Search

Correspondence, by-laws, memoranda, contracts, permission forms, reports, bank statements and other legal papers, advertising, and printed materials.

These papers are the correspondence, manuscripts, memoranda, and publicity for poetry readings at the Camden Festivals of 1969 and 1970. There is also the book-manuscript and proofs for TWELVE TO TWELVE (London, Poets' Trust, 1970), twelve poems which were commissioned for the 1970 festival. The correspondents include Charles Causley, C. Day Lewis, Ted Hughes, Christopher Logue, Hugh MacDiarmid, Gary Snyder, and Louis Zukofsky.

Correspondence and proofs for two books by Hughes, ANIMAL POEMS (Richard Gilbertson, 1968) and FIVE AUTUMN SONGS FOR CHILDREN'S VOICES (Richard Gilbertson, 1968). Also, two watercolor drawings and two pen and ink drawings for FIVE AUTUMN SONGS, by Philidor Gili.

The files of John Cushman Associates, Inc. include correspondence with authors, publishers, and other agents and deal with the editing and publishing of American and English books, serial rights, reprints, dramatic rights, translations, foreign rights, promotion, and copyright registration.

Letters, manuscripts, and books, including four letters from MacNeice to the poet and editor, Geoffrey Grigson. The manuscripts, either by or about MacNeice, include ten of his last poems. Five of these have been published in SOLSTICE, 1961, and four in THE BURNING PERCH, 1963. Drafts of the first group of poems were written in a personal notebook used by the poet while he worked for the British Broadcasting Corporation. In another similar notebook is a partial draft of his play "The Administrator." Both notebooks are in the collection. Also, an untitled, unpublished poem of seven stanzas"Tingling [born] the burning island" written on the reverse of a map. Works about NacNeice include manuscripts of a memoir and a radio portrait by Robert Pocock. The portrait has poignant comments and personal reminiscences by twenty of the poet's contemporaries, including John Betjeman, Anthony Blunt, W.H. Auden, E.R. Dodds, Stephen Spender, and others. Both Auden and a literary coterie of Spender, Betjeman, William Empson, and Cyril Connoly taped disucssions of MacNeice and his poetry. Also, thirty-eight books that were in MacNeice's personal library. Most are autographed by him, and many have marked passages and marginal notes. One of the books, Euripides' ALCESTIS AND OTHER PLAYS, is heavily annotated, apparently for a broadcast production.

The collection consists of 32 letters from Alan Sillitoe to his friends, the noted calligrapher John Charles Tarr and his wife, Dorothy, which concern Sillitoe's life, work, and interests during his most creative years.

Letters and manuscripts. The letters are addressed to Miss Rubinstein, an accountant for Waugh's literary agent, A. D. Peters, who also did private typing for him on the side. These letters are concerned with manuscripts he was sending her for that purpose. Also included are the manuscripts for two of Waugh's essays

Strachan's correspondence with his primary publisher, Peter Owen of London relates chiefly to the nuts and bolts of translation and publication. The translations that are the subject matter of the letters are of Hermann Hesse, Caesar Pavese, Marc Chagall, Jean Cocteau, and Julien Gracq. The majority of the letters are accompanied by retained copies of the replies of Peter Owen. Included is Owen's correspondence with the American publisher George Wittenborn.

Correspondence and manuscripts including drafts, typescript, notes, photographs, mimeographed scripts and printed materials, re. Hall's plays, radio and television scripts, short stories, and novels. Among the cataloged correspondents are: Alan Ayckbourn, Robert Bolt, Christopher Fry, Sir John Gielgud, and Harold Pinter.