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Correspondence, manuscripts, photographs, and printed materials. There are manuscripts for his books, short stories, articles, and other writings. The printed materials include books written, edited, and translated by Komroff, as well as his contributions to anthologies and periodicals. There are also a number of books by other authors inscribed to him. Most of the photographs are portraits of literary figures, the majority of which were taken by Komroff.

Correspondence, manuscripts, notes, diaries, documents, photographs, audio tape recordings, printed materials, scrapbooks, and sketches and drafts of portraits. Her finished portraits on ivory are cataloged separately for the Art Collection (q.v.). The collection includes her correspondence with friends and clients; manuscripts of her articles, lectures, and many unpublished autobiographical drafts; pencil sketches, watercolor drafts, and photoprints of her portraits on ivory; photographs of her family amd travels; clippings and other printed materials; and three scrapbooks of clippings and memorabilia. There is cataloged correspondence from Arnold Genthe, S.I. Hayakawa, Karen Horney, Burges Johnson, Dwight Macdonald, and Alice B. Toklas, etc.

Correspondence, playscripts, screenplays, scenarios, short stories, and other manuscripts, drafts, photocopies, contracts and other documents, tearsheets, clippings, and other materials relating to his career as a screenwriter, playwright, and author of short stories. Correspondence with friends, students, admirers, and professional colleagues concern his teaching, playwriting, films, articles, photography, and literary topics. There are also two groups of letters from students and readers about his textbook, "The Human Nature of Playwriting" (1949). Among the cataloged correspondence are William Gibson, MacKinlay Kantor, Anna Louise Strong, Louis Untermeyer, and Carl Van Doren. Included are manuscripts, drafts, or photocopies of almost all his films, plays, and short stories, such as playscripts and drafts of his plays, "The Jazz Singer" (1922), "Skylark" (1939), "Jason" (1942), and others; screenplays and scenarios, many in photocopy, of "Trouble in Paradise" (1932), "The Merry Widow" (1934), "The Shop Aroung the Corner" (1940), "Suspicion" (1941), "Heaven Can Wait" (1943), and many other films; and manuscripts, drafts, tearsheets, and printed copies of his short stories and articles of film and television criticism. There are also many clippings and reviews, programs, and other printed materials about his plays and films.

Correspondence, manuscripts, documents, photographs, memorabilia, and printed materials. Correspondence is both professional and personal, relating primarily to Fuld's duties in the New York District Attorney's Office, as a judge in the state and federal courts, and to his civic work for the Jewish Theological Seminary, the City College of New York, New York University, and the Columbia University Law School. Major correspondents include: Thomas E. Dewey, Louis Finkelstein, Herbert Lehman, and Nelson A. Rockefeller. The rest of the collection consists of Fuld's briefs, opinions, memoranda, forms of indictments, appeals cases, reports for the New York State Court of Appeals from his appointment in 1946 through 1973, and manuscripts of his speeches and lectures. The memoranda series deals chiefly with investigations into organized crime. In addition there are biographical materials, memorabilia, and photographs.

The collection consists of approximately 100 articles by Seni︠u︡tovich (often signed Seni︠u︡tovich-Berezhnyĭ) on topics including genealogy, heraldry, military history, the history of Russia and the Ukraine, and the Russian emigration. There is also correspondence both to and from Seni︠u︡tovich, newsletters from the Ukrainian Genealogical and Heraldic Society, an autobiographical essay by Seni︠u︡tovich, and three photographs.