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The Benjamin Waugh papers mainly consist of photographs that documented the National Revolution Army's Northern Expedition in various northern cities in China dating from 1927 to 1928. Other materials include letters, a grocery company's income, and photographic postcards depicting sceneries in China.

Gordon Bunshaft (1909-1990) was an American architect who, as a partner at Skidmore, Owings & Merrill, had a significant impact on large-scale corporate architecture. His projects include such significant urban office towers as the Lever House in midtown Manhattan, as well as modern office campuses set in natural landscapes, including such examples as the American Can Company in Greenwich, Connecticut or the Connecticut General Life Insurance Company headquarters in Bloomfield, Connecticut. Additionally, his interest in art caused him to actively integrate work by well-known modern artists into the public plazas and interiors of SOM's projects. The professional aspects of this collection can be found in clippings, project photography, oral history records, and publications, however, the majority of the collection is personal and reflects the life of Gordon and his wife Nina Bunshaft. Through correspondence, snapshots, objects, and personal papers the collection focuses on the Bunshafts' friends, their travels, and their impressive art collection of both modern and ancient sculptures and paintings.

The Hu, Tin-an (Hu, Ding'an) papers documented Dr. Hu's research writings during his time at Columbia University as a research scholar from 1950 to 1953. Materials in the papers are the research writings on the background of moxa, acupuncture, and Chinese medicine, as well as correspondence regarding Dr. Hu's work progress, performance as a research scholar, and his membership in the Societe Internationale d'Acupuncture.

Peter Schickele (1935-2024) was an American composer, music educator, and satirist. He was best known for his comedy pieces composed by the fictional character P.D.Q. Bach. The collection contains manuscript and engraved scores and parts, sketches, revised and annotated copies of Schickele's work. In addition, the collection contains scripts of dramatic pieces or spoken introductions, correspondence, and memorabilia.

This collection contains the personal and professional papers of Sylvia Ardyn Boone, a scholar of Art History with a focus on African art, and the first African-American woman to receive tenure at Yale University. The collection includes manuscripts, correspondence, course materials and syllabi, research notes, printed materials, photographs, video and sound recordings, and other papers relating to professional projects. Also included are dissertation manuscripts for recipients of the Sylvia Ardyn Boone Memorial Prize at Yale.

The V. K. Wellington Koo papers document the diplomatic legacy of Wellington Koo as a Chinese statesman and diplomat of the 20th Century. The papers primarily consist of materials collected during Koo's diplomatic career, relating to the Lytton Commission, 1932-1933; the League of Nations, 1931-1940; the United Nations, 1944-1946; his ambassadorships to France, 1932-1941; to Britain, 1941-1946; to the United States, 1946-1956; as the Senior Advisor to the Republic of China from 1956; and as the Judge on the International Court of Justice, 1957-1966. The materials include correspondence, diaries, memoranda, manuscripts, documents, notes, speeches, maps, photographs, printed material, and audio visual material. The bulk of the materials emphasizes China's domestic and foreign affairs, such as the Sino-Japanese conflict, World War II and the Cold War in the Far East region, as well as the League of Nations and the United Nations.

This collection consists of postcards from the early twentieth century depicting Columbia University buildings, sites, and related imagery. These postcards were collected over the years by Columbia alum Will Csaplar (AB 1957, AM 1958).

This small collection contains photographs taken by William Scoville Moore, during a trip to Greece on which he accompanied then U.S. Ambassador, Henry Morgenthau Sr. The subjects of the photographs are primarily refugees and the camps they had constructed. There are also a few documents including newspaper clippings and an award given to Moore by the Greek Cabinet.