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Alfred Maurice Galpin papers : [on Hart Crane & Samuel Loveman], 1922-1981

0.5 linear feet
Abstract Or Scope

Correspondence, manuscripts, printed materials, and a photograph concerning his friendship with and scholarly interest in Hart Crane, H.P. Lovecraft, and Samuel Loveman. There are 55 letters from Samuel Loveman, 3 from John Unterecker, and 4 from Brom Weber, and other correspondence about Crane. There are also several Loveman poetry manuscrip]ts and his photograph, as well as printed articles and interviews about Crane

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Allan Nevins papers, 1912-1992

104 linear feet
Abstract Or Scope

Approximately 12,000 letters to Allan Nevins from various correspondents including James Truslow Adams, Franklin Delano Roosevelt, Harry S. Truman, Willa Cather, Frances Folsom Cleveland, Van Wyck Brooks, Robert Frost, Newton D. Baker, Archibald MacLeish, John D. Rockefeller, Jr., Carl Sandburg, and Henry Wallace; notes and typescripts for Nevins' books including Emergence of Lincoln, The Ordeal of Democracy, Rockefeller, and History and Historians, with notes by editor Ray A. Billington; miscellaneous transcripts, clippings, newspapers, and photographs. Also, autograph letters and manuscripts by presidents, Civil War figures, financiers, politicians, and authors. There are also the Brand Whitlock World War I Diaries and letters to him by such people as Herbert Hoover, Gen. John J. Pershing, and others.

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Charles Fenno Hoffman letters, 1824-1843

1 box
Abstract Or Scope

Letters of Hoffman to his family. There are seventeen letters to his niece, Matilda Nicholas Whitman, and one letter to his half-sister, Ann Hoffman Nicholas. The correspondence deals with the literary and social life in New York and with the Hoffman family. Two of the letters have notes added by his father, Josiah Ogden Hoffman. Also, an engraved portrait of Charles Fenno Hoffman.

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Charles Keppel papers, 1956-1998, 1956-1998

9 linear feet
Abstract Or Scope

Correspondence, manuscripts, photographs, audio cassettes, and printed materials. Three items consisting of a nine page autograph poem entitled "The Light Touch"; a collection of short poems written in five small notebooks called "From the Sublime"; and a printed pamphlet of poetry entitled "Modern Haiku and Tanka". All items were prepared during 1971, but several pieces in "From the Sublime" date back to 1956. A sixth notebook dated 1971-1972 for "From the Sublime" is also included. Keppel writes one notebook each month and forwards them to the collection after they are completed. There are a few cataloged letters in Box 1, but the bulk of the collection consists of Keppel's poetry and essays.

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Edgar Allan Poe papers, 1827-1908

.84 linear feet
Abstract Or Scope

An original manuscript of "Annabel Lee" as well as a facsimile manuscript of "Epimanes" an unpublished tale, by Edgar Allan Poe. Included in the collection is an autograph album belonging to Octavia Walton Le Vert. On May 1, 1827 Poe inscribed "When wit and wine and friends have met.." in the album. In addition to the Poe inscription the album contains inscriptions by Henry Clay and by the Southern poet, Edward Coote Pinkney. Also, a daguerreotype portrait of Poe taken in Richmond shortly before his death.

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Edmund Clarence Stedman papers, 1840-1960

120 linear feet
Abstract Or Scope

Personal and professional papers of Stedman, including correspondence, letter books, diaries, poetry manuscripts, scrapbooks, photographs, and genealogical materials for the Stedman and Dodge families. Correspondence and manuscripts of his mother, Elizabeth Clementine Dodge Stedman Kinney (1810-1889), poet and diarist, and of his granddaughter, Laura Stedman Gould (1881-1941), author and editor. Also, editions of Stedman's LIBRARY OF AMERICAN LITERATURE including printed materials relating to the marketing; and an album of Civil War photographs by Mathew Brady, inscribed by the photographer to Laura H.W. Stedman as well as additional loose photographs by Brady.

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Isidor Schneider Papers, 1925-1975

8 linear feet
Abstract Or Scope

Manuscripts and correspondence of Schneider, including numerous manuscripts of short stories and poems, many of which are unpublished, and several full-length manuscripts of unpublished critical works. The collection also contains an extensive file of typescript reports on books for The Book Find Club, clippings of reviews written by Schneider and about his books, photographs and drawings of Schneider, and a file of correspondence relating to his writings. The literary correspondence includes letters from many of the important novelists, poets, and literary critics from the 1920s to the 1950s. They include Conrad Aiken, Sherwood Anderson, Kenneth Burke, Malcolm Cowley, Theodore Dreiser, Waldo Frank, Lillian Hellman, Robert Hillyer, Alfred Kreymborg, Thomas Mann, Arthur Miller, Marianne Moore, Lewis Mumford, Laura Riding, Muriel Rukeyser, Karl Shapiro, Stephen Spender, Mark Van Doren, and Yvor Winters.

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Jacob Rabinowitz letters, 1978-1993

0.5 linear feet
Abstract Or Scope

Letters from William Burroughs, Robert Creeley, Allen Ginsberg, and others concerning his poetry and translations and about their own lives. There are also a few poems and photographs.

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Joseph Freeman papers, 1920-1965

4 linear feet
Abstract Or Scope

Correspondence, manuscripts, drawings, documents, photographs, clippings, and other printed materials. Most of Freeman's own letters are written to Anne Williams Feinberg, his secretary. Among the cataloged correspondence are: Sherwood Anderson, Margaret Bourke-White, Erskine Caldwell, John Dos Passos, Theodore Dreiser, Langston Hughes, Edna St. Vincent Millay, and Lincoln Steffens. There is the manuscript of his book NEVER CALL RETREAT.

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Joseph Schwartz papers on Hart Crane, 1921-1985

6 linear feet
Abstract Or Scope

Correspondence, articles, research notes, manuscripts, illustrations, printed materials, and a phonograph record collected by Schwartz in compiling his HART CRANE, A REFERENCE GUIDE (Boston, G.K. Hall [1983]). Among the correspondents are Alfred Gilman and Allen Tate. There is also a xerox copy of the script for a production of "The Bridge" by Hart Crane as a dance drama performed at Bennington College in the early 1930s

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