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This collection documents the professional work of film critic, professor, and author, Amos Vogel. The bulk of the records are concerned with numerous films that Vogel has screened for Cinema 16, the independent film society that he founded and directed for sixteen years, as well as administrative records, correspondence, photographs, and printed material.

The Andrew Sarris Papers are comprised of correspondence, drafts and manuscripts, clippings, printed ephemera, periodicals, monographs, photographs, and audio recordings related to the career and personal life of renowned film critic Andrew Sarris. The materials span several decades, from the inception of his career as a film critic and theorist in the mid-1950s to the last years of his long tenure at The Village Voice in the late 1980s..

The Dan Talbot Papers document the business operation of the New Yorker Films, an independent film acquisition and distribution company, dating from 1960s to 2008, as well as movie theaters in the Upper West Side Manhattan which he operated, dating from 1960 to 2007. It is of particular relevance to New Yorkers as the Talbots operated the New Yorker Theater, Cinema Studio, Metro, and Lincoln Plaza Cinemas, on the Upper West Side, as popular venues to view independent and foreign films.