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Correspondence, manuscripts, drawings, watercolors, sketches, proofs, and printed materials. The collection includes original watercolor, pen-and-ink, and pencil illustrations for fifty books by various authors, beginning with Georges Duplaix's TOPSY TURVY CIRCUS (1940), and continuing with Golden Book's Scuffy the Tugboat & Tootles the Train by Gertrude Crampton; Duplaix's The Merry Shipwreck; Kipling's The Jungle Books, and the artist's dummy for The Wheel on the Chimney by Margaret Wise Brown, a Caldecott Honor book. Also included are illustrations for nineteen books by Gergely; advertising and commercial art of the 1940s, political cartoons and carricatures from the 1930s 1940s in Europe and America; designs for greeting cards, posters, and record jackets; and eighteen watercolor drawings for NEW YORKER covers, many of which were published in the 1940s. A selection of manuscripts, correspondence, and printed materials is also included in the collection.

The Union Settlement Association Records document a century of the settlement's activities, and provide a unique view of the first wave of the settlement movement in America. They document social conditions, demographic change, political activity, philanthropy and social work in East Harlem with a strong emphasis on the urban renewal period of the 1950s and '60s. The records include: annual reports, board minutes and committee files, headworker and executive director files, program reports, community organization files, and visual materials such as photographs, maps and architectural drawings.

Correspondence, manuscripts, documents, financial records, photographs, memorabilia, and printed materials. The Foundation's correspondence files consist of letters from different organizations and foundations, including the Martin Luther King, Jr. Center for Social Change, The NAACP, the United Negro College Fund, the Studio Museum in Harlem, and the YWCA. Also included in this collection are community dialogues on race relations (1974-1975); proposed dialogues (1979) on such subjects as the Boy Scouts of America, Columbia University, and the National Council of Christians and Jews; and files on the Whitney M. Young Fellows Retreat Conferences (1980-1984). The collection contains many files on Ed Wilson's bust of Young (1991), including contracts and agreements, records of payments to Wilson, documents concerning the bust's placement in various locations, correspondence with Wilson (1983-1991), and miscellaneous photographs and pictures. The contributions files contain annual listings of contributions and records of contributions from the National Urban League, assorted organizations, corporations, individuals, foundations, and Philip Morris.

Correspondence, manuscripts, documents, photographs, memorabilia and printed materials of John Mitchel, John Purroy Mitchel, and other members of the Mitchel and Purroy families. The collection concerns Irish nationalism, family matters, Purroy family business interests in Central America, the John Purroy Mitchel Memorial and William Brown Meloney's files relating to his research and writing of "The Story of John Purroy Mitchel" along with the manuscript and typescript drafts for this unpublished biography.

Papers dealing with Johnson's public life in New York City and in the New York State Senate. While Assistant Alderman, Johnson received numerous letters of application from citizens seeking patronage for a variety of municipal offices, ranging from requests to be a night watchman to a position as a municipal court justice. Also, letters, reports, and other documents relating to various municipal services such as health, welfare, fire fighting, street maintenance, water, sewers, railroads, ferries, and stage coaches. Some letters and documents concern Whig Party politics in the 3rd Ward. Johnson's correspondence as a New York Society Library Trustee refers to the proposed merger with the New York Athenaeum. Also, twelve items relating to his term in the State Senate, covering taxation and control of foreign laborers.

A collection consisting primarily of World War II posters issued in the United States, Great Britain, Russia and in Germany during the Allied occupation. In addition, there are United Nations posters and a few issued in Canada, France, Holland and Poland

A series of numbered Russian war posters issued by the Soviet news service, TASS. An English translation of the poster's titles, texts, authors, and artists are listed by the Tass number in a separate loose leaf binder