Search Results
Ann Greyson Papers, 1971-2000
1 linear feetCorrespondence, contracts, reviews, brochures, fliers, and photographs of various theatrical productions involving Ann Greyson.
Annie Laurie Williams records, 1922-1971
91 linear feetCorrespondence files and financial papers. The files include correspondence, contracts, clippings and programs, ledgers and financial accounts, submission books, and calendars and memorandum books. Authors for whom there are extensive files include the following: Truman Capote; Patrick Dennis; John Dos Passos; Lloyd C. Douglas; John Hersey; Alice Tisdale Hobart; Paul Horgan; William Humphrey; Frances Parkinson Keyes; Margaret Mitchell; Alan Paton; Kenneth Roberts; Lillian Smith; John Steinbeck; George R. Stewart; Ben Ames Williams; and Kathleen Winsor
Arthur Miller papers relating to "The Crucible", 1952-1953
0.5 linear feetPlayscripts, notes, caricatures, rehearsal lists, playbills, a flyer, and newspaper reviews and clippings for THE CRUCIBLE by Arthur Miller. THE CRUCIBLE, a drama about the Salem witch trials of 1692, was first produced in Wilmington in January 1953 and opened in New York in June 1953. The playscripts show the working notes of Arthur Miller and of Jed Harris, the director.
Booth Tarkington papers, 1921-1923
1 boxCorrespondence regarding the production of the plays INTIMATE STRANGERS and MAGNOLIA by Tarkington. There are twelve holograph letters, one detail sketch for a costume, and one page of manuscript and one page of typescript notes by Tarkington as well as thirteen telegrams sent by him. The letters and telegrams are all addressed to Mr. Ira A. Hards, director of the plays. In addition, there are copies of seven telegrams by Hards and one by the producer, A.L. Erlanger, all but one of which are addressed to Tarkington. Also, carbon copies of four letters from Hards and Erlanger to Tarkington, two items concerned with book production and dramatic rights of THE INTIMATE STRANGERS and one theatre program.
Brander Matthews Dramatic Museum collection of documents relating to actors and theatrical managers, 1732-1995
18 linear feetA collection of letters, manuscripts, and documents of prominent actors, actresses, and theatrical managers. Many of these are single, unrelated items. The largest body of correspondence is from the American actress, Charlotte Cushman (14 letters). Another figure of major interest is William Charles Macready, partly because of Miss Cushman's relationship to him (she toured with him for several years) and also as there are several of his letters. Sir Henry Irving, Edwin Forrest and James Mowatt are each represented by a few letters. A group of 8 unsigned letters may have been written by the famous singer, actress, and manager, Eliza Vestris. One box contains manuscripts of Samuel Coit, Charlotte Cushman, Clyde Fitch, Wallace Gould, Henry von Heiseler, E.H. Sothern, and Lester Wallack. Six boxes contain Augustin Daly's check stubs and bank books for Daly's Theatre, New York, for 1872-1899. (For additional Augustin Daly business records, see description sheets for Daly's Theatre Collection, X810.128/D15& the Dramatic Library Collection shelf list).
Giles Cooper Papers, 1945-1984
16.5 linear feetPlayscripts, correspondence about his scripts, poems, notebooks and other manuscripts including drafts, typescripts, notes, photographs, mimeographed scripts and printed materials, re. Cooper's plays, radio and television scripts, short stories, and novels.
Harold Clurman papers, 1922-1980
0.5 linear feetCorrespondence, notebooks, and photocopies of manuscripts. There are letters from Jean Dubuffet, Walter Matthau, Arthur Miller, Harold Pinter, and Tennessee Williams. There are also six of Clurman's notebooks with notes on theater and photocopies of typescript pages re. his book, THE FERVENT YEARS (1945).
Harry Harkness Flagler letters, 1781-1948
1 boxThe collection consists of letters from celebrities in various fields, largely addressed to Harry Harkness Flagler. Included are letters of Ambrose Bierce, Thomas A. Edison, Edwin Forrest, Andrew Jackson, Rudyard Kipling, Richard Mansfield, John D. Rockefeller, Franklin D. Roosevelt, John Ruskin, Constantin Stanislavsky, and George Washington. Especially noteworthy are five letters of Charles Dickens, bound together in one volume.
Herbert Machiz papers, 1956-1969
0.5 linear feetLetters to Herbert Machiz (1923-1976), a prominent theatrical director in New York. The correspondence includes items from well-known actors and authors, such as Truman Capote, Tennessee Williams, Yukio Mishima, Julie Harris, Paul Bowles, and Gian Carlo Menotti. The collection also includes newspaper articles on Mishima collected by Machiz, and an obituary of Machiz.
Ira Hards papers, 1895-1937
2.5 linear feetA collection of letters written by various personages in theatrical and literary circles to Ira A. Hards and his wife, the actor Ina Hammer Hards. Among the letters are seventeen from George W. Cable and nine from Mary Austin, both of whom collaborated with the Hards in certain dramatic compositions. The collection also includes account books, appointment books, photographs, playscripts, programs, scrapbooks, and materials related to the Westchester Theatre.
John Hall papers, 1950-1997
23 linear feetCorrespondence and manuscripts including drafts, typescript, notes, photographs, mimeographed scripts and printed materials, re. Hall's plays, radio and television scripts, short stories, and novels. Among the cataloged correspondents are: Alan Ayckbourn, Robert Bolt, Christopher Fry, Sir John Gielgud, and Harold Pinter.
Louis Napoleon Parker papers, 1869-1943
12.5 linear feetRandolph Somerville papers, 1915-1958
28.5 linear feetPapers, promptbooks, photographs, lecture notes, correspondence, and theatrical files of Somerville. Included are materials from the Washington Square Players and Duke's Oak Theatre in Cooperstown, N.Y.
Robert Wilson papers, 1969-2000
148 linear feetCorrespondence, outlines, scripts, production notes, technical materials, story boards, contracts, posters, programs, announcements, recordings, reviews, and other printed materials relating to all aspects of Robert Wilson's theater works, opera, films, artwork and video productions. There are files for all of Wilson's theatrical performances, the most extensive of which is the CIVIL warS. Also included are the files of the Byrd Hoffman Foundation.
Samson Raphaelson papers, 1916-1982
19.5 linear feetCorrespondence, playscripts, screenplays, scenarios, short stories, and other manuscripts, drafts, photocopies, contracts and other documents, tearsheets, clippings, and other materials relating to his career as a screenwriter, playwright, and author of short stories. Correspondence with friends, students, admirers, and professional colleagues concern his teaching, playwriting, films, articles, photography, and literary topics. There are also two groups of letters from students and readers about his textbook, "The Human Nature of Playwriting" (1949). Among the cataloged correspondence are William Gibson, MacKinlay Kantor, Anna Louise Strong, Louis Untermeyer, and Carl Van Doren. Included are manuscripts, drafts, or photocopies of almost all his films, plays, and short stories, such as playscripts and drafts of his plays, "The Jazz Singer" (1922), "Skylark" (1939), "Jason" (1942), and others; screenplays and scenarios, many in photocopy, of "Trouble in Paradise" (1932), "The Merry Widow" (1934), "The Shop Aroung the Corner" (1940), "Suspicion" (1941), "Heaven Can Wait" (1943), and many other films; and manuscripts, drafts, tearsheets, and printed copies of his short stories and articles of film and television criticism. There are also many clippings and reviews, programs, and other printed materials about his plays and films.