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Correspondence and manuscripts of many authors who were asked to contribute to the proposed anthology, as well as letters from publishers to whom the project had been offered. Among the cataloged correspondents are: John Ashbery, W.H. Auden, Lawrence Ferlinghetti, David Ignatow, W.S. Merwin, Ron Padgett, and May Sarton.

Correspondence, manuscripts, diaries, notebooks, and publications. The many manuscripts reflect Barzun's interest in poetry, literature and political affairs. The collection also contains materials for the journal, Art et Action which Barzun helped to found; lecture notes, 1933-1952; and a few items pertaining to Filippo Tommaso Marinetti and the Futurists. There are some Barzun family papers, as well. The correspondents are primarily French and American authors including André Breton, Katherine Dreier, Marcel Duchamp, Georges Duhamel, Albert Gleizes, Ivan Goll, Harriet Monroe, Ezra Pound, Pierre Reverdy, Edgar Varèse, Gabriel d'Annunzio, and Felippo Tommaso Marinetti.

Unpublished novels, plays, and short stories: The Greater Torment (novel), King Pandar (novel)"The Conqueror" "Follow the Leader" "Hero, and "The Taking of Avis" (all plays) and 33 short stories. These are photographs mounted in each of the volumes.

Uncataloged novels, plays, and short stories by Blackmur. There are photographs mounted in each of the five volumes. The collection contains THE GREATER TORMENT (novel), KING PANDAR (novel), PLAYS ("The conqueror" "Follow the leader" "Hero" and "The taking of Avis"), SHORT STORIES (33 short stories).

Correspondence, manuscripts, audio cassettes, photographs, and printed materials. The correspondence covers the years 1934 through 1999 and consists mostly of letters to and from James L. Weil, whose Elizabeth Press was Bronk's publisher from 1969 to 1981, from Eugene Canadé, an artist who illustrated many of Bronk's books, from Bronk's sisters, and from many friends. There are also letters from W.H. Auden; Paul Auster, Cid Corman (Bronk's first publisher and founder of ORIGIN, the magazine in which many of Bronk's early poems first appeared), Robert Creeley, Samuel French Morse, Gilbert Sorrentino, and many other well-known authors. The manuscripts include notebooks and binders containing handwritten and typed drafts of poems and essays. They document nearly all of Bronk's published writings including the collection of essays he completed in the 1940s which was published in 1980 as THE BROTHER IN ELYSIUM as well as the collection of poems published in 1981 as LIFE SUPPORTS: NEW AND COLLECTED POEMS for which Bronk won the American Books Award in 1982. There are also page proofs, photographs of Bronk, many audio cassettes of Bronk reading his work in the 1970s and the 1980s and printed materials

Correspondence of Brown with other contemporary writers including Bernard Citroën, Malcolm Cowley, William Eastlake, Lawrence Ferlinghetti, Allen Ginsberg, Jean Malaquais, Charles Olson, Gary Snyder, Philip Whalen, Jonathan Williams, and William Carlos Williams. Much of the correspondence is informal and deals with the writing and publishing of Brown's novel THE WAY TO THE UNCLE SAM HOTEL, and with other literary interests.

Letters to his long-time friend, Ben Belitt, a creative poet and translator and critic of Spanish poets, particularly Garcia Lorca and Pablo Neruda. 7 of the letters are from 1936-37, 4 from 1952-1964, and 5 from 1970-78. They are of a personal nature, primarily concerning the authors' writings of the time. The latest group also has carbons of Belitt's replies.