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Frederick L. Hoffman Papers, 1881-1989

16 linear feet
Abstract Or Scope
Personal and professional correspondence, publications, poetry manuscripts and diaries, and scrapbooks belonging to Prudential Insurance Company statistician, cancer researcher, and eugenicist Frederick Ludwig Hoffman (1865-1946). These items document Hoffman's career, family life, and his extensive travels.
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George Santayana papers, 1880-1946

10 linear feet
Abstract Or Scope

Letters from Agustin Ruiz de Santayana have typescript carbon English translations. The translations are not on microfilm.

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Mira Edgerly Korzybska papers, 1850-1960

13 linear feet
Abstract Or Scope

Correspondence, manuscripts, notes, diaries, documents, photographs, audio tape recordings, printed materials, scrapbooks, and sketches and drafts of portraits. Her finished portraits on ivory are cataloged separately for the Art Collection (q.v.). The collection includes her correspondence with friends and clients; manuscripts of her articles, lectures, and many unpublished autobiographical drafts; pencil sketches, watercolor drafts, and photoprints of her portraits on ivory; photographs of her family amd travels; clippings and other printed materials; and three scrapbooks of clippings and memorabilia. There is cataloged correspondence from Arnold Genthe, S.I. Hayakawa, Karen Horney, Burges Johnson, Dwight Macdonald, and Alice B. Toklas, etc.

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Samson Raphaelson papers, 1916-1982

19.5 linear feet
Abstract Or Scope

Correspondence, playscripts, screenplays, scenarios, short stories, and other manuscripts, drafts, photocopies, contracts and other documents, tearsheets, clippings, and other materials relating to his career as a screenwriter, playwright, and author of short stories. Correspondence with friends, students, admirers, and professional colleagues concern his teaching, playwriting, films, articles, photography, and literary topics. There are also two groups of letters from students and readers about his textbook, "The Human Nature of Playwriting" (1949). Among the cataloged correspondence are William Gibson, MacKinlay Kantor, Anna Louise Strong, Louis Untermeyer, and Carl Van Doren. Included are manuscripts, drafts, or photocopies of almost all his films, plays, and short stories, such as playscripts and drafts of his plays, "The Jazz Singer" (1922), "Skylark" (1939), "Jason" (1942), and others; screenplays and scenarios, many in photocopy, of "Trouble in Paradise" (1932), "The Merry Widow" (1934), "The Shop Aroung the Corner" (1940), "Suspicion" (1941), "Heaven Can Wait" (1943), and many other films; and manuscripts, drafts, tearsheets, and printed copies of his short stories and articles of film and television criticism. There are also many clippings and reviews, programs, and other printed materials about his plays and films.

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Siegfried Sassoon papers, 1894-1966

3 linear feet
Abstract Or Scope

Correspondence and manuscripts. The collection includes manuscript drafts and typescripts of two volumes of his autobiography: THE OLD CENTURY AND SEVEN MORE YEARS, 1938; and THE WEALD OF YOUTH, 1942. There are also 13 volumes of early notebooks for the period 1894 until 1909 (from age 8 to 22) containing drafts of over 200 poems, 19 short stories and many drawings. There is some correspondence about the autobiography. Also includes 21 letters from Arnold Bennett, 51 letters from Lady Ottoline Morrell, 26 letters from H.M. Tomlinson, 19 letters from Sassoon to his mother-in-law, Lady Gatty, 22 letters from Sassoon to his son, letters from many others, and a typescript of his poem "A love affair" with holograph note

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Viacheslav Georgievich Seniutovich Papers, 1919-1975

0.5 linear feet
Abstract Or Scope

The collection consists of approximately 100 articles by Seni︠u︡tovich (often signed Seni︠u︡tovich-Berezhnyĭ) on topics including genealogy, heraldry, military history, the history of Russia and the Ukraine, and the Russian emigration. There is also correspondence both to and from Seni︠u︡tovich, newsletters from the Ukrainian Genealogical and Heraldic Society, an autobiographical essay by Seni︠u︡tovich, and three photographs.

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