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A collection of letters, manuscripts, proofs, and drawings of English and American authors, including 33 letters from Alan Gabriel Barnsley (Gabriel Fielding) to Derek Stanford; a letter from James Boswell to George Colman the younger; a letter from Wilkie Collins; a letter from James Fenimore Cooper to William Buell Sprague; a letter from Dinah Maria Mulock Craik; letters from E.M. Forster; letters from Sarah Grand to James B. Pond; letters from T.B. Macauley; a letter from Hester Lynch Piozzi to James Robson; letters and cards from G.B. Shaw; letters from R.B. Sheridan to Thomas Grenville and to C. Ward, and a letter from Elizabeth Ann Linley Sheridan to R.B. Sheridan; a letter from William Wordsworth to F.W. Faber; a letter to Alfred, Lord Tennyson to Benjamin Disraeli; letters from Anthony Trollope written to Frederic Chapman, Mary Christie, J.T. Fields, Frederic Harrison, and others; letters from Ellen Terry and Rhoda Broughton, and postcards from Evelyn Waugh to Graham Ackroyd. The manuscripts include examples by Max Beerbohm, Arnold Bennett, Elizabeth Bowen, John Burroughs, Ivy Compton-Burnett, A.E. Coppard, Baron Corvo, Cecil Day Lewis, Ronald Firbank, E.M. Forster, George Gissing, Sarah Grand, A.P. Herbert, Rudyard Kipling, Edward Lear, Henry W. Longfellow, Amy Lowell, John Wilmot 2nd Earl of Rochester, G.B. Shaw, Edith Sitwell, and Logan Pearsall Smith.

Correspondence, manuscript music scores, copies of scores, playscripts, scenarios, watercolor drawings and other stage designs, contracts, legal papers, programs, clippings and other printed materials, microfilms, records, tape recordings, and photographs. Among Moross's work are the musical play, "The Golden Apple"(1954), dance music for "Ballet Ballads"(1945) and for "Frankie and Johnny"(1938), the film score for "The Big Country"(1958) and for "The Cardinal"(1963), and his Symphony No. 1 (1943). There are some financial papers and production records for the staging of his works. Among the cataloged correspondents are Aaron Copland, Agnes George De Mille, Ned Rorem, Virgil Thomson, and Thornton Wilder.

This collection documents the life and career of J. Max Bond, Jr., one of the most influential and prominent African-American architects and educators in the United States. The collection primarily documents Bond's professional activities rather than his building projects; however, the collection does contain project records and office records. The collection is made up of six series: Office Records, Personal Papers, Faculty Papers, Professional Papers, Project Records, and Reference Materials.

Correspondence, manuscripts, galley proofs, research notes, articles, interviews, course notes, photographs, printed materials, and microfilms. The correspondence begins in 1962 and ends in 1990; it details his professional work and interests. The manuscripts are extensive and are accompanied by his research notes. Prominant among the manuscripts are: "The American Nation;" "Interviews with American Historians;" "Guide to Study Abroad;" "Harper Encyclopedia of Notable Americans." In addition there are numerous subject files covering a wide range of topics and people

These interviews, conducted by John Benson with comics greats such as William M Gaines, Will Eisner, Harvey Kurtzman, and more, were published in abridged form in fanzines such as SQUA TRONT and ALTER EGO. Originally on reel-to-reel tapes, they will be digitized, giving listeners an unedited glimpse into the views of legends at the heights of their careers.

Material gathered by Oswald Garrison Villard in the researches for his biography JOHN BROWN, 1800-1859: A BIOGRAPHY FIFTY YEARS AFTER. A large part of the materials is copies of correspondence both contemporary and of a later period, concerning John Brown and his associates, especially in the Kansas Territory and at the Harper's Ferry raid. Of the original letters in the collection, many are from descendants and family of John Brown and the men who accompanied him on his raid. There are clippings, pamphlets, proof sheets, and other printed matter. Photographs number 181 items.

Correspondence, documents, photographs, tape recordings of interviews with people who knew John Berryman, and printed material gathered by John Haffenden for the authorized biography of Berryman, commissioned by Faber and Faber. Haffenden is a lecturer in English at the University of Sheffield.

Correspondence, manuscripts, diaries, notebooks, copies of scores, drawings, programs, clippings and other printed materials, and photographs. Among the cataloged correspondents are: Leonard Bernstein, Carol Channing, and Douglas Moore.

Correspondence, manuscripts, dispatches, documents, clippings and other printed materials concerning his career as an editor and correspondent for the New York Herald Tribune in Moscow, Berlin and New York, as a staff member of the Institute of Pacific Relations from 1932 to 1934, as deputy director in the Office of War Information overseas branch, 1941-44, as an owner and editor of the New York Star, 1948-49, as an instructor in communications at Sarah Lawrence College, 1950-1951, as a book editor at Simon and Schuster, Publishers, 1951-1970, and as an author and translator.