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The Edward M. Kennedy Prize records are records related to the adminstration of the prize. These include administrative material such as nomination forms and correspondence, as well as the finalists' and winning submissions.

Two playscripts of THE MILKTRAIN DOESN'T STOP HERE ANYMORE along with numerous drafts of the play's six scenes. Many of the pages bear cuts, corrections, and alterations by Williams. Also, the author's pen-and-ink rough sketch of the set. The playscripts and drafts are mainly photo-offset, typescript, and carbon typescript. There are also notes, a revision, photographs, and playbill for the production at the Festival dei due Mondi, Spoleto, July 1962.

The collection includes seven manuscripts by W. A. Dwiggins as well as correspondence between Dwiggins and Melbert B. Cary, Jr. of The Press of the Woolly Whale, regarding publication of Dwiggins' A TECHNIQUE FOR DEALING WITH ARTISTS. The manuscripts are "Prelude to Eden" (a play), 1939; A TECHNIQUE FOR DEALING WITH ARTISTS, 1941; "Typophiles Salutem Vobis Dico" 1937; Script No. 1, Made to write the score of a marionette ballet by Foster Trainer, ca. 1951?; Script No. 1"Elijah" n.d.; Script No. 2"Shapes of the 1/4 note heads" n.d.; and Script No. 3"A and B" n.d.

The collection includes typescript libretti of Obkircher's operas and plays including KURT UND MARIANNE; OPFER; UNSCHULDIG; WAHL; and WILHELM KÜHNER, and of his collected poems. These are bound in eight volumes and are all in German. Most of these are signed by Obkircher. There are also two letters from Obkircher.