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Audio Collections, 1936-2007

32.17 Linear Feet
Abstract Or Scope
The collection consists of original and duplicate audio recordings of speeches and lectures, forums, conferences, interviews, anniversary celebrations, reunions, inaugurations, degree candidate presentations, and concerts.
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Columbia University Orchestra records, 1949-1987

14.5 linear feet
Abstract Or Scope
The records of the Columbia University Orchestra include 323 reel-to-reel tapes of performances by the Columbia University Orchestra and Composers String Quartet. Also includes print material and photographs relating to the orchestra kept by its conductor Howard Shanet.
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Elliott M. Sanger papers, 1936-1986

3.5 linear feet
Abstract Or Scope

Included are Sanger's personal diaries (1936-1967) relating to WQXR. Also included is a complete bound file of the WQXR PROGRAM GUIDE (June 1936-December 1963) containing a record of the broadcasting of classical music in New York City, the daily schedule, and essays on composers, music festivals, individual compositions and music in general by such writers as Irwin Edman, Will Durant, M. Lincoln Schuster, Edward Johnson, John Barbirolli, as well as by Sanger and his co-founder, John V. L. Hogan. The collection includes business letters, congratulatory and testimonial letters from listeners and advertisers, reports on the station's history, samples of newspaper clippings containing WQXR advertisements and program listings, market surveys of listeners, and promotional brochures prepared for prospective advertisers. There is a corrected typescript and galley proofs for Sanger's book Rebel In Radio (New York, Hasting House, 1972) and 6 volumes of documents in support of the station's application for "clear channel" status filed with the FCC. Also included are 49 photographs of the station's staff and musical personalities, 4 audiotapes of 1973 interviews with Sanger, and 4 audio cassettes celebrating WQXR's 50th Anniversary.

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Solomon Pimsleur papers, 1914-1962

5 linear feet
Abstract Or Scope

The original compositions of Solomon Pimsleur, consisting of over 100 sonatas, suites, etudes, and songs for piano, orchestra and voice. Also included are Pimsleur's arrangements of various musical works, and photodisks and tapes of Pimsleur performing his own works; there are also a few periodical and monograph publications which the composer used as bases for some of his work

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