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José Luis Delpini photographs, circa 1958

71 photographic prints
Abstract Or Scope

The collection consists of photographs for twenty buildings and models of five unrealized or partially realized project. Projects include markets, churches, factories, garages, a bus station, a bridge, a stadium, an airplane hangar, and an apartment building. The photographs are black and white and mounted to card stock. Each print includes a typed caption, which identifies and dates the project. The photographs are housed together in a clamshell box engraved with the title "La Arquitectura de Jose L. Depini." It is possible the photographs were use as a presentation album.

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Jack and Irene Delano papers, circa 1940-1997

273 linear feet
Abstract Or Scope

Art--Audio--Book Mock-up--Ephemera--Mixed--Moving Images--Music Scores--Original Papers--Photos--Printed--Sketches and prints for postcards--Art--Memorabilia.

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Ta-Chun Hsu papers, circa 1904-2016, bulk 1938-2008

7 Linear Feet
Abstract Or Scope
The Ta-Chun Hsu papers (徐大春檔案) document his personal life and provide a glimpse of his career in China and in the United States. The bulk of the papers consist of correspondence related to his family and his personal life as a Chinese-American and an immigrant living in New York. The correspondence also highlights his relation to a prominent Chinese educator and philosopher, Hu Shih (胡適) and his family. There are also materials related to his father, Hsu Singloh (徐新六), who was a major finance and banking leader during the Second Sino-Japanese War. Also included are immigration and travel documents of T.C. Hsu. Other materials also include news clippings, articles, financial records, printed materials, portraits and photographs, maps and postcards.
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Thomas Jesse Jones papers, circa 1870s-1982, bulk circa 1900-1950

7 linear feet
Abstract Or Scope
Personal and family papers of the Welsh American sociologist and progressive educator Thomas Jesse Jones (1873-1950). Through his work at Hampton Institute, the U.S. Census Bureau, the U.S. Bureau of Education, and the Phelps-Stokes Fund, he gained extensive influence over policy and curricula for African American education and African education during the era of European colonization.
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Jim MacGregor Collection of documents produced by the 40th POLWAR Battalion of the Army of the Republic of Vietnam, 1971-1972

0.25 Linear Feet
Abstract Or Scope

Documents, in Vietnamese and English, produced by the 40th POLWAR Battalion of the Army of the Republic of Vietnam.

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Dixie Trainer papers, 1964-1997

0.1 linear feet
Abstract Or Scope

The collection contains blueprints and photographs of the Whitney Museum of American Art used by Dixie Trainer to make a replica of the building for a fund-raising gala for the museum.

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Victor Kayfetz Photograph collection, 1963-1965

0.21 linear feet
Abstract Or Scope

This image collection consists of one black leather album containing 105 archive-quality 5x7 inch historic photos (of which 90 are manually darkroom-produced, black-and-white enlargements, mainly from negatives) depicting Columbia College student life and related current events during 1963-1965, plus photo captions totaling about 1,800 words. Also 4 CDs totaling 39 digitally reproduced color and B&W images.

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Group for Contemporary Music records, 1962-1999

10 linear feet
Abstract Or Scope

The Group for Contemporary Music records document the function of an American chamber ensemble dedicated to the performance of contemporary classical music, dating from 1961 to 2012. The records consist of correspondence, photographs, programs, memoranda, schedules, meeting notes, clippings, contracts, bills, financial records, fund raising and grant applications, and so on.

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June Rose Garrott papers, 1960-2015

22 linear feet
Abstract Or Scope

The most substantial part of the collection is the extensive correspondence between Nien Cheng and June Rose Garrott (originals have been scanned onto discs). There are letters; WWW print-outs; email print-outs; artwork; audio cassettes; VHS tapes; DVDs; CDs; photographs; a scroll; a fan; printed ephemera; books; and a bust of Lao She.

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Center for US-China Arts Exchange records, 1956-2019, bulk 1977-2003

102 Linear Feet
Abstract Or Scope
This collection of records document the institutional history of the Center for US-China Arts Exchange, established in 1978. Under the directorship of professor and renowned composer Chou Wen-chung, the Center is a not-for-profit organization that connected arts professionals from the US and China through a spectrum of curated programs, conferences, and research trips. Bulk dated between 1977 and 2003, materials in this collection consist of correspondence, reports, photographs, printed materials, as well as audiovisual items. The collection serves as important material evidence that help to tell the recent history of cultural communications among individuals and organizations across the Pacific.
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