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Punch Productions screenplays, 9999

45 linear feet
Abstract Or Scope

36 record cartons of screenplays.

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Press kits collection, 1988-2002

5 linear feet
Abstract Or Scope

Information in press kits includes press releases, credit and cast lists, production information, cast biographies, plot summaries, position papers, photographs, both of the film and of behind-the-scenes, Cds, slides.

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Richard Brick and Geri Ashur collection, 1968-2014, bulk 1975-2005

43 Linear Feet
Abstract Or Scope
The Richard Brick and Geri Ashur collection consists of materials related to film productions created and collected by Richard Brick and Geri Ashur, dating from 1968 to 2014. The materials document the career of Richard Brick as a filming professor, producer, and the first commissioner of the Mayor's Office of Film, Theatre and Broadcasting (MOFTB). The collection also includes materials related to films by Geri Ashur. The bulk of the collection focuses on the motion picture films and production files of the films Richard Brick and Geri Ashur produced, as well as the administrative records that document Richard Brick's contribution to the filming industry in New York during his tenure as the commissioner of the Mayor's Office of Film, Theatre and Broadcasting (MOFTB).
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Cathleen Nesbitt letters : to Anita Loos, 1965-1975

1 box
Abstract Or Scope

Letters from Nesbitt to Anita Loos, author and playwright, dealing with their mututal theater friends, Nesbitt's acting career and health, and Loos' books. There is also one telegram from Anita Loos to Cathleen Nesbitt.

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Theodore Richards Conant Collection, 1949-2010, bulk 1953-2000

76 Linear Feet
Abstract Or Scope
The Theodore Richards Conant Collection documents the life and film making career of Theodore Richards Conant, dating from 1949 to 2010, with the bulk of the materials dating from 1953 to 2000. The focus of the materials is on the Korean War, Korean culture and society. Materials in the collection consist of his personal papers and a substantial amount of audiovisual materials related to the documentary films created and/or collected by him during his career. The personal papers consist of clippings, ephemera, correspondence, scenarios, notes, catalogs, journals and other unique items. The photographs in the collection document Korea's political and cultural aspect, as well as Conant's work in Korea as a film producer while working in the UN Korean Reconstruction Agency (UNKRA). The audiovisual materials are the documentaries directed and filmed by Conant, related to the Korean War, Korean society and culture.
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Theatre World, Dance World, and Cinema World Annuals Collection, 1945-2014

267 linear feet
Abstract Or Scope

Contains programs, playbills, correspondence, reviews, head shots, copies of the publications, and applications filled out by want-to-be actors who then were listed in the Annual volumes.

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American Bureau for Medical Aid to China Records, 1937-2005

331 Linear Feet
Abstract Or Scope

Papers of the American Bureau for Medical Aid to China consist of correspondence, memoranda, reports, minutes, committee files, membership records, financial records, fund raising records, motion pictures, audio tapes, phonograph records, photographs, posters, publications of ABMAC and other printed materials. Also included are the files of related Chinese relief organizations: Aid Refugee Chinese Intellectuals, 1954-1969; American Emergency Relief, 1941-1946; United Services to China, 1941-1977. Of particular interest are approximately 6,000 photographs of Chinese medical colleges, hospitals, laboratories and personnel and 45 phonograph records including speeches by such ABMAC supporters as Mme. Chiang Kai-Shek, Pearl S. Buck, Wendell Willkie, Fiorello LaGuardia and a number of movie stars

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Earl I. Sponable papers, 1928-1968

125 boxes
Abstract Or Scope
Earl I. Sponable was a chemist, Chief Engineer and Director of Research for Twentieth Century-Fox Film Corporation and its subsidiaries, 1926-1962. He was active in many aspects of research and development in broadcast and movie media, particularly in early sound film.
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Frank Lloyd Wright Foundation Archives : films, 1922-1984

305 film reels
Abstract Or Scope

This collection includes over 300 film reels which have been digitized. By format, the collection contains 179 16mm film, 109 8mm film, and 17 35mm film. While the inclusive dates of the collection range from 1922 to 1984, the bulk of the films are from the 1930s into the 1960s. Footage includes home movies of Wright and family, life and events of the Taliesin Fellowship, and informal site and building visits. The collection also includes documentaries on Wright's career and projects, as well as professional produced interviews and talks by Wright and promotional coverage of his built works.

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Samuel and Bella Spewack papers, 1920-1980

67 linear feet
Abstract Or Scope

Correspondence, manuscripts, playscripts, screenplays, diaries, documents, contracts, financial records, photographs, phonograph records, motion pictures, playbills, posters, sheet music, cartoons, art work, memorabilia, scrapbooks, and printed materials. . The collection consists chiefly of correspondence and production files relating to the creation, production, and performance of their works for stage, screen, radio, and television, such as Leave It To Me and Kiss Me Kate (with music by Cole Porter), Boy Meets Girl, and My Three Angels. Correspondence (with twentieth century authors, playwrights, musicians, political figures, and actors) includes: George Abbott, Jean Arthur, Bennett Cerf, Katharine Cornell, Jo Davidson, George and Ira Gershwin, Alec Guinness, W. Averell Harriman, Lilli Lehmann, Mary Martin, Laurence Olivier, Mary Pickford, Cole Porter, Regina Resnick, Eleanor Roosevelt, Robert E. Sherwood, Lincoln Steffens, Kurt Weill, Rebecca West, and Thornton Wilder. There is also correspondence concerning Bella Spewack's work with the New York Girls' Scholarship, UNRA, and the Sports Center of Israel. In addition to the production files, there are manuscripts and typescript drafts for novels, short stories, and articles by the Spewacks.

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