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Gloria Coates papers, 1970-1986

0.5 linear feet
Abstract Or Scope
Gloria Coates is an American composer who studied at Columbia University with Jack Beeson and Otto Luening. These papers include correspondence, concert programs and business records related to her activities as director of the German-American Contemporary Music Series in Munich from 1970 through 1986.
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Gordon Bunshaft architectural drawings and papers, 1909-1990, bulk 1950-1979

20 linear feet
Abstract Or Scope
Gordon Bunshaft (1909-1990) was an American architect who, as a partner at Skidmore, Owings & Merrill, had a significant impact on large-scale corporate architecture. His projects include such significant urban office towers as the Lever House in midtown Manhattan, as well as modern office campuses set in natural landscapes, including such examples as the American Can Company in Greenwich, Connecticut or the Connecticut General Life Insurance Company headquarters in Bloomfield, Connecticut. Additionally, his interest in art caused him to actively integrate work by well-known modern artists into the public plazas and interiors of SOM's projects. The professional aspects of this collection can be found in clippings, project photography, oral history records, and publications, however, the majority of the collection is personal and reflects the life of Gordon and his wife Nina Bunshaft. Through correspondence, snapshots, objects, and personal papers the collection focuses on the Bunshafts' friends, their travels, and their impressive art collection of both modern and ancient sculptures and paintings.
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Guichard Parris papers, 1910-1987

40 linear feet
Abstract Or Scope

Guichard Parris papers consist of correspondence, diaries, manuscripts, notes and printed material from his personal files, his files on the history of the National Urban League, manuscript material for Blacks in the City; A History of the National Urban League, Boston, Little, Brown, 1971 (co-authored with Lester Brooks) and administrative files of the National Urban League. Parris' personal files include folders on his organizational affiliations outside the National Urban League; of particular interest are copies of his correspondence with Mary McLeod Bethune while he was affiliated with the National Youth Administration. Bethune is among the cataloged correspondence, as are Theodore Roosevelt and Ruth Standish Baldwin.

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Hector Berlioz papers, 1825-1994

27 linear feet
Abstract Or Scope

Correspondence, manuscripts, papers, essays, etc. relating to Berlioz, and 19th century arts and literature. The correspondence includes original Berlioz letters and over 200 copies of letters relating to Berlioz and the romantic era, written by musicians, critics, historians, and literateurs of the past century. There are many photostats of letters and manuscripts obtained from the principal libraries of the world which hold original Berlioz material. The collection includes much printed material in the form of music scores, published letters, essays, clippings, biographies, music and book catalogues, program notes, and playbills.

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İlhan Mimaroğlu Papers, 1926-2012

40 linear feet
Abstract Or Scope

The collection documents the career and personal life of Turkish-American electronic music composer, record producer, journalist and cultural critic, photographer, and filmmaker İlhan Mimaroğlu (1926-2012). It includes materials from each of Mimaroğlu's professional interests and activities, the bulk of which date from the early 1950s until his death in 2012.

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Jacques Barzun papers, 1900-1999

225 linear feet
Abstract Or Scope
The correspondence, research, and teaching files of French-American cultural historian and Columbia University professor emeritus Jacques Barzun (1907-2012).
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Jerome Moross papers, 1924-2018

70.25 linear feet
Abstract Or Scope

Correspondence, manuscript music scores, copies of scores, playscripts, scenarios, watercolor drawings and other stage designs, contracts, legal papers, programs, clippings and other printed materials, microfilms, records, tape recordings, and photographs. Among Moross's work are the musical play, "The Golden Apple"(1954), dance music for "Ballet Ballads"(1945) and for "Frankie and Johnny"(1938), the film score for "The Big Country"(1958) and for "The Cardinal"(1963), and his Symphony No. 1 (1943). There are some financial papers and production records for the staging of his works. Among the cataloged correspondents are Aaron Copland, Agnes George De Mille, Ned Rorem, Virgil Thomson, and Thornton Wilder.

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Joseph Schwartz papers on Hart Crane, 1921-1985

6 linear feet
Abstract Or Scope

Correspondence, articles, research notes, manuscripts, illustrations, printed materials, and a phonograph record collected by Schwartz in compiling his HART CRANE, A REFERENCE GUIDE (Boston, G.K. Hall [1983]). Among the correspondents are Alfred Gilman and Allen Tate. There is also a xerox copy of the script for a production of "The Bridge" by Hart Crane as a dance drama performed at Bennington College in the early 1930s

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Mark Van Doren papers, 1917-1976

35 linear feet
Abstract Or Scope

Correspondence and manuscripts of Van Doren, consisting of letters, poems, short stories, novels, plays, radio broadcast transcripts ("Invitation to Learning"), diaries, critical works, proofs, and printed works. Correspondents include Louise Bogan, Philip Booth, Babette Deutsch, Richard Eberhart, T.S. Eliot, John Gould Fletcher, Herbert Gorman, E.W. Howe, Robinson Jeffers, Archibald MacLeish, Louis MacNeice, Edgar Lee Masters, Lewis Mumford, Hyam Plutzik, Allen Tate, and Louis Zukovsky. Also, extensive correspondence with Robert Lax and Thomas Merton, as well as manuscripts by these two authors.

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Midcentury White House Conference on Children and Youth Recordings, 1950

2 Linear Feet
Abstract Or Scope

Seven (15 5/8") vinyl disks

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