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Camille Taylor collection of Black Music Caucus Gospel Choir Competitions recordings, circa 1975 -- 2009

21 linear feet
Abstract Or Scope

Includes recordings and photo albums of elementary, middle, high school, and college gospel choir competitions sponsored by the Black Music Caucus between the late 1970s and 2009, with the bulk dating from 1986 through 2009. Audiovisual media is on DVDs, audiocassettes, and VHS tapes located in Boxes 1-15. There are many duplicates, especially DVDs. Photo albums and paper files are also included in Boxes 16-21 of the collection.

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Daniel Talbot Papers, 1923-2010, bulk 1960-2008

495 linear feet
Abstract Or Scope
The Dan Talbot Papers document the business operation of the New Yorker Films, an independent film acquisition and distribution company, dating from 1960s to 2008, as well as movie theaters in the Upper West Side Manhattan which he operated, dating from 1960 to 2007. It is of particular relevance to New Yorkers as the Talbots operated the New Yorker Theater, Cinema Studio, Metro, and Lincoln Plaza Cinemas, on the Upper West Side, as popular venues to view independent and foreign films.
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Howard "Stretch" Johnson papers, 1923-2011, bulk 1980-2000

5 linear feet
Abstract Or Scope
The Howard "Stretch" Johnson Papers document the life of Howard Johnson, known for most of his life as "Stretch." Johnson was a tap dancer with the Duke Ellington Orchestra and performed in Harlem at the Cotton Club and the Apollo Theater in the 1930s. After joining the Communist Party of the United States of America in 1940, Johnson went on to engage in social activism for most of his life, living in a number of places, including Brazil, Galveston, Texas, Hawaii, Paris, and St. Croix. The Papers contain correspondence, both personal and work related, as well as a nearly finished typescript of Stretch's autobiography. There are a number of photographs, mainly copies of the various performers at the Cotton Club, as well as audio and videocassettes, and ephemera. Additionally, the collection contains a family scrapbook with photos from the late 1940s and early 1950s.
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I. I. Rabi papers, 1908-1998, bulk circa 1940s-1980s

24 linear feet
Abstract Or Scope

The bulk of the collection relates to awards, honorary degrees, and other honors bestowed on I. I. Rabi during the latter half of his career. It contains correspondence, manuscript drafts, pamphlets, lectures, articles, interviews, reports, panel discussions, transcripts, books, and conference materials about Rabi's work. Includes photographs, VHS recordings, audiocassettes, scrapbooks, and press clippings related to his career. Subjects include science, atomic energy and weapons, peace, education, NATO, history, government, world affairs, and honors. Also includes awards, honorary degrees, certificates, medals, and other memorabilia. In addition, correspondence regarding his estate, the awards established in his honor, and related memorials. These were the materials that I.I. Rabi's widow, Helen Newmark Rabi, did not donate to the Library of Congress but kept as her own mementos.

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Palestinian Films collection, 1976-2008

6 linear feet
Abstract Or Scope

The collection contains over 130 feature films, shorts, and documentaries about Palestine, or by Palestinian film makers and artists, and is based on Dreams of a Nation, a Columbia University based film project committed to the preservation and promotion of Palestinian cinema. The main curator of the Dreams of a nation project, Prof. Hamid Dabashi explains the background and history of the project and collection in the following words: "[Dreams of a Nation] began early in the 1990s with the acquisition and inclusion of Palestinian films in courses I taught at Columbia on Middle Eastern cinema. The late Edward Said and his assistant Zeyneb Asterabadi were instrumental in facilitating my initial contacts with Palestinian filmmakers, and Richard Pena was extremely helpful in helping me locate Palestinian films. These courses eventually culminated in a major Palestinian film festival we organized in January 2003 at Columbia University, and continued with taking that festival to Palestine in February 2004. The initial collection of the films screened in the course of these two festivals were subsequently expanded into a major archive of Palestinian films, which is now safely housed at Columbia University in New York City. This collection is being carefully preserved, expanded, and digitized for future use by scholars and students of Palestinian cinema. The initial team that organized these two film festival and created this website included my research assistant Fatima Ali, as well as Columbia University students Kareem Fahim, Annemarie Jacir, and Kamran Rastegar, as well as Enas Muthaffar and Luma Shihab-Eldin. Annemarie Jacir curated these two festivals. My edited volume, Dreams of a Nation: On Palestinian Cinema (Verso, 2006) was a result of this project."

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