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The collection consists primarily of Underwood's pen-and-ink designs for these articles, with manuscript captions and notes to the printer; and illustrations for children's stories which appeared in THE SUN, ca. 1905-1910, together with typescripts, proofs, and printed copies of the stories, several of which are by Underwood. The collection also includes correspondence relating to a projected series of costume designs for THE LADIES' HOME JOURNAL, a manuscript of a work on geography, and scrapbooks and clippings relating to these projects.

The collection contains 26 letters by Rackham and nine Christmas cards either specially designed by him or incorporating designs made for his books. Letters to Rackham's biographer, Derek Hudson, from Winifred Wheeler, daughter of Walter Freeman, a friend who started Rackham on his commercial career. The manuscript notebooks, galley proofs, and a printed copy of Hudson's ARTHUR RACKHAM: HIS LIFE AND WORK are included. Also, notes, drafts, and miscellaneous material relating to the Arthur Rackham catalog published by the Friends of Columbia University Libraries in 1967. In addition, the library has a collection of 413 Rackham drawings, watercolors, and oil paintings, 30 sketch books, and about 400 printed books and ephemera.

Sketches, sketchbooks, scrapbooks, tearsheets, photographs and printed material. The collection includes more than 900 drawings and watercolors. The material covers much of Charles Saxon's professional career

A collection of letters addressed to Russell Potter, Director of the Institute of Arts & Sciences, relating to speaking engagerents and conferences. The correspondence, dated 1930-1945, includes letters from Gertrude Stein, Robert Frost, Edna Ferber, Al Smith, Henry Wallace, Anthony Eden, and Harold Laski. Some of the letters are of a personal nature.

Primarily oil portraits of 18th century literary figures. There are also engravings, and pen and ink and pencil sketches. Among the literary figures are portraits of Samuel Butler, Lord Byron, Thomas Carlyle; Colley Cibber; Charles Dickens; John Evelyn; John Foxe; David Garrick; Thomas Gray; Charles Lamb; Sir Thomas More; Sir Walter Raleigh; Samuel Richardson; Richard B. Sheridan; Alfred, Lord Tennyson; William M. Thackeray; and others. There is also a portrait by Blanche Ames of George A. Plimpton. Among the artists represented in the collection are James Maubert, Frederick Sandys, and William Hogarth (attrib.)

Letters, documents, and printed materials documenting Macy's publishing career, including that relating to the Nonesuch Press, dating from 1941 to 1960. Included also are photographs, awards, and financial papers. The correspondents include many of Macy's close friends including Peter Beilenson, William Rose Benét, Clifton Fadiman, Christopher Fry, Lillian Gish, Alec Guinness, Fritz Kredel, Frederic and Florence March, Francis Meynell, Bruce Rogers, Louis Untermeyer, Carl Van Doren, and Lynd Ward. Also, miscellaneous engravings, lithographs, and drawings. The collection also includes 3 series of books: Macy-Masius Readers Club, Readers Club and Heritage Press. Macy Memorial Limited Addition Club books were cataloged individually as MACYMEM

A collection of letters, manuscripts, proofs, and drawings of English and American authors, including 33 letters from Alan Gabriel Barnsley (Gabriel Fielding) to Derek Stanford; a letter from James Boswell to George Colman the younger; a letter from Wilkie Collins; a letter from James Fenimore Cooper to William Buell Sprague; a letter from Dinah Maria Mulock Craik; letters from E.M. Forster; letters from Sarah Grand to James B. Pond; letters from T.B. Macauley; a letter from Hester Lynch Piozzi to James Robson; letters and cards from G.B. Shaw; letters from R.B. Sheridan to Thomas Grenville and to C. Ward, and a letter from Elizabeth Ann Linley Sheridan to R.B. Sheridan; a letter from William Wordsworth to F.W. Faber; a letter to Alfred, Lord Tennyson to Benjamin Disraeli; letters from Anthony Trollope written to Frederic Chapman, Mary Christie, J.T. Fields, Frederic Harrison, and others; letters from Ellen Terry and Rhoda Broughton, and postcards from Evelyn Waugh to Graham Ackroyd. The manuscripts include examples by Max Beerbohm, Arnold Bennett, Elizabeth Bowen, John Burroughs, Ivy Compton-Burnett, A.E. Coppard, Baron Corvo, Cecil Day Lewis, Ronald Firbank, E.M. Forster, George Gissing, Sarah Grand, A.P. Herbert, Rudyard Kipling, Edward Lear, Henry W. Longfellow, Amy Lowell, John Wilmot 2nd Earl of Rochester, G.B. Shaw, Edith Sitwell, and Logan Pearsall Smith.

Collection contains watercolor renderings, sketches, technical drawings (ground plans, elevations and details), photographs, glass plate and acetate negatives, scrapbooks, set models and some related papers covering Urban's career in Vienna and New York as an architect, set designer, decorator and illustrator. There is a thorough representation of his New York career including his set designs for Florenz Ziegfeld (1915-1932) and the Metropolitan Opera (1917-1933). The collection also contains information on Urban's work for William Randolph Hearst as art director for Cosmopolitan Studios, his exhibitions including his 1921 Wiener Werkstätte store, and his many architectural projects. Biographical information and research gathered by Richard Cole and Randolph Carter including contributions from his daughter,Gretl Urban, and biographical notes and some letters from his widow, Mary Urban, are also present.