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Personal, administrative, political, and investigative files of Nickerson. The papers deal almost entirely with his eight years as County Executive, and consist of correspondence, memoranda, manuscripts of speeches, notes, press releases, photographs, and clippings. Among the major correspondents are James A. Farley, Hubert H. Humphrey, Robert F. Kennedy, Edward I. Koch, and Percy E. Sutton. The Investigation Files, which amount to nearly half the collection, document investigation into corruption and mismanagement in numerous Long Island businesses and governmental departments. These investigations, instigated and overseen by Nickerson, were carried out largely by the Commissioner of Accounts, Milton Lipson, and later by Samuel Greason, the first governmental ombudsman in the United States. These files consist primarily of memoranda, transcripts of hearings, payroll and financial accounts, notes, and tape recordings.

The materials that comprise the Historical Biographical Files have been collected and added to from a variety of sources over the years by current and previous staff. The files consist of materials related to people who have a connection to the University whether as student, alumni, administrator, faculty, staff, guest lecturer, or honorary degree recipient. Materials generally consist of newspaper and magazine clippings, press releases, programs, ephemera, printed matter, lists, reports, and pamphlets.

Correspondence, playscripts, screenplays, scenarios, short stories, and other manuscripts, drafts, photocopies, contracts and other documents, tearsheets, clippings, and other materials relating to his career as a screenwriter, playwright, and author of short stories. Correspondence with friends, students, admirers, and professional colleagues concern his teaching, playwriting, films, articles, photography, and literary topics. There are also two groups of letters from students and readers about his textbook, "The Human Nature of Playwriting" (1949). Among the cataloged correspondence are William Gibson, MacKinlay Kantor, Anna Louise Strong, Louis Untermeyer, and Carl Van Doren. Included are manuscripts, drafts, or photocopies of almost all his films, plays, and short stories, such as playscripts and drafts of his plays, "The Jazz Singer" (1922), "Skylark" (1939), "Jason" (1942), and others; screenplays and scenarios, many in photocopy, of "Trouble in Paradise" (1932), "The Merry Widow" (1934), "The Shop Aroung the Corner" (1940), "Suspicion" (1941), "Heaven Can Wait" (1943), and many other films; and manuscripts, drafts, tearsheets, and printed copies of his short stories and articles of film and television criticism. There are also many clippings and reviews, programs, and other printed materials about his plays and films.

Correspondence, manuscripts, playscripts, screenplays, diaries, documents, contracts, financial records, photographs, phonograph records, motion pictures, playbills, posters, sheet music, cartoons, art work, memorabilia, scrapbooks, and printed materials. . The collection consists chiefly of correspondence and production files relating to the creation, production, and performance of their works for stage, screen, radio, and television, such as Leave It To Me and Kiss Me Kate (with music by Cole Porter), Boy Meets Girl, and My Three Angels. Correspondence (with twentieth century authors, playwrights, musicians, political figures, and actors) includes: George Abbott, Jean Arthur, Bennett Cerf, Katharine Cornell, Jo Davidson, George and Ira Gershwin, Alec Guinness, W. Averell Harriman, Lilli Lehmann, Mary Martin, Laurence Olivier, Mary Pickford, Cole Porter, Regina Resnick, Eleanor Roosevelt, Robert E. Sherwood, Lincoln Steffens, Kurt Weill, Rebecca West, and Thornton Wilder. There is also correspondence concerning Bella Spewack's work with the New York Girls' Scholarship, UNRA, and the Sports Center of Israel. In addition to the production files, there are manuscripts and typescript drafts for novels, short stories, and articles by the Spewacks.

A collection of over 340 pieces of original material related to the demonstrations at Columbia University and their aftermath, focused on activities led by the Columbia Students for a Democratic Society (Columbia SDS) to protest the Vietnam War, end the construction of a Columbia gymnasium on public park land in Harlem, and include University students in institutional decision-making. Most items date to the spring and fall of 1968, including newspaper and magazine clippings, flyers for protests and demonstrations, letters, leaflets, journal and newspaper issues, essays, notices, press releases, memos, meeting minutes, proposals, and many other items, all collected and archived by Stuart Gedal, a student at Columbia (1966-1969) and prominent SDS member. The collection also includes numerous SDS related material such as founding documents (Port Huron Statement), conference materials, and educational pamphlets. There is also some content concerning the Weatherman Underground Organization, an off-shoot of SDS, including a rare first printing of the booklet Prairie Fire.