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American, English and French bookplates from private and institutional libraries. Box four contains some related correspondence concerning Welch's collecting and exchanging of bookplates. Four letters are from the English painter-etcher, Charles William Sherborn, who designed a bookplate for Welch's wife, Fanny Fredericka Dyckman Welch. The original etched plate is also enclosed.

Correspondence and works of Andre Racz, including one letter from Gabriela Mistral, 1952, a portrait of her (etching-aquatint), Ricz's etching (metal plate) for Mistral's POEMAS DE LAS MADRES (Santiago, Chile, 1950), a Christmas card, 1970, illustrated and signed by Racz, and a holograph of Thomas Merton's poem AUBADE--HARLEM, Racz's facsimile of this poem etched on a zinc plate, and his artist's proof pulled from the plate. Also, signature practice page for scroll presented to President Sovern by the Executive Committee of the Faculty in appreciation of his work as chairman, 1968.

Correspondence, a woodblock print, a typescript about Robert Indiana, photographs, and printed materials. There are 35 letters, post cards, and other correspondence from Indiana to Carr; his woodblock print on a Christmas card; 20 photographs of his paintings, and printed announcements and articles about Indiana. There is also some miscellaneous correspondence about the artist Ernest T. Trova

The Edith Schloss Burckhardt Papers offer an extraordinary opportunity for research into multiple areas of scholarship, especially unique insight into the lives and experiences of women in the art world, an American artist's expat life in Rome from the 1960s-2010s, the New York School of painters and poets, and a particularly rich and far-reaching, vein of the avant-garde and experimental music world, to name a few.

Personal, business, and legal letters; manuscripts including prose, poetry, and diaries; and documents including deeds, receipts, invoices, and account books. The 18th century materials focus on the personal and business correspondence of Calvin, Jotham, and Martin Gay, sons of Ebenezer Gay who were engaged in shipping between New England and the Maritime Provinces. There are occasional letters of Jotham and Martin referring to the American Revolution. The Otis family correspondence of the 18th century, likewise, is of a purely routine and personal nature. There are only four letters of Col. James Otis, and only two of his son, James. Gay and Otis family interests intertwine during the 19th century with the marriage of Mary Allyne Otis to Ebenezer Gay, who are among the chief correspondents of this century, along with their children including Sidney Howard Gay and Winckworth Allan Gay. The Otis correspondence centers around business, real estate, and personal interests of Mary A. Otis Gay's brothers John, Joseph, and William Otis.

Primarily oil portraits of 18th century literary figures. There are also engravings, and pen and ink and pencil sketches. Among the literary figures are portraits of Samuel Butler, Lord Byron, Thomas Carlyle; Colley Cibber; Charles Dickens; John Evelyn; John Foxe; David Garrick; Thomas Gray; Charles Lamb; Sir Thomas More; Sir Walter Raleigh; Samuel Richardson; Richard B. Sheridan; Alfred, Lord Tennyson; William M. Thackeray; and others. There is also a portrait by Blanche Ames of George A. Plimpton. Among the artists represented in the collection are James Maubert, Frederick Sandys, and William Hogarth (attrib.)

This is a small collection of exhibition catalogs, clippings, articles, photographs, and a few items of correspondence concerning the artist Lovis Corinth, assembled by his son, Thomas Corinth, who donated it to the Avery Library.

A large collection of the letters and manuscripts of Rafael de Zayas Enriquez, as well as a miscellaneous collection of letters and bills of sale pertaining to the activities of Marius de Zayas. The Rafael de Zayas Enriquez papers include letters, manuscripts, books, and clippings. His writings reflect his many and varied talents and interests: history, poetry, sociology, novels, and plays. His manuscripts and books comprise the bulk of this collection. The photocopies of letters to Marius de Zayas pertain to the magazine "291" and the Modern Gallery. There is correspondence from Pablo Picasso, Diego Rivera, Paul Guillaume, Max Jacob, Agnes Meyer, Alfred Stieglitz, Tristan Tzara, and Max Weber. The majority of these letters are unpublished although some of the most important ones appear in Michel Sanouillet's Francis Picabia et "291" (Paris, 1966).

Correspondence, manuscripts, notes, diaries, documents, photographs, audio tape recordings, printed materials, scrapbooks, and sketches and drafts of portraits. Her finished portraits on ivory are cataloged separately for the Art Collection (q.v.). The collection includes her correspondence with friends and clients; manuscripts of her articles, lectures, and many unpublished autobiographical drafts; pencil sketches, watercolor drafts, and photoprints of her portraits on ivory; photographs of her family amd travels; clippings and other printed materials; and three scrapbooks of clippings and memorabilia. There is cataloged correspondence from Arnold Genthe, S.I. Hayakawa, Karen Horney, Burges Johnson, Dwight Macdonald, and Alice B. Toklas, etc.