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Correspondence, manuscripts, photographs, audio cassettes, and printed materials. Three items consisting of a nine page autograph poem entitled "The Light Touch"; a collection of short poems written in five small notebooks called "From the Sublime"; and a printed pamphlet of poetry entitled "Modern Haiku and Tanka". All items were prepared during 1971, but several pieces in "From the Sublime" date back to 1956. A sixth notebook dated 1971-1972 for "From the Sublime" is also included. Keppel writes one notebook each month and forwards them to the collection after they are completed. There are a few cataloged letters in Box 1, but the bulk of the collection consists of Keppel's poetry and essays.

Correspondence, manuscripts, proofs, photographs, and printed and miscellaneous material relating to the life and writings of Don Marquis. Among the more important works included are MASTER OF THE REVELS, CHAPTERS FOR THE ORTHODOX, JACK (published as SONS OF THE PURITANS), THE EGO BIOGRAPHY, the "Old Soak" and "O'Meara" and stories, works related to archy and mehitabel, and THE DARK HOURS. Also, letters by Marquis, Joseph B. Gilder, Marjorie Vonnegut Marquis, Christopher Morley, and others, and manuscripts by Benjamin DeCasseres, Joseph B. Gilder, and Rodman Gilder.

Manuscripts and correspondence of Masters. Two manuscripts"An Etching" and "Starved Rock in Winter" are in the author's holograph, while the remaining 29 are in typescript, most of which are signed by the author or inscribed to his friend Kimball Flaccus. With the exception of the manuscript of "An Etching" dated 24 October 1910, all of the manuscripts date from the 1940 to 1942 period of the writer's career. Eight of the manuscripts were published in the poet's last two volumes of poetry, ILLINOIS POEMS (Prarie City, 1941) and ALONG THE ILLINOIS (Prairie City, 1942), and the remaining poems are apparently unpublished or uncollected. The collection also contains four letters and several pieces of printed ephemera.

Letters written by Millay as well as manuscripts, proofs, documents, photographs, reviews and clippings relating to her books published at Harper & Brothers such as "Conversation at Midnight," "Wine from these Grapes," "Collected Sonnets," and others. The papers consist of materials from the files of the designer Arthur W. Rushmore who was in charge of production at Harper & Brothers and was the proprietor of the Golden Hind Press which printed limited editions of several of her works. Included are proofs of the above works with annotations and corrections by Millay and Rushmore and a carbon typescript of "Wine from these Grapes." There are also a number of clippings of poems published separately in periodicals. Other correspondents include Millay's husband, Eugen Boissevain, and George Dillon, with whom Millay translated Baudelaire's "Flowers of Evil" and Selected Poems." Also in the collection are the production files for the aborted Steepletop edition of "The Buck in the Snow."

Correspondence, manuscripts, and memorabilia of the American poet, Hart Crane, range in date over most of his active life. This collection includes over 500 letters written by Crane to members of his family and close friends and received by him from his family and contemporary authors including Eugene O'Neill, Sherwood Anderson, T. S. Eliot, Alfred Stieglitz, Waldo Frank, and Allan Tate. Among these is a group of letters written to Mrs. Crane upon Crane's death. There is correspondence and documents relating to his books, THE BRIDGE, WHITE BUILDINGS, and THE COLLECTED POEMS. Also present are most of the original manuscripts of Crane's major works ("The Bridge" "White Buildings" "West Indies Poems" etc) with corrections and additions in Crane's hand. Included here are a number of drafts of poems of his earlier period. The is also a copy of the 16mm motion picture "In Search of Hart Crane."

Manuscripts and correspondence of Schneider, including numerous manuscripts of short stories and poems, many of which are unpublished, and several full-length manuscripts of unpublished critical works. The collection also contains an extensive file of typescript reports on books for The Book Find Club, clippings of reviews written by Schneider and about his books, photographs and drawings of Schneider, and a file of correspondence relating to his writings. The literary correspondence includes letters from many of the important novelists, poets, and literary critics from the 1920s to the 1950s. They include Conrad Aiken, Sherwood Anderson, Kenneth Burke, Malcolm Cowley, Theodore Dreiser, Waldo Frank, Lillian Hellman, Robert Hillyer, Alfred Kreymborg, Thomas Mann, Arthur Miller, Marianne Moore, Lewis Mumford, Laura Riding, Muriel Rukeyser, Karl Shapiro, Stephen Spender, Mark Van Doren, and Yvor Winters.

Letters from William Burroughs, Robert Creeley, Allen Ginsberg, and others concerning his poetry and translations and about their own lives. There are also a few poems and photographs.

Correspondence, documents, photographs, tape recordings of interviews with people who knew John Berryman, and printed material gathered by John Haffenden for the authorized biography of Berryman, commissioned by Faber and Faber. Haffenden is a lecturer in English at the University of Sheffield.

Correspondence, manuscripts, and printed materials of Judith Johnson Sherwin.

Letters from McClure to David Meltzer discussing McClure's writings, especially during a visit to New York in 1961. Also, three poems sent to Meltzer; one letter, dated 1965, and addressed to Joe Pinelli; letters from McClure to his agent, Max Gartenberg, 1965-1967, concerning his negotiations with Grove Press; and 43 drafts of his MEAT SCIENCE ESSAYS, published by City Lights Books in 1963 and 1966.