Search

Papers of the American Bureau for Medical Aid to China consist of correspondence, memoranda, reports, minutes, committee files, membership records, financial records, fund raising records, motion pictures, audio tapes, phonograph records, photographs, posters, publications of ABMAC and other printed materials. Also included are the files of related Chinese relief organizations: Aid Refugee Chinese Intellectuals, 1954-1969; American Emergency Relief, 1941-1946; United Services to China, 1941-1977. Of particular interest are approximately 6,000 photographs of Chinese medical colleges, hospitals, laboratories and personnel and 45 phonograph records including speeches by such ABMAC supporters as Mme. Chiang Kai-Shek, Pearl S. Buck, Wendell Willkie, Fiorello LaGuardia and a number of movie stars

This collection includes records from the Chinese Industrial Cooperatives (CIC, 工業合作社/工业合作社), China Aid Council (CAC, 美國援華會/美国援华会), and United Service to China (USC, formerly United Relief to China/URC, 美國援華聯合會/美国援华联合会/美國援華救濟聯合會/美国援华救济联合会). The records contain correspondence of individuals who participated in the cooperative and those associated with it; typewritten reports of sub-units to the parent organization; periodicals and other publications issued in Chinese by the three regional headquarters (the early ones are probably quite rare); publications in English by these headquarters and by American committees formed to aid in the movement; mounted photographs showing the work of the cooperatives and their leaders; albums of newspaper clippings on the movement, emanating from the U.S. and abroad; maps showing locations of cooperatives; pencil sketches and watercolors of cooperatives at work; and other material concerning this important organization which was largely responsible for China's ability to feed and clothe, and care for the people during the war.

Correspondence, manuscript music scores, copies of scores, playscripts, scenarios, watercolor drawings and other stage designs, contracts, legal papers, programs, clippings and other printed materials, microfilms, records, tape recordings, and photographs. Among Moross's work are the musical play, "The Golden Apple"(1954), dance music for "Ballet Ballads"(1945) and for "Frankie and Johnny"(1938), the film score for "The Big Country"(1958) and for "The Cardinal"(1963), and his Symphony No. 1 (1943). There are some financial papers and production records for the staging of his works. Among the cataloged correspondents are Aaron Copland, Agnes George De Mille, Ned Rorem, Virgil Thomson, and Thornton Wilder.

The collection consists of the editorial and production archives of Random House, Inc. from its founding in 1925 to the 1990s. The correspondence and editorial files include many of the prominent novelists and short story writers from 20th-century American and European literature: Saul Bellow; Erskine Caldwell; Truman Capote; William Faulkner; Sinclair Lewis; André Malraux; Gertrude Stein and Thornton Wilder. Among the poets there are files for W. H. Auden; Allen Ginsberg; Robinson Jeffers; Robert Lowell; and Stephen Spender. In the area of theater there are files for Maxwell Anderson; Moss Hart; Lillian Hellman; Eugene O'Neill; and Tennessee Williams. Random House transacted business with many fine presses and noted typographers and the archives contain files for Nonesuch Press, Grabhorn Press and Golden Cockerel Press, as wll as for Bruce Rogers, Valenti Angelo, and Edwin, Jane, and Robert Grabhorn.

Correspondence, outlines, scripts, production notes, technical materials, story boards, contracts, posters, programs, announcements, recordings, reviews, and other printed materials relating to all aspects of Robert Wilson's theater works, opera, films, artwork and video productions. There are files for all of Wilson's theatrical performances, the most extensive of which is the CIVIL warS. Also included are the files of the Byrd Hoffman Foundation.

Correspondence, manuscripts, notes, documents, photographs, audio tapes, and printed materials of Rochelle Owens. Included are: correspondence with other writers, publishers, and friends; scripts and production files of her plays; and, manuscripts and drafts of her books and other poems, along with other related materials. Boxes 1-3: Cataloged correspondence; Boxes 4-12: Owens' writings by title (Manuscripts, notes, photographs& printed materials); Box 13-14: General file (Audio tape cassettes, Biographical materials, Misc., Photographs& Misc. printed materials); Oversize folder: Record album & Photographs.

Correspondence, manuscripts, playscripts, screenplays, diaries, documents, contracts, financial records, photographs, phonograph records, motion pictures, playbills, posters, sheet music, cartoons, art work, memorabilia, scrapbooks, and printed materials. . The collection consists chiefly of correspondence and production files relating to the creation, production, and performance of their works for stage, screen, radio, and television, such as Leave It To Me and Kiss Me Kate (with music by Cole Porter), Boy Meets Girl, and My Three Angels. Correspondence (with twentieth century authors, playwrights, musicians, political figures, and actors) includes: George Abbott, Jean Arthur, Bennett Cerf, Katharine Cornell, Jo Davidson, George and Ira Gershwin, Alec Guinness, W. Averell Harriman, Lilli Lehmann, Mary Martin, Laurence Olivier, Mary Pickford, Cole Porter, Regina Resnick, Eleanor Roosevelt, Robert E. Sherwood, Lincoln Steffens, Kurt Weill, Rebecca West, and Thornton Wilder. There is also correspondence concerning Bella Spewack's work with the New York Girls' Scholarship, UNRA, and the Sports Center of Israel. In addition to the production files, there are manuscripts and typescript drafts for novels, short stories, and articles by the Spewacks.