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Drawings executed by Le Corbusier as illustrations for lectures on architecture and city planning delivered at Columbia University in 1935 and 1961. Notations are in French. Drawings range from approximately seven to twenty feet long.

Included are 60 photographs, approximately half of which show architectural drawings and models of the New York State Capitol at Albany, and views of the Capitol under construction, circa 1860s-1880s. These primarily show the work of Eidlitz, Richardson and Company, who designed the Capitol. Projects of Fuller and Laver and I. G. Perry for the Capitol are also depicted. The rest of the photographs show other projects by Leopold Eidlitz and his firm including the American Exchange Bank, New York City, 1857; Broadway Tabernacle, New York City, 1859; the Continental Bank, New York City, 1856; the Cooper Union, New York City, circa 1886; Dry Dock Savings Bank, New York City, 1875; and Temple Emanu-El, New York City, 1868. Also, unidentified buildings, and buildings by other architects, including Cyrus W. Eidlitz (Association of the Bar of New York, Main Library, New York City, 1895), and Robert H. Robertson (Phillips Presbyterian Church, New York City, 1874). Two original drawings by Eidlitz of Christ Church, St. Louis, Missouri, circa 1859, and a competition design for the New York City Crystal Palace, circa 1852.

Papers consist primarily of Smith's files relating to his architectural work containing correspondence with clients, colleagues, contractors, suppliers, and others, with related bills, notes, receipts, accounts, estimates, specifications, time sheets, progress reports, and architectural drawings. Also, portrait photographs of young people (possibly classmates?) in Rochester, N.Y. and Evanston, Ill., circa late 19th century; a class roll card, 1901, for a class taught by Smith at the General Society of Mechanics and Tradesmen, New York; a memo book, undated, containing miscellaneous accounts, sketches, memoranda; correspondence, 1890s, between Ella Smith (Smith's mother) and Lucien Smith and other family members, Rochester, N.Y., and Elmhurst, Ill.; account book, 1891-1902, of Mrs. H. V. (Ella) Smith, Rochester, N.Y.; calling cards, invitations, photographs, letters, bills, receipts, and other, miscellaneous personal documents; student drawings made by Smith when at Columbia University's School of Architecture; drawings for a proposed "academy of art and archaeology" in Rome, 1905-1906; and drawings for Malvina Hoffman's house and studio in New York City.

This small collection contains primarily photographs, supplemented by a very few architectural drawings, specifications, and reference materials related to the projects and designs of Bertram Grosvenor Goodhue and his successor firm, Mayers, Murray & Philips, in the New York City region and in other locations in the United States. It also includes reference materials and a photograph of Betram Goodhue's New York City office.

Architectural drawings and photographs of buildings designed by the firm dating approximately from its founding to the 1950s. Among those represented are buildings at the World's Columbian Exhibition, Chicago, 1893; Pennsylvania Railroad Station, New York, 1906-1910; restoration, 1903, of the White House, Washington, D.C.; buildings at Columbia University's Morningside Heights campus, New York; Boston Public Library, Boston, Mass.; E.W. Morgan mansion; Municipal Building, N.Y.; Col. Elliott Shepherd House, Scarborough, N.Y.; buildings at Amherst College, Amherst, Mass.; Bellevue Hospital, New York; various New York City residences; and others. Also included are competition drawings for the New York Public Library; miscellaneous drawings and sketches; photographs of the partners and of other members of the firm; lists of the firm's work; clippings of articles about the firm; lists of the firm's employees; billing records, 1953-1955; account books, 1940s-1950s; bank books, 1895-1955; award certificates; and other office miscellany.

Five drawings show proposed alterations to the house, and three drawings show cottages on the grounds, circa 1801-1804. Two plans of the grounds, 1820, one with proposed alterations, are also included.

Included in this collection are nineteen albumen photographs and one lithographic print of architectural drawings submitted by architects for the competition to design the New York State Capitol building in Albany, circa 1866-1870. Competing architects and architectural firms represented here include Adams & Worthen, Louis Burger, Fuller & Gilman, Fuller & Laver, Schulze & Schoen, and several unidentified architects. Of note are drawings for the New York State Capitol by Louis Burger and Schulze & Schoen bearing inscriptions to Obadiah B. Latham, a member of the Capitol Commission. Also included are nine photographs showing construction in progress on the Capitol between July and September, 1869. Photographs of competition drawings by Schulze & Schoen for the Iowa Capitol, the New York Post Office, and the New York Life Insurance Company Building, as well as an unsigned drawing of the Ohio Capitol building are additionally part of this collection. Several of the images are labeled by the photographer E.S.M. Haines, also practicing as Haines & Wickes, in Albany, New York.

Architectural drawings and specifications for Codman's projects, circa 1890s-1930s, including the Martha Codman house in Washington, D.C.; alterations for Edith Wharton and her husband at their three residences, the Mount in Lenox, Mass., Land's End in Newport, R.I., and their Park Avenue home in New York City; work for the Thayer family of Boston, Mass., specifically Nathaniel Thayer's three homes in Boston, Lancaster, Mass., and Newport, R.I. ("Edgemere"), Bernard Thayer's Beacon Hill houyse in Boston, and Eugene Van Rensselaer Thayer's two houses in Boston and Lancaster, Mass.; the Lucy Dahlgren house in New York City; the Archer M. Huntington house on Fifth Avenue in New York City; interior design for John D. Rockefeller in his house "Kykuit" at Pocantico Hills, N.Y.; interior design work for the Vanderbilt family including Cornelius Vanderbilt's "Breakers" at Newport, R.I. and Frederick William Vanderbilt's mansion in Hyde Park, N.Y. and his house on Fifth Avenue in New York City; Oliver Ames' mansion at Pride's Crossing, Beverly, Mass., and his house in Boston; and interior decoration and alterations for Codman's own homes in Newport, R.I. and Roslyn, N.Y. and his villa in France, "La Leopolda", at Villefranche-sur-Mer. Also, lists, descriptions, and postcards of French chateaux, with related correspondence, circa 1900s-1930s, relating to Codman's bibliography on the chateaux of France; and miscellaneous lists of houses in England and France, correspondence, and printed material.

Included are photocopies of Cret's architectural drawings for the Hartford County Building, Hartford, Conn., 1926-1927; the Federal Reserve Building, Washington, D.C., 1936; the Folger Shakespeare Library, Washington, D.C., 1929; and miscellaneous projects. Also, Cret's sketches for monuments (including studies for the Quentin Roosevelt Fountain, 1919), covers and title pages for publications, a bridge, a bas-relief, a map, a medal, and a bookplate, circa 1901-1931. Includes one student drawing from the Ecole des Beaux Arts.