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The Group for Contemporary Music records document the function of an American chamber ensemble dedicated to the performance of contemporary classical music, dating from 1961 to 2012. The records consist of correspondence, photographs, programs, memoranda, schedules, meeting notes, clippings, contracts, bills, financial records, fund raising and grant applications, and so on.

Correspondence, manuscripts, documents, notes, printed material, and photographs of Leonard Altman concerning his work as editor of LISTEN and board member of Carnegie Hall as well as his other professional and personal interests.

Beethoven's analysis of the Kyrie fuge from Mozart's Requiem and his sketch for Missa Solemnis (Gloria fugue).

Transcripts of letter by and to George Antheil, as well as photocopies of article, lists, reviews, programs, etc.

Prose manuscripts, related correspondence, notes, printed material, and audio tapes of Thomson. Included are notes and drafts of many of Thomson's early articles, written while he was a student at Harvard University and in Paris, and numerous manuscripts of columns published in the HERALD TRIBUNE in the 1940s. Thomson's special interests reflected in these writings are modern music, American hymns, and the performance of music in Europe. Also, manuscripts and related material for six of Thomson's books and for Gertrude Stein's BEE TIME VINE, which was published after her death and for which he wrote the preface; and 125 reels of tapes of Thomson's program on radio station WNCN (New York), 1969-1970. Cataloged correspondents include Chalmers Clifton, Lincoln Kirstein, Alfred A. Knopf, and Man Ray.