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Amos Vogel papers, 1896-2001, bulk 1960-1990

68 linear feet
Abstract Or Scope
This collection documents the professional work of film critic, professor, and author, Amos Vogel. The bulk of the records are concerned with numerous films that Vogel has screened for Cinema 16, the independent film society that he founded and directed for sixteen years, as well as administrative records, correspondence, photographs, and printed material.
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Theodore Richards Conant Collection, 1949-2010, bulk 1953-2000

76 Linear Feet
Abstract Or Scope
The Theodore Richards Conant Collection documents the life and film making career of Theodore Richards Conant, dating from 1949 to 2010, with the bulk of the materials dating from 1953 to 2000. The focus of the materials is on the Korean War, Korean culture and society. Materials in the collection consist of his personal papers and a substantial amount of audiovisual materials related to the documentary films created and/or collected by him during his career. The personal papers consist of clippings, ephemera, correspondence, scenarios, notes, catalogs, journals and other unique items. The photographs in the collection document Korea's political and cultural aspect, as well as Conant's work in Korea as a film producer while working in the UN Korean Reconstruction Agency (UNKRA). The audiovisual materials are the documentaries directed and filmed by Conant, related to the Korean War, Korean society and culture.
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Wan-go H.C. Weng film collection, circa 1938-1991, bulk 1948-1980

50 Linear Feet
Abstract Or Scope

The Wan-go H.C. Weng film collection (翁萬戈影視收藏) consists of motion picture film materials from the collection of Weng Wango (1918-2020), the noted art historian, art collector, and filmmaker. The collection consists of approximately 739 individual film elements, almost all 16mm, dating from circa 1944 to 1980. In addition to the 16mm film, there are three 35mm films and 28 1/4-inch open-reel audiotapes. The materials in the collection primarily relate to films produced by Weng, including series of films on Chinese history, Chinese cities and towns, and Chinese art. The collection also includes materials were collected by Weng but were, presumably, owned by him or his production company. Included in the collection are a wide variety of different types of film elements, including original film, master picture and sound elements, projection prints, work prints, trims, and outs. While some of Weng's films have been made available through various avenues, including the educational film distribution circuit, DVDs, and online, this is almost certainly the most complete collection of Weng's work, containing master and original materials for many of his films.

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