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Librarians' Portraits collection

6.72 Linear Feet
Abstract Or Scope

A large collection of portraits of librarians, consisting mainly of photographs, newspaper clippings, and magazine articles.

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W.H. Auden papers, 1931-1973

2 linear feet
Abstract Or Scope

Letters, manuscripts, galley proofs, page proofs, art works, and printed materials of Auden, including three postcards to Geoffrey Grigson, one of which relates to galley proofs for Auden's poems included in THE YEAR'S POETRY, 1937. There are manuscripts, galley proofs, and page proofs of COLLECTED SHORTER POEMS 1927-1957 (Faber and Faber, 1966) all of which contain his corrections in ink. The manuscript of the book is comprised of typewritten and printed pages, which taken together are a mock-up of the entire book. Also, a pencil sketch of Auden by Terry Durham, a silkscreen portrait by Meyer F. Lieberman, and a portrait head cast by Olaf de Wett. There is also the manuscript and proofs of MARKINGS by Dag Hammarskjöld, translated from the Swedish by Leif Sjöberg and W.H. Auden; the libretto and score of PAUL BUNYAN by Auden and Britten; five letters from Auden to Norman Loftis criticizing Loftis' poetry; two letters from Auden to Patrick Anthony Lawlor; and four letters from Auden to Olive Mangeot.

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Jacques Barzun papers, 1900-1999

225 linear feet
Abstract Or Scope
The correspondence, research, and teaching files of French-American cultural historian and Columbia University professor emeritus Jacques Barzun (1907-2012).
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Park Benjamin papers, 1645-1925

9.24 linear feet
Abstract Or Scope

Correspondence, manuscripts of poems, and manuscripts of lectures by Benjamin. The correspondence consists of original letters of Benjamin, typescript and photostatic copies of Benjamin letters in other libraries, and letters to Benjamin from some of his literary contemporaries including Paul Hamilton Hayne, Willis Gaylord Clark, John Lothrop Motley, and Fitz-Greene Halleck. Many of the letters relate to Park Benjamin's lecture tours. There are other family letters and many documents relating to the Benjamin family,and two letterbooks of John Lothrop Motley. Also, a large amount of genealogical material of the Benjamin family, and its related families from the 16th century to the present day. There are also financial records, monographs, clippings, and photographs.

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Morton Pepper Collection of Abraham Lincoln portraits and memorabilia, 1860-1940

14.5 linear feet
Abstract Or Scope

Contemporary engravings, lithographs, carte-de-visite photographs, and memorabilia; 20th century drawings and reproductions of portraits of Lincoln, his family, and his contemporaries. Among the portraits of Lincoln are a charcoal sketch by the sculptor Gutzon Borglum, lithographs by Currier and Ives, photographs by Mathew Brady and his studio. Memorabilia in the collection include bookends and sculptures, a dinner plate, a carved plaque, a reproduction of a death mask, a mourning ribbon, silk commemorative badges, and a hair ornament worn by Mrs Lincoln, in a leather-covered trinket box with the President's initials on it.

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Brander Matthews Dramatic Museum records, 1910-1971

7.5 linear feet
Abstract Or Scope

Office files consisting of correspondence, reports, memoranda, and other documents relating to the operation of the Museum. Included are numerous biographical and topical folders on the theatrical subjects such as David Belasco, Costumes, French stage models, Helen Hayes, etc. Masks and Puppets account for 29 folders.

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Brander Matthews Dramatic Museum collection of documents relating to actors and theatrical managers, 1732-1995

18 linear feet
Abstract Or Scope

A collection of letters, manuscripts, and documents of prominent actors, actresses, and theatrical managers. Many of these are single, unrelated items. The largest body of correspondence is from the American actress, Charlotte Cushman (14 letters). Another figure of major interest is William Charles Macready, partly because of Miss Cushman's relationship to him (she toured with him for several years) and also as there are several of his letters. Sir Henry Irving, Edwin Forrest and James Mowatt are each represented by a few letters. A group of 8 unsigned letters may have been written by the famous singer, actress, and manager, Eliza Vestris. One box contains manuscripts of Samuel Coit, Charlotte Cushman, Clyde Fitch, Wallace Gould, Henry von Heiseler, E.H. Sothern, and Lester Wallack. Six boxes contain Augustin Daly's check stubs and bank books for Daly's Theatre, New York, for 1872-1899. (For additional Augustin Daly business records, see description sheets for Daly's Theatre Collection, X810.128/D15& the Dramatic Library Collection shelf list).

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Burgess Family papers, 1850-1969

7 linear feet
Abstract Or Scope

A collection of letters and memorabilia of John William Burgess, his wife, Ruth Payne Jewett Burgess, his son Elisha Payne Jewett Burgess, his daughter-in-law, Annette Curnen Burgess, his grand-daughter, Ruth Payne Jewett Burgess, and the Burgess, Jewett, Payne, and Curnen families. The personal correspondence numbering 17 items, covers the period 1908 to 1927 mainly between John and Elisha Burgess. There are two letters of a social nature from Eleanor Roosevelt and Nicholas Murray Butler and one lengthy post card from George Bernard Shaw to Annette Curnen Burgess. Also, memorabilia including portraits, photographs, books, diplomas, and medals.

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Chen Lifu Papers, 1926-1989, bulk 1926-1951

1.25 Linear Feet
Abstract Or Scope
The Chen Lifu papers (陳立夫檔案) mainly document his involvement in Chinese politics during the Republican era, dating from 1926 to 1989, with the bulk dates from 1926 to 1951. The papers consist of correspondence, portrait, meeting documents, reports, plans, speeches, writings, memoir, and printed materials. The papers focus on Chen Lifu's political career as the Head of the Central Bureau of Investigation and Statistics and the Minister of Education, as well as his general involvement in politics dating from 1926 to 1949.
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Columbia Spectator Photograph collection, 1950-1999

10.5 linear feet
Abstract Or Scope

This collection contains approximately 5,500 photographic prints and 12,400 negatives taken and used by the Spectator. The photographs consist of black and white, silver gelatin prints and 35mm negatives. The bulk of the images are portraits, with many press photographs provided to the newspaper by outside sources. Not all prints have corresponding negatives. Photographs were filed together by name so that several views can be found in one folder. The original folder-level description was maintained.

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