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Letters sent to Fel'kner by the following persons: Konstantin Alekseev, better known as Konstantin Sergeevich Stanislavskii, one of the founders of the Moscow Art Theatre; Fedor Gorev; Ol'ga Knipper-Chekhova, wife of the writer Anton Chekhov; and M. G. Savina.

The collection consists of 22 letters from Nemirovich-Danchenko to Nikolaĭ M. Alekseev; a photograph of Nemirovich-Danchenko, inscribed to Alekseev; and 7 newspaper clippings (Italian and Russian) concerning Nemirovich-Danchenko's theatrical activities.

Papers consist of correspondence, manuscripts, and printed materials. Correspondents include Nadezhda Teffi and Pierre Fresnay. There are manuscripts of stories, novels, plays, scenarios, and memoirs by Oks. Oks' memoirs touch on his legal career in Russia and meetings with Sarah Bernhardt and Fedor Shali︠a︡pin; the memoirs of his wife, Lidii︠a︡ Borshch, concern the period of the Revolution and Civil War in Russia and meetings with Maksim Gorḱiĭ in Italy in the 1920s. Among the printed materials are the first issue of the emigre literary journal "Chisla," theatrical newspapers from Petrograd in 1914-16, and issues of French periodicals with Oks' memoirs about his legal career in Russia, including contacts with Lenin and Trotsky.

The typescript memoirs "Vospominaniia: Zhizn' i rabota v Khudozhestvennom Teatre" discuss her childhood, education, theatrical career, personal life, the 1917 Revolution and the Civil War, and the emigration in Germany in the 1920s. Persons appearing more or less briefly in the memoirs include Vladimir Nemirovich-Danchenko, Konstantin Stanislavskii-Alekseev, Sergei Diagilev, Savva Morozov, Mstislav Dobuzhinskii, and Ol'ga Knipper. However, the memoirs are chiefly personal in nature, and provide relatively little information on Pavlova's theatrical career or the Khudozhestvennyi Teatr in particular. A sizeable part concerns the period of the Civil War and its immediate aftermath (1918-22) in the Ukraine and the Crimea.

Correspondence, manuscripts, documents, photographs, subject files and printed materials of Simon Lissim. Among the correspondents are Aleksandr Benois, Mikhail Larionov, Georgiĭ Lukomskiĭ and Saveliĭ Sorin. There are many manuscripts by Lissim himself including the tests for a number of lectures and speeches, sections of his memoirs and essays on aesthectics. The documents include passports documenting his emigration from Russia to France and the United States, and several awards and certificates. There are many photographs of Lissim as well as dozens of photographic reproductions of his work, uncluding Lenox and Sèvres porcelain, textile designs, silver work and graphic arts. There are subjecxt files relating to two books for which he did the illustrations, and there are many folders of clippings documenting his career.

The papers consist of correspondence, autograph books, manuscripts, photographs and printed materials. There are letters from Mark Aldanov, Ivan Bunin, Antonin Ladinskiĭ, Vasiliĭ Nemirovich-Danchenko, Alekseĭ Remizov, Ivan Shmelev, Nadezhda Teffi and Boris Zaĭt︠s︡ev, as well as one letter each from Konstantin Balʹmont, Aleksandr Grechaninov, Vladislav Khodasevich, Aleksandr Kuprin, and Vladimir Nabokov. The autograph albums (owned by Marii︠a︡ A. Berman and Potresov) cover the years 1906-1907 and 1913-1948, respectively, and have entries by Balʹmont, Ivan Bilibin, Bunin, Nabokov, and Maksimili︠a︡n Voloshin, among others. The manuscripts include a poem by Mother Marii︠a︡ and articles, diaries, and a play by Potresov. The printed materials primarily consist of clippings of Potresov's articles in newspapers and journals. In addition to the loose clippings, there are six scrapbooks with clippings of Potresov's articles pasted in.

Typed memoirs "Itogi semidesiatiletiia" discuss such topics as Isheev's family and education; the 1905 Revolution in Riga and Jelgava; his contacts with the world of theatre and journalism in Russia; World War I and the Civil War; and the emigration in Bulgaria, France, and the United States, where he was again involved with cultural activities and journalism.

Petr Pilśkiĭ's manuscripts include articles which are primarily essays on individual Russian writers of the late 19th and early 20th century, such as Belyĭ, Belinskiĭ, Bunin, Chekhov, Saltykov-Shchedrin etc. These manuscripts, most likely prepared initially to serve as introductions to publications of single or collected works, are typed carbons, apparently copied considerably later. The manuscripts of E.S. Pilśkai︠a︡ are chiefly memoirs, including recollections about her studies at the Imperial Theater School (Imperatorskoe Teatralńoe Uchilishche) in St. Petersburg, theater life in Russia, her stay in Odessa and Kiev during 1918-1919 and about the Soviet takeover of Latvia in 1940. Included in the collection are several articles about Pilśkiĭ by his wife and by A. Kuprin and A. Amfiteatrov.

Correspondence, diaries, documents, manuscripts, and printed materials. The collection consists chiefly of diaries, research materials, and his writings. Among the correspondents are: Mikhail Chekhov, Olga Chekhov, Roman Gul, Vladimir Ilin, Artur Luther, Sergei Melgunov, Bishop Serafim, Fedor Stepun, Ilia Surguchev, Alexandra Tolstoy, and Vladimir Zenzinov

These memoirs, in three notebooks(163 p.), were apparently the manuscript of the second part of her memoirs"Moĭ put ́s pesneĭ" (1930); they cover pages 7-98 of that work, from 1909 to World War I. The manuscript is in an unidentified hand, with extensive corrections and additions in, apparently, two other hands.