents, photographs, course-related materials, and printed materials. The manuscripts include typescripts of Sykes' published and unpublished novels, monographs, plays, short stories, and articles. Among these are The Perennial Avant Garde, The Cool Millennium, and The Hidden Remnant. Sykes' notes and notebooks span the period from the early 1930s to 1980, and include preliminary ideas and sketches for his books, as well as autobiographical material. A small number of documents concern Sykes' wartime work in the U.S. Government Office of War Information. Course-related material including writings and correspondence of students taught by Sykes between 1962 and 1975 at the New School and as an adjunct professor at Columbia University. Printed materials consist of numerous reviews of Sykes' books, in addition to offprints and articles by Sykes. Included as well are printed materials about or connected with Sykes, offprints of articles inscribed to him, and many volumes from his library. The substantial correspondence series includes personal letters and correspondence with agents and publishers relating to his books. Correspondents include Harold Clurman, Aaron Copland, Lawrence Durrell, Georgia O'Keeffe, and Francis Steegmuller, as well as a number of Sykes' students. There is extensive correspondence between Sykes and the artist John Hartell from 1927 to 1983.

Correspondence, articles, research notes, manuscripts, illustrations, printed materials, and a phonograph record collected by Schwartz in compiling his HART CRANE, A REFERENCE GUIDE (Boston, G.K. Hall [1983]). Among the correspondents are Alfred Gilman and Allen Tate. There is also a xerox copy of the script for a production of "The Bridge" by Hart Crane as a dance drama performed at Bennington College in the early 1930s

Correspondence, manuscripts, photographs, and printed materials. There are manuscripts for his books, short stories, articles, and other writings. The printed materials include books written, edited, and translated by Komroff, as well as his contributions to anthologies and periodicals. There are also a number of books by other authors inscribed to him. Most of the photographs are portraits of literary figures, the majority of which were taken by Komroff.