Subseries III.1: Adventures of Huckleberry Finn
See also compact disc: "Valley of Gwangi."(Box 47)
Box 6
Orchestral score: photocopy., 1960, 156 pages bd.
Box 43
Orchestral score: manuscript, signed., 1960, 144 pages a.ms.s.
Box 43
Orchestral score, piano reduction: photocopy., 156 pages
Box 40
Microfilm. "Huckleberry Finn.", 1 box/reel
Subseries III.2: American Pattern
Box 6
Programs, newspaper clippings., n.d.; 1934-1938, 3 programs, ?? pages
Subseries III.3: American Saga
Box 6
Doris Humphrey, Charles Weidman Dance Group Programs., Guild Theatre, New York, 1936, 3 programs
Subseries III.4: Americo Vaspuccio
Box 6
Typescript texts in Latin and English, 57 pages
Subseries III.5: Awaken My Love, Awaken
Box 6
1) Vocal score for two voices and guitar: ozalid copy. 2) Vocal score: reverse copy on thin sheets. 2) Royalty statements., 1951 copyright, 2 pages, 4 pages, 3 items
Subseries III.6: Baby
Box 6
Score for string quartet: manuscript in ink on thin sheets., 1939 copyright, 16 pages
Subseries III.7: Ballet
Box 6 [COPIES]
1) Clippings. 2) Programs. The New School for Social Research, NY (3) and The New Chamber Orchestra, NY (5)., 1933, ? pages, 8 items
Subseries III.8: Ballet Ballads
Box 6
Financial records: statements, expense sheets, check stubs for several productions., 1 folders
Box 7
Kurt E. Wolff Financial papers., California, 1950-1951, 1 folders
Box 7
Typewritten notes., 6 pages
Box 7
To Jerome Moross Opening night telegrams., 8 May 1948-17 May 1948, 18 telegrams
Box 7
Production photographs and head shots., 53 photographs (8 x 10), 4 contact sheets
Box 7
To Jerome Moross and Hazel Moross Signed photograph from "Ruthanna and Frank.", 1 photograph (8 x 10)
Box 7
Informal cast photographs/snapshots, 6 photographs (5 x 3.5), 6 negatives
Box 7
Programs and playbills., 40 items
Box 8
Publicity: press releases and production notices., n.d.; 1948-1950, 1 folders
Box 8 [COPIES]
Newspaper and periodical clippings., n.d.; entry in process., 1 folders
Box 8
Chappell & Co., Publisher Score: "I've Got Me" (song)., 1948 copyright, 7 pages,
Box 8
Chappell & Co., Publisher Score: "My Yellow Flower" (song)., 1948 copyright, 5 pages,
Box 8
Chappell & Co., Publisher Score: "Ridin' on the Breeze" (song)., 1948 copyright, 5 pages,
Box 8
Stage designs: "Susannah and Elders"; "Willy the Weeper," "Willy Alternative"; "Dave Crockett," "Dave Crockett Alternative.", 5 blueprints,
Box 9
Vocal score "Susannah and the Elders": 1) Manuscript on thin sheets; nonsequential order. 2) Ozalid copy; binding removed., 29 Jan 1940; 1944, 83 pages , 52 pages
Flat Box 236
Vocal score "Susannah and the Elders": ozalid copy; binding removed., 1944 copyright, 52 pages
Box 9
Orchestral score "Susannah and the Elders": manuscript on thin sheets., 85 pages
Flat Box 236
Score for two pianos "Susannah and the Elders": ozalid copy; 2 copies., 27 pages, 27 pages; bd.
Flat Box 236
Harry Aspruer Watercolor stage design "Susannah and the Elders." Inscribed by artist to Moross., 1, painting with mat (15 x 20 in.)
Box 9
Master score (70 parts) "Susannah and the Elders"; manuscript in ink., 1 folder a.ms.s.
Box 9
Scores for two pianos "Susannah and the Elders," "Willie the Weeper," and "The Eccentricities of Davey Crockett": ozalid copy., 145 pages, bd.,
Box 9
Vocal score "Susannah and the Elders" "Willie the Weeper," "The Eccentricities of Davey Crockett": 1) Published version. 2) Negative photostat of pages 68-69., 1949, 210 pages, bd., 2 pages
Box 9
Orchestral score "Willie the Weeper": manuscript on thin sheets., 25 pages a.ms.s.,
Flat Box 236
Orchestral score "Willie the Weeper": manuscript on thin sheets., 220 pages a.ms.s.
Flat Box 236
Orchestral score "Willie the Weeper": reduced transparencies on ozalid., 220 pages
Box 9
Score (22 Parts)"Willie the Weeper": manuscript on transparencies., 340 pages a.ms.s.,
Box 9
Score for two pianos "Willie the Weeper": manuscript in pencil., 52 pages a.ms.s.,
Flat Box 237
Score for two pianos "Willie the Weeper": ozalid copies (2 copies)., 52 pages, 52 pages bd.
