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Andrew B. Harris tapes, 9999
2.5 linear feetTwo boxes of audio and video tapes from the Chair of the Theater Department.
Austin Strong papers, 1890-1961
4300 itemsCorrespondence, manuscripts, diaries, commonplace books, drawings, photographs, and printed materials. The collection is a comprehensive documentation of the dramatist's career and includes manuscripts, typescripts, notes, and costume and scenic design for more than seventy of his plays and related writings; 31 diaries, commonplace books, and scrapbooks containing manuscript and typescript notes, travel sketches, original drawings, and photographs; and correspondence files including letters from Harley Granville-Barker, Sir Herbert Beerbohm-Tree, John Galsworthy, Booth Tarkington, and Thornton Wilder. Austin Strong's mother, Isobel Field, was the step-daughter of Robert Louis Stevenson. Consequently, the collection contains much Stevensoniana, including photographs and Isobel Field's letters from Western Samoa, where she was known as "Teuila." Also, correspondence and photographs relating to Cornwall Park, Auckland, New Zealand, which was designed by Austin Strong.
Booth Tarkington papers, 1921-1923
1 boxCorrespondence regarding the production of the plays INTIMATE STRANGERS and MAGNOLIA by Tarkington. There are twelve holograph letters, one detail sketch for a costume, and one page of manuscript and one page of typescript notes by Tarkington as well as thirteen telegrams sent by him. The letters and telegrams are all addressed to Mr. Ira A. Hards, director of the plays. In addition, there are copies of seven telegrams by Hards and one by the producer, A.L. Erlanger, all but one of which are addressed to Tarkington. Also, carbon copies of four letters from Hards and Erlanger to Tarkington, two items concerned with book production and dramatic rights of THE INTIMATE STRANGERS and one theatre program.
Brander Matthews Dramatic Museum collection of documents relating to actors and theatrical managers, 1732-1995
18 linear feetA collection of letters, manuscripts, and documents of prominent actors, actresses, and theatrical managers. Many of these are single, unrelated items. The largest body of correspondence is from the American actress, Charlotte Cushman (14 letters). Another figure of major interest is William Charles Macready, partly because of Miss Cushman's relationship to him (she toured with him for several years) and also as there are several of his letters. Sir Henry Irving, Edwin Forrest and James Mowatt are each represented by a few letters. A group of 8 unsigned letters may have been written by the famous singer, actress, and manager, Eliza Vestris. One box contains manuscripts of Samuel Coit, Charlotte Cushman, Clyde Fitch, Wallace Gould, Henry von Heiseler, E.H. Sothern, and Lester Wallack. Six boxes contain Augustin Daly's check stubs and bank books for Daly's Theatre, New York, for 1872-1899. (For additional Augustin Daly business records, see description sheets for Daly's Theatre Collection, X810.128/D15& the Dramatic Library Collection shelf list).
Brander Matthews Dramatic Museum realia, 1700-1966
214 boxesBrander Matthews Dramatic Museum records, 1910-1971
7.5 linear feetOffice files consisting of correspondence, reports, memoranda, and other documents relating to the operation of the Museum. Included are numerous biographical and topical folders on the theatrical subjects such as David Belasco, Costumes, French stage models, Helen Hayes, etc. Masks and Puppets account for 29 folders.
C. J.Bulliet papers, 1899-1952
10 linear feetDepartment of Theatre Collection, 1920-2014
6.40 Linear FeetDesmond Heeley papers, 1884-2018, bulk 1946-2016
32 Linear FeetDircé St. Cyr papers, 1893-1952
10 boxesCorrespondence of St. Cyr with many well-known theatrical personalities. The bulk of the correspondence is from Tommaso Salvini (1829-1916), the Italian playwright, and consists of 118 letters. There are manuscripts of several interviews and essays intended for magazine publication, and her translations of two plays by Roberto Bracco. There are also many contracts and documents relating to translation rights and the production of her plays; a group of 81 autographs collected by St. Cyr; and three boxes of published plays, chiefly Italian, signed by Dircé St. Cyr. Many of the plays are by Roberto Bracco who signed and inscribed them to St. Cyr. There is one scrapbook of theatrical memorabilia, programs, playbills, and related clippings.
