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The collection consists of scrapbooks, posters,digital photographs, and meeting minutes documenting the activities of the ChicanX Caucus between 2001-2016.

This collection contains posters and publicity materials created by the communications office of Columbia's Graduate School of Architecture, Planning, and Preservation (GSAPP). The bulk of the collection is in Series I, which contains posters for GSAPP exhibitions and events such as lectures, discussion panels, end of year shows and film screenings. These have been arranged by decade. Series II contains copies of Newsline, a GSAPP newsletter publication from the 1990s. Series III contains publicity materials for the school's various academic programs.

Correspondence, manuscripts, documents, financial records, photographs, memorabilia, and printed materials. The Foundation's correspondence files consist of letters from different organizations and foundations, including the Martin Luther King, Jr. Center for Social Change, The NAACP, the United Negro College Fund, the Studio Museum in Harlem, and the YWCA. Also included in this collection are community dialogues on race relations (1974-1975); proposed dialogues (1979) on such subjects as the Boy Scouts of America, Columbia University, and the National Council of Christians and Jews; and files on the Whitney M. Young Fellows Retreat Conferences (1980-1984). The collection contains many files on Ed Wilson's bust of Young (1991), including contracts and agreements, records of payments to Wilson, documents concerning the bust's placement in various locations, correspondence with Wilson (1983-1991), and miscellaneous photographs and pictures. The contributions files contain annual listings of contributions and records of contributions from the National Urban League, assorted organizations, corporations, individuals, foundations, and Philip Morris.

Manuscripts and memoirs of Vakar. The topics with which Vakar chiefly deals include: his military education and service; the role of the cavalry in the Imperial Army; emigre military groups in Europe; the Russian Defense Corps (Russkiĭ Okhrannyĭ Korpus) in Yugoslavia during World War II; and Russian emigre life in Argentina after the war. In addition to the manuscripts and memoirs, there are several posters and maps drawn by Vakar on military topics.

Correspondence, outlines, scripts, production notes, technical materials, story boards, contracts, posters, programs, announcements, recordings, reviews, and other printed materials relating to all aspects of Robert Wilson's theater works, opera, films, artwork and video productions. There are files for all of Wilson's theatrical performances, the most extensive of which is the CIVIL warS. Also included are the files of the Byrd Hoffman Foundation.

A collection of 110 Palestinian political posters ranging in date from 1978 to the mid nineties (8 from the 70s; 67 from the 80s; 27 from the 90s and 4 from 2000), and issued by various Palestinian political fractions (e.g. Popular Front for the Liberation of Palestine PFLP, Palestinian Liberation Organization PLO, "Palestinian National Liberation Movement" Fatah, etc.). These posters were issued and printed in Beirut, Lebanon, and plastered the walls of the city streets during the years of the civil war, and thereafter. They represent a good window onto many aspects of Palestinian culture, history, politics, art, social anthropology, etc., during the crucial years spent by the PLO and other Palestinian resistance fractions in Beirut/Lebanon.

Flyers, posters, and occasional periodical issues of various protest, political, and social action groups in New York City. The emphasis is anti-war, gay liberation and New York City political campaigns

A collection consisting of rock posters, primarily from the Fillmore and Matrix auditoriums in San Francisco, representing works by artists including Victor Moscoso, Wes Wilson, and David Singer.

The papers include a long letter by Anna Staniewska discussing Maciej Słomczyński's Polish translations of Shakespeare, with related correspondence of Czesław Miłosz. There is correspondence, and a manuscript by Valkenier concerning the 1961 publication in the Polish emigre press of Russian underground authors I. Ivanov and Abram Tertz. The extensive subject files are primarily concerned with 20th century Polish history, historiography and the Solidarity movement. There is a section on the 1959 U.S. Exhibit in Moscow and a number of Polish theatrical posters. Most of the books are in Polish and concern Polish history and historiography.