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Correspondence, manuscripts, photographs, and printed materials of Lamont. Letters from George Santayana (1863-1952), with Lamont and others, a few early manuscripts, interviews and other notes on Santayana, and general correspondence about him. A series of letters from John Dewey to Lamont, discussing his ideas on humanism and religion. Extensive correspondence with the family of John Masefield including approximately 100 letters from Judith Masefield to Lamont, primarily written shortly after the death in 1967 of her father the poet John Masefield, and dealing with his life and work. Also, a few of her own writings; a number of the letters are descriptive of historical England and her concern for contemporary events. Among the letters from other family members are fifteen from Lamont's nephew, Jack Masefield, and 53 from his cousin Sir Peter G. Masefield, 1970-1983, conveying news about Judith as well as interest in the publication of John Masefield's letters from the World War I years and their continuing appreciation of Lamont's work on Masefield. There is discussion on the publication of Masefield's letters to Corliss' mother, Florence Lamont, printed in 1979.

Correspondence, manuscripts, documents, photographs, and printed materials of and relating to Woodberry. Included are letters from Woodberry to Melville H. Cane, John Erskine, John S. Harrison, Robert Underwood Johnson, and Joel E. Spingarn. There are 330 letters from Woodberry to Harry Harkness Flagler telling of Woodberry's daily life in Beverly, Mass. and of his travels in Europe and Africa. Additional correspondence, notes, and printed materials relate to Woodberry's life, writings, teaching career, retirement, the controversy in 1902 that led to his resignation from the Columbia University faculty in 1904, the bequest of his books to Harvard University and Phillips Exeter Academy, the Poetry Room dedicated in his honor at Harvard University, an exhibit of Woodberriana at the New York Public Library and the Woodberry Society. There are more than fifty manuscripts of his essays and poems. Among the printed materials are his poems, essays, and book reviews, most of which have been cut from THE ATLANTIC MONTHLY. Other printed materials are about Woodberry, reviews of his books, obituaries, memorials, and books, many inscribed.

Correspondence, manuscripts, notes, notebooks, documents, photographs, course-related materials, and printed materials. The manuscripts include typescripts of Sykes' published and unpublished novels, monographs, plays, short stories, and articles. Among these are The Perennial Avant Garde, The Cool Millennium, and The Hidden Remnant. Sykes' notes and notebooks span the period from the early 1930s to 1980, and include preliminary ideas and sketches for his books, as well as autobiographical material. A small number of documents concern Sykes' wartime work in the U.S. Government Office of War Information. Course-related material including writings and correspondence of students taught by Sykes between 1962 and 1975 at the New School and as an adjunct professor at Columbia University. Printed materials consist of numerous reviews of Sykes' books, in addition to offprints and articles by Sykes. Included as well are printed materials about or connected with Sykes, offprints of articles inscribed to him, and many volumes from his library. The substantial correspondence series includes personal letters and correspondence with agents and publishers relating to his books. Correspondents include Harold Clurman, Aaron Copland, Lawrence Durrell, Georgia O'Keeffe, and Francis Steegmuller, as well as a number of Sykes' students. There is extensive correspondence between Sykes and the artist John Hartell from 1927 to 1983.

Correspondence, manuscripts, diaries, notebooks, and publications. The many manuscripts reflect Barzun's interest in poetry, literature and political affairs. The collection also contains materials for the journal, Art et Action which Barzun helped to found; lecture notes, 1933-1952; and a few items pertaining to Filippo Tommaso Marinetti and the Futurists. There are some Barzun family papers, as well. The correspondents are primarily French and American authors including André Breton, Katherine Dreier, Marcel Duchamp, Georges Duhamel, Albert Gleizes, Ivan Goll, Harriet Monroe, Ezra Pound, Pierre Reverdy, Edgar Varèse, Gabriel d'Annunzio, and Felippo Tommaso Marinetti.

Papers dealing with Robinson's activities as a student and instructor in English at Columbia University, editor of CONTEMPORARY VERSE, senior editor at THE READER'S DIGEST, poet and author of many books including THE CARDINAL. Among the correspondents are Melville Cane, Paul de Kruif, John Erskine, Merrill Moore, and Christopher Morley.

Correspondence, articles, research notes, manuscripts, illustrations, printed materials, and a phonograph record collected by Schwartz in compiling his HART CRANE, A REFERENCE GUIDE (Boston, G.K. Hall [1983]). Among the correspondents are Alfred Gilman and Allen Tate. There is also a xerox copy of the script for a production of "The Bridge" by Hart Crane as a dance drama performed at Bennington College in the early 1930s

Ginsberg's papers are mostly the manuscripts and clippings of his poetry and prose writings, class notes for his courses at Rutgers, clippings of interviews and other publicity materials for his joint poetry readings with Allen Ginsberg, and many books from his library. Also included are ten letters from Ginsberg to Louis Untermeyer regarding Ginsberg's poetry; and four letters from Gisnberg to Stanley Wertheim.