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Two boxes of audio and video tapes from the Chair of the Theater Department.

Correspondence, manuscripts, diaries, commonplace books, drawings, photographs, and printed materials. The collection is a comprehensive documentation of the dramatist's career and includes manuscripts, typescripts, notes, and costume and scenic design for more than seventy of his plays and related writings; 31 diaries, commonplace books, and scrapbooks containing manuscript and typescript notes, travel sketches, original drawings, and photographs; and correspondence files including letters from Harley Granville-Barker, Sir Herbert Beerbohm-Tree, John Galsworthy, Booth Tarkington, and Thornton Wilder. Austin Strong's mother, Isobel Field, was the step-daughter of Robert Louis Stevenson. Consequently, the collection contains much Stevensoniana, including photographs and Isobel Field's letters from Western Samoa, where she was known as "Teuila." Also, correspondence and photographs relating to Cornwall Park, Auckland, New Zealand, which was designed by Austin Strong.

Correspondence regarding the production of the plays INTIMATE STRANGERS and MAGNOLIA by Tarkington. There are twelve holograph letters, one detail sketch for a costume, and one page of manuscript and one page of typescript notes by Tarkington as well as thirteen telegrams sent by him. The letters and telegrams are all addressed to Mr. Ira A. Hards, director of the plays. In addition, there are copies of seven telegrams by Hards and one by the producer, A.L. Erlanger, all but one of which are addressed to Tarkington. Also, carbon copies of four letters from Hards and Erlanger to Tarkington, two items concerned with book production and dramatic rights of THE INTIMATE STRANGERS and one theatre program.

A collection of letters, manuscripts, and documents of prominent actors, actresses, and theatrical managers. Many of these are single, unrelated items. The largest body of correspondence is from the American actress, Charlotte Cushman (14 letters). Another figure of major interest is William Charles Macready, partly because of Miss Cushman's relationship to him (she toured with him for several years) and also as there are several of his letters. Sir Henry Irving, Edwin Forrest and James Mowatt are each represented by a few letters. A group of 8 unsigned letters may have been written by the famous singer, actress, and manager, Eliza Vestris. One box contains manuscripts of Samuel Coit, Charlotte Cushman, Clyde Fitch, Wallace Gould, Henry von Heiseler, E.H. Sothern, and Lester Wallack. Six boxes contain Augustin Daly's check stubs and bank books for Daly's Theatre, New York, for 1872-1899. (For additional Augustin Daly business records, see description sheets for Daly's Theatre Collection, X810.128/D15& the Dramatic Library Collection shelf list).

Office files consisting of correspondence, reports, memoranda, and other documents relating to the operation of the Museum. Included are numerous biographical and topical folders on the theatrical subjects such as David Belasco, Costumes, French stage models, Helen Hayes, etc. Masks and Puppets account for 29 folders.

Correspondence of St. Cyr with many well-known theatrical personalities. The bulk of the correspondence is from Tommaso Salvini (1829-1916), the Italian playwright, and consists of 118 letters. There are manuscripts of several interviews and essays intended for magazine publication, and her translations of two plays by Roberto Bracco. There are also many contracts and documents relating to translation rights and the production of her plays; a group of 81 autographs collected by St. Cyr; and three boxes of published plays, chiefly Italian, signed by Dircé St. Cyr. Many of the plays are by Roberto Bracco who signed and inscribed them to St. Cyr. There is one scrapbook of theatrical memorabilia, programs, playbills, and related clippings.

There are letters, photos, manuscripts, fan mail (as well as may of the actual "Dolores Dice" letters from people all over the country), recordings, and music scores of her plays. There is some unpublished work in various genres, including essays, poetry, teleplays, and theater.

Summary: Tape recordings of American, English, and Irish music hall and vaudeville stars from Wisely's collection of records of music hall and vaudeville productions, 1875-1940. The tapes, made at Brooklyn College ca.1965, divide the recordings into fifteen programs with such titles as Victorians, Edwardians, Comics, Impersonators. Performers including Lillian Russell, Gertrude Lawrence, Fanny Brice, Elsa Lanchester, and W.C. Fields are represented. Copies are also available at Brooklyn College.

Correspondence, manuscripts, documents, notes, photographs, and printed material of Winter. The papers cover primarily the years after 1952 when she and Stewart settled in England to avoid involvement in the House Un-American Activities Committee investigations. Winter traveled widely in Russia, visited China in 1958, and spent nine months in Ghana in 1965. Her journeys are well documented in this collection. Among the manuscripts are drafts for many of her periodical articles, typescripts of her autobiography AND NOT TO YIELD, and articles written about her travels. Also, files on art, the labor movement in California, Robinson Jeffers, the McCarthy era, Lincoln Steffens, and Vietnam. There are numerous photographs taken on her trips abroad, including her work with the Friends of Austria, 1920, of many theatrical productions, and of her family and home. Because of her eclectic interests she was acquainted with many prominent individuals in politics, literature, theatre, and the arts. Among the major correspondents are Edward Albee, Charles and Oona Chaplin, W.E.B. Du Bois, Katharine Hepburn, Carey McWilliams, Kwame Nkrumah, Sean O'Casey, and Muriel Rukeyser.

Correspondence, miscellaneous notes, manuscripts and documents, memorabilia, photographs, clippings, and printed material. The chief correspondents are Nicholas Murray Butler, Charles George Proffitt, and Herbert S. Renton. The collection relates to the theater, to the ANNALS and to Odell's other work, SHAKESPEARE FROM BETTERTON TO IRVING.

