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Letters from William Burroughs, Robert Creeley, Allen Ginsberg, and others concerning his poetry and translations and about their own lives. There are also a few poems and photographs.

Letters and manuscripts of English and American authors collected by Gilvarry. Included are a letter from Arnold Bennett, London, 1923, to Miss Renard; a poem "The Sea Bird to the Wave" by Padraic Colum, 1916; an essay of D.H. Lawrence, 1926?; a letter from Ezra Pound, London, ca. 1914, to Seumas O'Sullivan; a letter from George Santayana, Rome, 1927, to E.W. Titus; and a photograph with signature of Herman Melville, New York, 1885.

The files of the literary agency include correspondence with authors, publishers, and other agents and deal with editing and publishing, serial rights, reprints, dramatic rights, translations and foreign rights, promotion, copyright registration, contracts, royalty statements, tax statements, and other financial materials, and the personal affairs of many clients. Among the cataloged correspondents are: Louis S. Auchincloss, Erskine Caldwell, Herbert Gold, Alberto Moravia, Eleanor Roosevelt, and Rebecca West.

The files of John Cushman Associates, Inc. include correspondence with authors, publishers, and other agents and deal with the editing and publishing of American and English books, serial rights, reprints, dramatic rights, translations, foreign rights, promotion, and copyright registration.

Correspondence, articles, research notes, manuscripts, illustrations, printed materials, and a phonograph record collected by Schwartz in compiling his HART CRANE, A REFERENCE GUIDE (Boston, G.K. Hall [1983]). Among the correspondents are Alfred Gilman and Allen Tate. There is also a xerox copy of the script for a production of "The Bridge" by Hart Crane as a dance drama performed at Bennington College in the early 1930s

Letters to his long-time friend, Ben Belitt, a creative poet and translator and critic of Spanish poets, particularly Garcia Lorca and Pablo Neruda. 7 of the letters are from 1936-37, 4 from 1952-1964, and 5 from 1970-78. They are of a personal nature, primarily concerning the authors' writings of the time. The latest group also has carbons of Belitt's replies.

Correspondence of Ferlinghetti with Jack Hirschman about the editing, publishing, and reprinting of his ARTAUD ANTHOLOGY by City Lights Books; and correspondence with the poet Claude Pelieu and with Mary Beach.