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Woodcuts, part colored, of cartoons drawn by Alfred Frueh (1880-1968) of theatrical personalities: Maude Adams, George Arliss, Ethel Barrymore, George M. Cohan, Katharine Cornell, John Drew, Robert Edson, Lionel Erroll, Lew Fields, Yvette Gilbert, William Gillette, Nat Goodwin, Annette Kellerman, Wilton Lackaye, Julia Marlowe, Nazimova, Olga Petrova, Will Rogers, Fritzi Schiff, Fred Stone, Sophie Tucker, and unidentified.

Correspondence and works of Andre Racz, including one letter from Gabriela Mistral, 1952, a portrait of her (etching-aquatint), Ricz's etching (metal plate) for Mistral's POEMAS DE LAS MADRES (Santiago, Chile, 1950), a Christmas card, 1970, illustrated and signed by Racz, and a holograph of Thomas Merton's poem AUBADE--HARLEM, Racz's facsimile of this poem etched on a zinc plate, and his artist's proof pulled from the plate. Also, signature practice page for scroll presented to President Sovern by the Executive Committee of the Faculty in appreciation of his work as chairman, 1968.

Correspondence, manuscript, document, autograph and photographs of and by Irish, English and American poets. The letters are by Samuel Austin Allibone, John Erskine, Padraic Colum, Lord Dunsany, Frances Anne Kemble, Henry Wadsworth Longfellow, Daniel O'Connell, Theodore Parker, and John Greenleaf Whittier. There is an a.ms.s. poem by John Quincy Adams; manuscripts by Ralph Waldo Emerson, Padraic Colum, and Daniel 0'Connell, as well as G. M. Fuller's autograph and photographs of Dunsany, Longfellow and James Russell Lowell. There is also a custom receipt signed by Nathaniel Hawthorne, an uncataloged portrait of Longfellow, and a charcoal portrait of G. K. Chesterton by Ivan Opffer

Correspondence, manuscripts, diaries, commonplace books, drawings, photographs, and printed materials. The collection is a comprehensive documentation of the dramatist's career and includes manuscripts, typescripts, notes, and costume and scenic design for more than seventy of his plays and related writings; 31 diaries, commonplace books, and scrapbooks containing manuscript and typescript notes, travel sketches, original drawings, and photographs; and correspondence files including letters from Harley Granville-Barker, Sir Herbert Beerbohm-Tree, John Galsworthy, Booth Tarkington, and Thornton Wilder. Austin Strong's mother, Isobel Field, was the step-daughter of Robert Louis Stevenson. Consequently, the collection contains much Stevensoniana, including photographs and Isobel Field's letters from Western Samoa, where she was known as "Teuila." Also, correspondence and photographs relating to Cornwall Park, Auckland, New Zealand, which was designed by Austin Strong.

Letters, manuscripts, documents, and printed materials by and relating to explorers of both poles. Many of the letters are addressed to Vilhjalmur Stefansson or Bassett Jones. The letters for the most part discuss subjects of professional interest. Thre are printed materials, photographs and memorabilia of many expeditions and explorers.

Correspondence, photographs, and printed material by and relating to Benjamin Disraeli. There are nine letters from Disraeli to various persons including Sir Charles Adderly, First Baron Norton; the Duke of Northumberland; and Sir Henry Edwards. The letters span the dates 1849 to 1879. Also included are two letters from Disraeli's father, Isaac D'Israeli, 1766-1848, to Stephen Weston, 1805, and Edward Moxon, 1833, and a post card from William Ewart Gladstone. A letter from William Lamb, 2nd Viscount Melbourne to Sir William Owen (1837) has been removed from an extra-illustrated edition of "The Letters of Runnymede" (London, 1836) and cataloged for the collection.

A collection of letters, manuscripts, and documents of prominent actors, actresses, and theatrical managers. Many of these are single, unrelated items. The largest body of correspondence is from the American actress, Charlotte Cushman (14 letters). Another figure of major interest is William Charles Macready, partly because of Miss Cushman's relationship to him (she toured with him for several years) and also as there are several of his letters. Sir Henry Irving, Edwin Forrest and James Mowatt are each represented by a few letters. A group of 8 unsigned letters may have been written by the famous singer, actress, and manager, Eliza Vestris. One box contains manuscripts of Samuel Coit, Charlotte Cushman, Clyde Fitch, Wallace Gould, Henry von Heiseler, E.H. Sothern, and Lester Wallack. Six boxes contain Augustin Daly's check stubs and bank books for Daly's Theatre, New York, for 1872-1899. (For additional Augustin Daly business records, see description sheets for Daly's Theatre Collection, X810.128/D15& the Dramatic Library Collection shelf list).

