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The collection documents the scholarship and writing of John Eugene Unterecker, a poet, biographer of the poet Hart Crane, and professor of English. The majority of the collection is composed of correspondence and manuscripts. Materials date from 1961 to 1987.

Thomas's correspondence with critics and magazine editors concerning her work; and the correspondence of her literary executors with Mark Van Doren about the publication of a posthumous volume of her poetry. Manuscripts and typescripts of her poems; the typescript of the posthumous edition of her poetry, poems rejected by the editors of this book, and their notes; and her prose manuscripts, including her M.A. thesis on the literary and psychological sources of Lawrence Durrell's "The Sonnet of Hamlet;" and the typescript of her anthology of poetry for use in secondary schools.

Manuscripts and correspondence of Schneider, including numerous manuscripts of short stories and poems, many of which are unpublished, and several full-length manuscripts of unpublished critical works. The collection also contains an extensive file of typescript reports on books for The Book Find Club, clippings of reviews written by Schneider and about his books, photographs and drawings of Schneider, and a file of correspondence relating to his writings. The literary correspondence includes letters from many of the important novelists, poets, and literary critics from the 1920s to the 1950s. They include Conrad Aiken, Sherwood Anderson, Kenneth Burke, Malcolm Cowley, Theodore Dreiser, Waldo Frank, Lillian Hellman, Robert Hillyer, Alfred Kreymborg, Thomas Mann, Arthur Miller, Marianne Moore, Lewis Mumford, Laura Riding, Muriel Rukeyser, Karl Shapiro, Stephen Spender, Mark Van Doren, and Yvor Winters.

Papers dealing with Robinson's activities as a student and instructor in English at Columbia University, editor of CONTEMPORARY VERSE, senior editor at THE READER'S DIGEST, poet and author of many books including THE CARDINAL. Among the correspondents are Melville Cane, Paul de Kruif, John Erskine, Merrill Moore, and Christopher Morley.

Letters from William Burroughs, Robert Creeley, Allen Ginsberg, and others concerning his poetry and translations and about their own lives. There are also a few poems and photographs.

Correspondence, manuscripts, and printed materials of Curtis Hidden Page. This collection contains a correspondence of 51 letters between Page and his grandmother, Mrs. Mary E. Hidden, as well as other family correspondence. Much of his incoming correspondence relates to social and academic pursuits, and his publishing activities, including letters from William Stome Booth of Houghton Mifflin concerning Page's anthology entitled "Chief American Poets." There are many holograph and typescripts of his poetry and poetical translations. Most of the poems are in several stages of progress. Present also are notebooks containing lecture notes from his student days.

Letters written by Millay as well as manuscripts, proofs, documents, photographs, reviews and clippings relating to her books published at Harper & Brothers such as "Conversation at Midnight," "Wine from these Grapes," "Collected Sonnets," and others. The papers consist of materials from the files of the designer Arthur W. Rushmore who was in charge of production at Harper & Brothers and was the proprietor of the Golden Hind Press which printed limited editions of several of her works. Included are proofs of the above works with annotations and corrections by Millay and Rushmore and a carbon typescript of "Wine from these Grapes." There are also a number of clippings of poems published separately in periodicals. Other correspondents include Millay's husband, Eugen Boissevain, and George Dillon, with whom Millay translated Baudelaire's "Flowers of Evil" and Selected Poems." Also in the collection are the production files for the aborted Steepletop edition of "The Buck in the Snow."

Letters from McClure to David Meltzer discussing McClure's writings, especially during a visit to New York in 1961. Also, three poems sent to Meltzer; one letter, dated 1965, and addressed to Joe Pinelli; letters from McClure to his agent, Max Gartenberg, 1965-1967, concerning his negotiations with Grove Press; and 43 drafts of his MEAT SCIENCE ESSAYS, published by City Lights Books in 1963 and 1966.