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A collection of literature and music produced for the use of U.S. Armed Forces during World War II. Included are paperbound reprints of popular fiction, popular classics, poetry, and other books of general interest, specially manufactured for distribution to American soldiers and sailors overseas and to soldiers in the army hospitals in the United States. The music includes song books, army field manuals for bands, camp show books and a set of ARMY HIT KIT OF POPULAR SONGS, June 1943-April 1944. Also includes a selection of sheet music of popular songs with a war or patriotic theme. 1985 addition: a few samples of war poetry, humor, battle accounts and memorabilia

Correspondence, manuscripts, documents, photographs and printed materials. The correspondence is with American and English literary figures and Columbia faculty members. Included are 38 letters from Brander Matthews and 4 from Edmund Gosse. There are 5 letters from Trent to George Whicher, 3 to John Hart, and 180 postcards and letters to John Bell Henneman, as well as a group of miscellaneous letters to and from Trent. Also included are a holograph fair copy of Trent's poem "Germany, 1915" with his covering a.l.s. and several miscellaneous poems; and his contract with J.B. Lippincott Co. for the publication of GEORGE SAND. There are also two documents signed by George W. Maynard. Among the photographs is a photograph album, prepared by Hudson Stuck in 1899, of people and scenes from Dallas, Texas. Among the printed materials are Trent's examinations and outlines for English courses, and THE UNPOPULAR REVIEW with numerous pages of Trent's notes

Correspondence, manuscripts, typescripts, contracts, legal briefs, patents, and other documents, music scores, cartoons, technical drawings, account books, blueprints, photographs, clippings, printed legal briefs & transcripts, proofs, scrapbooks, and other printed materials of William M. Speer.

Correspondence, manuscripts, notes, memoranda, notebooks, notecards, proofs, photographs, microfilms, and printed materials. The Papers include the manuscript research materials and correspondence for each of his books except his biography of Theodore Dreiser. Among the correspondents are William Benton, Bruce Catton, Carey McWilliams, Mrs. Fremont Older (Cora Miranda Baggerly Older), and Thornton Wilder.

Proofs, photographs, photostatic copies, and other printed materials of Roscoe. Included are proofs and illustrative materials for his book The Web Of Conspiracy; The Complete Story Of The Men Who Murdered Abraham Lincoln, and a printed copy of his book, Only In New England, a book of crime fiction.

Letters written to Gay from political and literary contemporaries such as Horace Greeley, Charles Sumner, and William Bryant; reports in letter form from his reporters at the front during the Civil War; and personal correspondence including many letters from his wife, Elizabeth Neall Gay. Letters written to Mrs. Gay from family friends and business associates including many from her husband. Correspondence of other members of the Gay family including Walter Gay, Sarah Gay, and Allan Gay. Diaries, notebooks, and journals of Sydney Howard Gay.

Correspondence, manuscript, and drawings relating to English and American literature of the 19th and early 20th centuries collected by Solton (1896-1961) and Julia (-1984) Engel. Ten letters and four manuscripts of poems by Rudyard Kipling form the largest unit within the collection. Prominent among the other items are the manuscript of Robert Louis Stevenson's "Mock Trial" and two Walt Whitman letters, a copy of R. W. Emerson's famous "Leaves of Grass" letter in Whitman's hand and Whitman's letter to Conway regarding the Emerson letter. Also included is a letter from James Fenimore Cooper to Mary Rutherfurd Clarkson Jay, wife of Peter Augustus Jay. Thirty-one of the drawings in the collection are by William Wallace Denslow and John Rae Neill and represent illustrations done for various works by L. Frank Baum. There are also two drawings of Gelett Burgess, one ot "The Goop" and the other of "The Purple Cow." Castings of the obverse and reverse of the bronze Kipling medallion commissioned by Engel in 1953 from Julio Kilenyi are stored in 2 oversize boxes. Most of the items in this collection relate to a collection of first editions which was also presented to the Libraries by Mr. and Mrs. Engel.

Correspondence and manuscripts. The collection includes manuscript drafts and typescripts of two volumes of his autobiography: THE OLD CENTURY AND SEVEN MORE YEARS, 1938; and THE WEALD OF YOUTH, 1942. There are also 13 volumes of early notebooks for the period 1894 until 1909 (from age 8 to 22) containing drafts of over 200 poems, 19 short stories and many drawings. There is some correspondence about the autobiography. Also includes 21 letters from Arnold Bennett, 51 letters from Lady Ottoline Morrell, 26 letters from H.M. Tomlinson, 19 letters from Sassoon to his mother-in-law, Lady Gatty, 22 letters from Sassoon to his son, letters from many others, and a typescript of his poem "A love affair" with holograph note

Correspondence, manuscripts, playscripts, screenplays, diaries, documents, contracts, financial records, photographs, phonograph records, motion pictures, playbills, posters, sheet music, cartoons, art work, memorabilia, scrapbooks, and printed materials. . The collection consists chiefly of correspondence and production files relating to the creation, production, and performance of their works for stage, screen, radio, and television, such as Leave It To Me and Kiss Me Kate (with music by Cole Porter), Boy Meets Girl, and My Three Angels. Correspondence (with twentieth century authors, playwrights, musicians, political figures, and actors) includes: George Abbott, Jean Arthur, Bennett Cerf, Katharine Cornell, Jo Davidson, George and Ira Gershwin, Alec Guinness, W. Averell Harriman, Lilli Lehmann, Mary Martin, Laurence Olivier, Mary Pickford, Cole Porter, Regina Resnick, Eleanor Roosevelt, Robert E. Sherwood, Lincoln Steffens, Kurt Weill, Rebecca West, and Thornton Wilder. There is also correspondence concerning Bella Spewack's work with the New York Girls' Scholarship, UNRA, and the Sports Center of Israel. In addition to the production files, there are manuscripts and typescript drafts for novels, short stories, and articles by the Spewacks.