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Sketches, sketchbooks, scrapbooks, tearsheets, photographs and printed material. The collection includes more than 900 drawings and watercolors. The material covers much of Charles Saxon's professional career

A collection of letters addressed to Russell Potter, Director of the Institute of Arts & Sciences, relating to speaking engagerents and conferences. The correspondence, dated 1930-1945, includes letters from Gertrude Stein, Robert Frost, Edna Ferber, Al Smith, Henry Wallace, Anthony Eden, and Harold Laski. Some of the letters are of a personal nature.

Primarily oil portraits of 18th century literary figures. There are also engravings, and pen and ink and pencil sketches. Among the literary figures are portraits of Samuel Butler, Lord Byron, Thomas Carlyle; Colley Cibber; Charles Dickens; John Evelyn; John Foxe; David Garrick; Thomas Gray; Charles Lamb; Sir Thomas More; Sir Walter Raleigh; Samuel Richardson; Richard B. Sheridan; Alfred, Lord Tennyson; William M. Thackeray; and others. There is also a portrait by Blanche Ames of George A. Plimpton. Among the artists represented in the collection are James Maubert, Frederick Sandys, and William Hogarth (attrib.)

Letters, documents, and printed materials documenting Macy's publishing career, including that relating to the Nonesuch Press, dating from 1941 to 1960. Included also are photographs, awards, and financial papers. The correspondents include many of Macy's close friends including Peter Beilenson, William Rose Benét, Clifton Fadiman, Christopher Fry, Lillian Gish, Alec Guinness, Fritz Kredel, Frederic and Florence March, Francis Meynell, Bruce Rogers, Louis Untermeyer, Carl Van Doren, and Lynd Ward. Also, miscellaneous engravings, lithographs, and drawings. The collection also includes 3 series of books: Macy-Masius Readers Club, Readers Club and Heritage Press. Macy Memorial Limited Addition Club books were cataloged individually as MACYMEM

Collection contains watercolor renderings, sketches, technical drawings (ground plans, elevations and details), photographs, glass plate and acetate negatives, scrapbooks, set models and some related papers covering Urban's career in Vienna and New York as an architect, set designer, decorator and illustrator. There is a thorough representation of his New York career including his set designs for Florenz Ziegfeld (1915-1932) and the Metropolitan Opera (1917-1933). The collection also contains information on Urban's work for William Randolph Hearst as art director for Cosmopolitan Studios, his exhibitions including his 1921 Wiener Werkstätte store, and his many architectural projects. Biographical information and research gathered by Richard Cole and Randolph Carter including contributions from his daughter,Gretl Urban, and biographical notes and some letters from his widow, Mary Urban, are also present.

A collection of more than 300 drawings and sketches. Notable are the 60 sheets of drawings made during his trip to Russia in the company of other western journalists. The major portion of the collection comprises the file of sketches and caricatures of leading personalities in public life and the arts made by Rosenberg from the 1920s to the 1950s, including those of Jane Addams; George Arliss; Max Baer; Theda Bara; Enrico Caruso; Feodor Chaliapin; Ina Claire; Walter Damrosch; Jack Dempsey; Elsie Janis; Beatrice Lillie; Groucho Marx; Mae Murray; Ezio Pinza; William Howard Taft; Peggy Wood; Israel Zangwill; and numerous other entertainers, sportsmen, politicians, and writers

Working files of the architectural historians Rudolf and Margot Wittkower, dealing with Baroque and Renaissance painting, sculpture, and architecture. Included are manuscripts, notes, drawings, annotated proofs of articles and books, and some correspondence related to his writings and lectures. The majority of the files document his teaching, research, and writing at the University of London, 1934-1955, and at Columbia University. There are also some manuscript notes from his early years in Italy and Germany. Series I has been divided into six parts: Artists, Subjects, Book Manuscripts, Proofs, Notes, and Printed Materials. Some of the major files are Bernini, Bramante, Carracci, Michelangelo, and Raphael (Artists); Baroque Painting, Patronage, Rome, St. Peter's, Slade Lectures on the history of art (Subjects); ART AND ARCHITECTURE IN ITALY, BORN UNDER SATURN, and MATTHEWS LECTURES: GOTHIC VS. CLASSIC (Book Manuscripts). In addition there are proofs of essays and reviews with manuscript corrections and emmendations, copies of several of his own published works with his manuscript corrections, and typescript insertions for new editions. The Notes consist of eight card file boxes with notes chiefly relating to the Baroque period and Bernini. Materials created by or related to Rudolf Wittkower's wife, the architect and interior designer Margot Holzmann Wittkower, can be found primarily in Series II, IV, V, and VI. Material created or maintained solely by Margot Wittkower is located in Series VI; however, material she shared with Rudolf Wittkower is located in Series II, IV, and V.

The collection contains a set of illustrations made by the artist Serge Czerefkow in 1927 for Anatole France's THAÏS. They were made for the Paris publisher Ren'e Kieffer. Included are 29 original drawings and sketches (#s 1-29) and 4 sets of 20 etchings each, printed as follows: #30-49 printed on satin, first state; #50-69 printed on satin, second state; #70-89 printed on parchment, first state; #90-109 printed on parchment, second state