Office files consisting of correspondence, reports, memoranda, and other documents relating to the operation of the Museum. Included are numerous biographical and topical folders on the theatrical subjects such as David Belasco, Costumes, French stage models, Helen Hayes, etc. Masks and Puppets account for 29 folders.

A collection of letters and memorabilia of John William Burgess, his wife, Ruth Payne Jewett Burgess, his son Elisha Payne Jewett Burgess, his daughter-in-law, Annette Curnen Burgess, his grand-daughter, Ruth Payne Jewett Burgess, and the Burgess, Jewett, Payne, and Curnen families. The personal correspondence numbering 17 items, covers the period 1908 to 1927 mainly between John and Elisha Burgess. There are two letters of a social nature from Eleanor Roosevelt and Nicholas Murray Butler and one lengthy post card from George Bernard Shaw to Annette Curnen Burgess. Also, memorabilia including portraits, photographs, books, diplomas, and medals.

A collection of letters, engravings, prints, portraits, caricatures, other illustrations, and printed materials relating to Charles Dickens. Among the letters is an autograph letter by Dickens and copies of several Dickens letters to the publishers Lea & Blanchard. Many of the illustrations are portraits of Dickens while others are illustrations for his novels and stories, including numerous illustrations of scenes from dramatic versions of his works as well as some playbills for these productions.

Letters of Hoffman to his family. There are seventeen letters to his niece, Matilda Nicholas Whitman, and one letter to his half-sister, Ann Hoffman Nicholas. The correspondence deals with the literary and social life in New York and with the Hoffman family. Two of the letters have notes added by his father, Josiah Ogden Hoffman. Also, an engraved portrait of Charles Fenno Hoffman.

A collection of photo albums (111 items) representing the faculty and graduating classes of Columbia College (now known as Columbia University in the City of New York), and more specifically, the School of Arts (the undergraduate college now known as Columbia College). While the majority of the albums represent Columbia College, there are a few from other Schools including: the School of Law, the School of Mines, and the School of Music. Additionally, there is one album with portraits of Trustees, one from the School of Mines Summer School of Practical Engineering, and one documenting the performance of Capt. Kidd.

This collection contains approximately 5,500 photographic prints and 12,400 negatives taken and used by the Spectator. The photographs consist of black and white, silver gelatin prints and 35mm negatives. The bulk of the images are portraits, with many press photographs provided to the newspaper by outside sources. Not all prints have corresponding negatives. Photographs were filed together by name so that several views can be found in one folder. The original folder-level description was maintained.

Arranged alphabetically, these individual portraits of Columbia University faculty members are black and white images mounted on heavy cardboard with the name of the individual typed underneath the image. Names that begin with L-M-N-O-P and Q are missing from this collection.

Correspondence, memoranda, reports, etc.

A collection of autographs of Latin American patriots and Hispanic loyalists living in the Viceroyalty of Perú during the 19th century. The collection provides a valuable look into daily life in the viceroyalty. Documents to and from military leaders on both sides of the War for Independence describe day to day events of the war (requests for supplies, mess, prisoner and hospital lists, etc.). Among the items by patriots represented in the collection are: a decree by Simón Bolivar, dated 1825, setting up a school system that "la debe igualmente a todos..individuos."; a decree by Tomas de Heres creating the coat-of-arms of Perú, and the heraldry and wording for silver and gold coins of the new government; a list by José Medina of the survivors of the "Vendedores" squadron after the battle of Ayachucho; a letter of José de San Martín to Francisco de Paula Otero; a letter by Antonio José de Sucre to Manuel Martínez de Aparicio; and a letter by José de La Mar to Joaquín de la Pezuela. Among the loyalists represented are: José Fernando de Abascal y Souza, Fernando VII, José Antonio de Areche, Jerónimo Marrón de Lombera, José de Mendizábal e Imaz, Joaquín de la Pezuela, José Manuel Goyeneche, and Manuel Quimper. Also in the collection are two letters by Secretary of State William H. Seward, and two 16th century documents signed by the "conquistadores" Francisco Pizarro and Juan de la Torre. A second box, added in 1980, contains printed and miscellaneous materials from the 1950s.