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Papers and correspondence including letters from leading intellectuals of the United States and Europe. Much of this correspondence pertains to the publication and critical discussion of his two influential works, MANHOOD OF HUMANITY : THE SCIENCE AND ART OF HUMAN ENGINEERING (1921) and SCIENCE AND SANITY : AN INTRODUCTION TO NON-ARISTOTELIAN SYSTEMS AND GENERAL SEMANTICS (1933).

Correspondence, manuscripts, memoranda, contracts, and miscellaneous material from the files of Don Congdon Associates, Inc., literary agency, dealing with the editing and publishing of American and English books, serial rights, reprints, dramatic rights, translations, foreign rights, promotion, and copyright restrictions. Select files pre-date the firm's establishment because some clients of Harold Matson Company, Inc. became clients of Don Congdon Associates, Inc. The cataloged correspondence include: Ray Bradbury, Lillian Hellman, William Manchester, William Shirer, William Styron, and Francois Truffaut.

Professional and personal files including Armstrong's correspondence with professional associations, other engineers, and friends, his research notes, circuit diagrams, lectures, articles, legal papers, and other related materials. Of his many inventions and developments, the most important are: 1) the regenerative or feedback circuit, 1912, the first amplified radio reception, 2) the superheterodyne circuit, 1918, the basis of modern radio and radar, 3) superregeneration, 1922, a very simple, high-power receiver now used in emergency mobile service, and 4) frequency modulation - FM, 1933, static-free radio reception of high fidelity. More than half the files concern his many lawsuits, primarily with Radio Corporation of America, over infringement of the Armstrong patents. Litigation continued until 1967. Other files deal with his work in the Marcellus Hartley Research Laboratory at Columbia University, 1913-1935, and with the American Expeditionary Forces in France during World War I, his Air Force contracts for communications development, Army research during World War II, the Radio Club of America, the Institute of Radio Engineers, FM development at his radio station at Alpine, N.J., the use of FM in television, his involvement in Federal Communications Commission hearings and legislation, and his work with the Zenith Radio Corporation. Also, letters to H.J. Round

Manuscripts, notes, correspondence, printed materials, and books. Ther collection contains typescript manuscripts with handwritten corrections of Cantor's novels"Enemy in the Mirror" (N.Y.: Crown Books, 1977) and "Love Letters" (N.Y.: Crown Books, 1980); printed works composed by Gallery 33 of the Composing Room, which Cantor headed from 196l to 1971; and articles by Cantor from various magazines, including "Esquire" and "Coronet". Also included are typescript manuscripts of "The Rite" (N.Y.: Zebra Books, 1979) and "The Nest" (N.Y.: Zebra Books, 1980), novels written by Cantor under the pseudonym Gregory A. Douglas. Series II of the collection contains 59 bound volumes of publications, edited by Cantor, from the "Research Institute of America", a New York based organization devoted to economic affairs

The records include annual reports, board minutes, budgets, by-laws, correspondence, memos, publications, reports, scrapbooks, photographs and printed material. They document the settlement and its antecedent institutions from 1854 to 1994, offering a unique view of the first wave of the settlement house movement in America, as well as related philanthropy and social welfare activities in New York City over a 140 year period. The origins of Goddard-Riverside Community Center are documented in Series I, which includes eight institutional subseries. These records provide a wealth of information on philanthropic, social welfare and settlement work from the mid-19th century through the 1950s. Series II - IV document the activities of the settlement from 1959 to the 1990s, with a particular emphasis on the urban renewal period of the 1960s. Items in Series VII include photographs of staff, activities, facilities of Goddard-Riverside Community Center, as well as several of its predecessor institutions.

This archive consists of manuscripts, business files, production materials, and correspondence from 1966 -2012. The journal Hanging Loose was first published in 1966 was preceded by the journal Things, begun by two Columbia College students Emmet Jarrett and Ron Schreiber, Hanging Loose Press founders. The most recent issue #101 was published in 2013. The press has also published books, mostly poetry. The selection process is collective and inclusive. Hanging Loose publishes high school students and has dedicated issues to literature written by prison inmates. HL published Hettie Jones, long-time Columbia-affiliated poet Paul Violi, Jack Agueros, Sherman Alexie, and Charles North, as well as many of the collective members. Denise Levertov is a former board member.

Correspondence, manuscripts, memoranda, contracts and other legal papers, advertising, and printed materials. The files, 1958-1978, of the Harold Matson Company, Inc. include correspondence with authors, publishers, and other agents and deal with the editing and publishing of American and English books, serial rights, reprints, dramatic rights, translations, foreign rights, promotion, and copyright registration. The contract file of McIntosh, McKee & Dodds, Inc. Literary Representatives is also included.

The collection contains correspondence with the authors, including contracts signed with authors as well as negotiations with the authors over various aspects of publishing their works; financial records documenting many aspects of the operation of Harper & Brothers, including royalties paid to authors, records of stock offerings and company reorganizations, and general ledgers which contain daily notes on all aspects of the operation of the business; book catalogues and trade lists; research materials collected by Eugene Exman for his history of Harper & Brothers; visual materials, from drawings and photographs of Harper's authors to colophon designs and an oil painting of the original Harper's building.