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These papers consist of correspondence, manuscripts, documents, art works, printed materials, and a photograph, and relate chiefly to Russian artists and ballet personalities active in France in the 1920s and 1930s. Records of the Parisian World of Art (Mir Iskusstva) group, of which Shervashidze was the president, includes correspondence, documents, an exhibit program, clippings and a photograph of the artists involved. There is correspondence from Lev Bakst, Ivan Bilibin, Sergei Diagilev, Mikhail Larionov, Georgii Lukomskii, and Joan Mirʹo, and one letter each from Nikolai Roerich, and Nataliia Goncharova. There are also many letters from Shervashidze's family in the Soviet Union from the 1920s and 1930s. Illustrative materials by Shervashidze include programs, prints and water colors.

The papers include Grundt's memoirs, a play, and correspondence. The memoirs are in two series: "Baletnye vospominanii︠a︡ (4 notebooks, 392 p.), and "Moi︠a︡ anekdoticheskai︠a︡ zhizn"́ (3 notebooks, 288 p.). The memoirs deal with her career in the ballet in Russia and, after she emigrated in 1920, in Yugoslavia and France; emigre cultural life in Europe; and her personal life. Also included are two poems and two stories by Nikolaĭ D. Rudich, which he sent to Grundt.