The surviving editorial, production, and publicity files of Greenberg: Publisher. The Greenberg: Publisher library includes 462 titles published by the firm. Also, personal papers of Jacob Walter Greenberg consisting of letters, manuscripts, photographs, clippings, printed ephemera, and memorabilia. These are biographical in nature relating to Greenberg, his family, friends, business associates, authors, politicians, and other public figures. Among the letters are one each from public figures including Robert Benchley, Bennett Cerf, Fiorello La Guardia, and Eleanor Roosevelt.

Letters of Rhoades written to William Kimberly Palmer and covering a broad range of subjects including the Civil War, Lincoln, the theater, New England authors, and travels in the Orient and the Arctic.

A collection of letters written by various personages in theatrical and literary circles to Ira A. Hards and his wife, the actor Ina Hammer Hards. Among the letters are seventeen from George W. Cable and nine from Mary Austin, both of whom collaborated with the Hards in certain dramatic compositions. The collection also includes account books, appointment books, photographs, playscripts, programs, scrapbooks, and materials related to the Westchester Theatre.

Correspondence, documents, memorabilia, photographs, original drawings, sketches and studies, and printed materials of Thompson. Correspondence, mostly uncataloged, relating to purchases made in Spain, France, and Italy during 1928; documents; memorabilia; photographs; printed material including publicity, books, engravings, and reproductions; an illustration file containing source illustrations for architectural details, costumes -- subdivided by century, country, societal role, sex, age, and by countries, crafts, painting, styles, etc., and including some original Thompson drawings; a production file containing related correspondence and documents; miscellaneous commissioned projects; and Thompson Studies, including studies done by Thompson, his work as a student, and materials pertaining to his activities as a teacher.

Collection contains watercolor renderings, sketches, technical drawings (ground plans, elevations and details), photographs, glass plate and acetate negatives, scrapbooks, set models and some related papers covering Urban's career in Vienna and New York as an architect, set designer, decorator and illustrator. There is a thorough representation of his New York career including his set designs for Florenz Ziegfeld (1915-1932) and the Metropolitan Opera (1917-1933). The collection also contains information on Urban's work for William Randolph Hearst as art director for Cosmopolitan Studios, his exhibitions including his 1921 Wiener Werkstätte store, and his many architectural projects. Biographical information and research gathered by Richard Cole and Randolph Carter including contributions from his daughter,Gretl Urban, and biographical notes and some letters from his widow, Mary Urban, are also present.

Black and white glass slides of theaters, actors, and actors in productions, portraits depicting contemporary costumes beginning with Greek amphitheaters. Most of the slides are from contemporary 19th-century prints.

Papers of Leah Goldstein Javne Salisbury, consisting of correspondence, contracts, scripts, and financial records. Among the correspondents are Christopher Fry, William Gibson, Eugène Ionesco, Dorothy Parker, S.J. Perelman, and Stark Young.

Correspondence and manuscripts of Westervelt. Much of the correspondence relates to the production of his own plays. Also, letters from famous actors including William Charles Macready, Augustin Daly, and Charles Kemble; typescript manuscripts of Westervelt's plays, among them "By Right of Sword" and "Rally Round the Flag;" and contracts, photographs, and printed materials.

Correspondence, documents, manuscripts and typescripts of writings, paintings, photographs, audio tapes, and printed materials. The collection chiefly consists on the Group's writings and research materials.

Correspondence and inscribed photographs sent to Paul Palmer. Mr. Palmer has collected portraits of film and theater notables and other celebrities since the 1920s. Many of the photographs are inscribed to him and there is some correspondence as well as lobby display cards. Among the cataloged names are: Katharine Cornell, Lillian & Dorothy Gish, Rudyard Kipling, Gertrude Lawrence, Sir Compton Mackenzie, Mary Pickford, Constance & Norma Talmadge, Dame Sybil Thorndike, and H. G. Wells

Letters and postcards from Wilde to Prof Paul Robinson Coleman-Norton, professor of classical philology at Princeton University. The letters are personal in content, reminiscing on their former association at Burgoyne Trail, a nudist camp, asking Coleman-Norton's professional aid, and giving some account of Wilde's current activities. Many of the letters are signed "Jimmy.".

Theatrical memorabilia such as programs, playbills, photographs, engravings, and prints. Although there are some playbills as early as 1770, most of the material is from the 19th and 20th centuries. In addition to plays there is some material relating to concerts, operettas, musical comedies, musical revues, and movies. The majority of the collection centers around Shakespeare. Included with an unbound copy of each play (The Edinburgh Shakespeare Folio Edition) there are portraits, engravings, and photographs of actors in their roles; playbills; programs; cast lists; other types of illustrative material; reviews of various productions; and other printed material. Such well known names as George Arliss, Sarah Bernhardt, the Booths, John Drew, the Barrymores, and William Gillette are included in this collection.

Personal letters written by Phoenix to friends and associates, and letters which Phoenix collected as autograph specimens, ranging in date from 1554 (Melanchthon) to 1933 (Franklin D. Roosevelt). Over half of Phoenix's own letters are addressed to Josiah Collins Pumpelly (1839-1920), many others are to Henry Thayer Drowne (1822-1897). The material is dated from various places in the United States and Europe and contains accounts of Phoenix's travels and comments on yachting, books, the theater, and friends. There is a series of Presidential letters ranging from Washington to Franklin D. Roosevelt. Also, an engraved portrait of Phoenix.

Contains programs, playbills, correspondence, reviews, head shots, copies of the publications, and applications filled out by want-to-be actors who then were listed in the Annual volumes.

Two playscripts of THE MILKTRAIN DOESN'T STOP HERE ANYMORE along with numerous drafts of the play's six scenes. Many of the pages bear cuts, corrections, and alterations by Williams. Also, the author's pen-and-ink rough sketch of the set. The playscripts and drafts are mainly photo-offset, typescript, and carbon typescript. There are also notes, a revision, photographs, and playbill for the production at the Festival dei due Mondi, Spoleto, July 1962.