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[Elevations and plans for a courthouse in New York City] / Hadden & Gedney, Carpenters, 1840

3 drawings
Abstract Or Scope

Three sheets giving two plans and two elevations for a public building (presumably a court house - three of the rooms are designated on the plan as 'clerk''sheriff', and 'surrogate'). There are two facades and it is difficult to tell which is the front and which is the back; one is marked by three segmental arches with a recessed porch behind; the other also has a recessed porch but has a more formal (and more up-to-date) frontispiece in the Greek Revival style, with two pilasters on either side and two square columns in the center, flanking door. Also the roof cornice of this facade has a long low rectangular panel centered over the entryway. These motifs are close to those shown in American builder's pattern books of the 1830s and 40s. The builders' manuals and pattern books of the 19th century were the do-it-yourself manuals of their era, and for builder-architects like Hadden & Gedney, were important resources for construction techniques and design details.

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Guastavino Fireproof Construction Company architectural records, 1866-1985, bulk 1890-1942

40.1 linear feet
Abstract Or Scope
This collection is made up of architectural drawings, correspondence, specifications, contracts, invoices, minutes, financial statements, patents, advertisements, photographs, photograph album, test results and reports, memoranda, tile samples, factory order cards, and other materials pertaining to The Guastavino Fireproof Construction Company's projects. The dates of the materials span 1866-1985, with bulk dates 1890-1942. The architectural records include structural, decorative, and acoustical sample products and fragments. Also included are materials added to the files by George Collins (1917-1993), Professor of Art History at Columbia University. Prof. Collins secured the donation of this archive in 1963, and remained its custodian until it was transferred to the Drawings and Archives Collection at the Avery Architectural and Fine Arts Library in 1988. The records document Prof. Collins' research efforts, as well as the Company's projects in forty states (including District of Columbia), four Canadian provinces, and eleven other foreign countries.
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Harold Van Buren Magonigle architectural drawings and papers, 1894-1944, bulk 1894-1930

2,184 architectural drawings
Abstract Or Scope
Harold Van Buren Magonigle was a New York-based architect, graphic designer, painter and sculptor. Magonigle married artist Edith Marion Day in 1900. Edith Magonigle was a painter and muralist who served as President of the Society of Women Painters and Sculptors. Edith was a primary collaborator of Harold Van Buren Magonigle in both the decoration and creation of buildings designed by his practice. He was widely known as an architect of memorial structures including the Firemen's Memorial on Riverside Drive and the Liberty Memorial in Kansas City. Other prominent commissions include the Isaac Guggenheim house in Port Washington, New York and the United States Embassy in Tokyo, Japan.
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John Calvin Stevens architectural drawings, 1882-1925

125 drawings
Abstract Or Scope

Architectural drawings for residence, public and commercial buildings, churches, university buildings, and other structures, ca. 1880s-1925, many of which are located in Maine. These were done by Stevens while working independently, in partnership with his son John Howard Stevens, and while a member of architectural firms Fassett and Stevens (with offices in Portland, Maine and Boston, Mass.) and Stevens and Cobb. One unidentified photograph of a house is included. Also included are drawings Stevens did for the book EXAMPLES OF AMERICAN DOMESTIC ARCHITECTURE.

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New York Custom House, 1837-1842

4 drawings
Abstract Or Scope

The four drawings include: Frieze detail (Anthemion Band) : ink and graphite on paper (33 x 49 cm) ; Plan and elevation for the fly-doors at the entrances of the New Custom House, N.Y. : pen and ink on paper, signed (33 x 40 1/2 cm) ; Plan of the Basement of the New Customs House, New York : Ink, brown wash, green wash on paper mounted on linen (64 x 97 4/5 cm) ; Plan of the Flagging of the Principal Floor of New Custom House, N.Y. : Ink on paper mounted on linen (59 x 93 1/3 cm). Condition: The two larger drawings are heavily varnished and stained. A medium size portion of the "Plan and elevation for the fly-doors" has been cut.

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