Dolores Prida papers, 1948-2001
17 linear feetThere are letters, photos, manuscripts, fan mail (as well as may of the actual "Dolores Dice" letters from people all over the country), recordings, and music scores of her plays. There is some unpublished work in various genres, including essays, poetry, teleplays, and theater.
Earl I. Sponable papers, 1928-1968
125 boxesEdward B. Wisely music tape recordings, 1875-1940
15 ReelsSummary: Tape recordings of American, English, and Irish music hall and vaudeville stars from Wisely's collection of records of music hall and vaudeville productions, 1875-1940. The tapes, made at Brooklyn College ca.1965, divide the recordings into fifteen programs with such titles as Victorians, Edwardians, Comics, Impersonators. Performers including Lillian Russell, Gertrude Lawrence, Fanny Brice, Elsa Lanchester, and W.C. Fields are represented. Copies are also available at Brooklyn College.
Ella Winter papers, 1913-1978
41 boxesCorrespondence, manuscripts, documents, notes, photographs, and printed material of Winter. The papers cover primarily the years after 1952 when she and Stewart settled in England to avoid involvement in the House Un-American Activities Committee investigations. Winter traveled widely in Russia, visited China in 1958, and spent nine months in Ghana in 1965. Her journeys are well documented in this collection. Among the manuscripts are drafts for many of her periodical articles, typescripts of her autobiography AND NOT TO YIELD, and articles written about her travels. Also, files on art, the labor movement in California, Robinson Jeffers, the McCarthy era, Lincoln Steffens, and Vietnam. There are numerous photographs taken on her trips abroad, including her work with the Friends of Austria, 1920, of many theatrical productions, and of her family and home. Because of her eclectic interests she was acquainted with many prominent individuals in politics, literature, theatre, and the arts. Among the major correspondents are Edward Albee, Charles and Oona Chaplin, W.E.B. Du Bois, Katharine Hepburn, Carey McWilliams, Kwame Nkrumah, Sean O'Casey, and Muriel Rukeyser.
Ernest Hunter Wright Collection, 1892-1968, bulk 1924-1968
2.5 linear feetGeorge Clinton Densmore Odell papers, 1870-1950
13 linear feetCorrespondence, miscellaneous notes, manuscripts and documents, memorabilia, photographs, clippings, and printed material. The chief correspondents are Nicholas Murray Butler, Charles George Proffitt, and Herbert S. Renton. The collection relates to the theater, to the ANNALS and to Odell's other work, SHAKESPEARE FROM BETTERTON TO IRVING.
Greenberg Publisher records, 1894-1976
76 linear feetThe surviving editorial, production, and publicity files of Greenberg: Publisher. The Greenberg: Publisher library includes 462 titles published by the firm. Also, personal papers of Jacob Walter Greenberg consisting of letters, manuscripts, photographs, clippings, printed ephemera, and memorabilia. These are biographical in nature relating to Greenberg, his family, friends, business associates, authors, politicians, and other public figures. Among the letters are one each from public figures including Robert Benchley, Bennett Cerf, Fiorello La Guardia, and Eleanor Roosevelt.
Henry Eckford Rhoades letters, 1921-1931
1 boxLetters of Rhoades written to William Kimberly Palmer and covering a broad range of subjects including the Civil War, Lincoln, the theater, New England authors, and travels in the Orient and the Arctic.
Ira Hards papers, 1895-1937
2.5 linear feetA collection of letters written by various personages in theatrical and literary circles to Ira A. Hards and his wife, the actor Ina Hammer Hards. Among the letters are seventeen from George W. Cable and nine from Mary Austin, both of whom collaborated with the Hards in certain dramatic compositions. The collection also includes account books, appointment books, photographs, playscripts, programs, scrapbooks, and materials related to the Westchester Theatre.
Irma F. Heiden Kaufmann Scrapbook, 1908-1911
1.54 Linear Feet- « Previous
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