Box 9
Vocal score "Willie the Weeper": manuscript on thin sheets., 1945 copyright, 68 pages a.ms.s.,
Flat Box 237
Vocal score "Willie the Weeper": ozalid copy., 68 pages
Box 10
Score for two pianos "The Eccentricities of Davy Crockett": manuscript., 66 pages
Flat Box 237
Vocal score "The Eccentricities of Davy Crockett": ozalid copy; broken binding., 66 pages
Box 10
Vocal score "The Eccentricities of Davy Crockett": manuscript on thin sheets., 1946 copyright, 83 pages
Box 10
Score for two pianos "Riding Hood Revisited": manuscript., 63 pages
Box 10
Score for two pianos "Riding Hood Revisited": ozalid copy; 3 copies of 63 p., 3 vol.
Box 10
"Riding Hood Revisited": manuscript on thin sheets., 79 pages
Flat Box 237
Vocal score "Riding Hood Revisited": ozalid copy; broken binding., 79 pages bd.
Box 10
Vocal score "Riding Hood Revisited": ozalid copy., 79 pages
Box 40
Microfilm: "Willie the Weeper." 1 reel; loose., 1 box
Box 41
Tape recording: "1. Susanna. 2. Willie. 3. Davy Crockett.", Los Angeles, 1950, 1 cassette
Box 41
Tape recording. "Legend Inside.", 20 October 1950, 1 box/reel
Box 41
Tape recording. "Susanna," "Davy Crockett, Part I," "Davy Crockett, Part II," "Three Dances from the Last Judgement.", 1 box/reel
Box 41
Tape recording. "The Last Judgement (piano reduction)," "Willie the Weeper.", 1 box/reel
Box 42
Records: 1) "Davy Crockett, Part I" and "Davy Crockett, Part II." 2) "Susanna" and "Willie the Weeper." 3) "Oh Baby, Gee Baby," "I've Got Me," "Yellow Flower," and "Riding on the Breeze.", 3 discs
Box 48
Score (19 Parts): "The Eccentricities of Davy Crockett.", 509 pages
Subseries III.9: Banjo
Written by Louis Moreau Gottschalk; arranged by Moross
Box 10
Score for two pianos: manuscript with corresponding newspaper clippings., n.d.; 1935, 16 pages, 2 pages
Subseries III.10: Bears
Box 10
Score for two pianos; manuscript sketches in pencil., 19 pages a.ms.s.
Subseries III.11: Big Country
Box 10
Manuscript: reduced ozalid negatives., 1958, 25 pages
Box 10
Score (film sketches): 1) Manuscript. 2) Ozalid copy., 1958, 174 pages, 174 pages
Box 10
Vocal score "Another Day, Another Sunset": published version., 1958 copyright, 5 pages
[Lyrics by Morty Neff and Jack Lewis.]
Flat Box 238
Orchestral score: manuscript in hand of Bernard L. Mayers and others. 1) Reel 1, Part 1: "Main Title"; 22 p. 2) Reel 1, Part 2: "Julie's House"; 18 p. 3) Reel 2, Part 1: "The Welcoming"; 31 p. 4) Reel 2, Part 2: "The Hazing"; 13 p. 5) Reel 2, Part 3: "Courtin' Time"; 15 p. ,, 1958, 6 folios
[Full score: 665 pages in 46 folios]
Flat Box 238
Orchestral score: manuscript in hand of Bernard L. Mayers and others. 6) Reel 3, Part 1: "The Terrill Ranch"; 9 p. 7) Reel 3, Part 2: "Old Thunder"; 16 p. 8) Reel 4, Part 1: "Breakfast Scene"; 13 p. 9) Reel 4, Part 2: "The Raid"; 31 p. 10) Reel 4, Part 2 (revised); 16 p. 11) Reel 4, Part 2A: "The Raid" (continued); 14 p. 12) Reel 5, Part 1: "McKay's Decision"; 10 p. 13) Reel 5, Part 2: "The Capture"; 15 p. ,, 1958, 7 folios
[Full score: 665 pages in 46 folios]
Flat Box 239
Orchestral score: manuscript in hand of Bernard L. Mayers and others. 14) Reel 6, Part 1: "McKay's Triumph"; 11 p. 15) Reel 6, Part 2: "Major Terrill's Party"; 14 p. 16) Reel 6, Part 2A: "Major Terrill's Party" (continued); 9 p. 17) Reel 7, Part 1: "Waltz"; 28 p. 18) Reel 7, Parts 2 and 3: "Polka"; 7 p. and Part 2, "alternate ending"; 1 p. 19) Reel 7, Part 4: "Night in Blanco County"; 4 p. 20) Reel 8, Part 1: "McKay's Ride"; 8 p. 21) Reel 8, Part 1A: "McKay is Missing"; 11 p. 22) Reel 8, Part 1B; 16 p. 23) Reel 9, Part 1: "Waiting"; 2 p. 24) Reel 9, Part 2: "Horror Stories"; 10 p. 25) Reel 9, Part 3: "The Big Muddy"; 14 p. 26) Reel 10, Part 1: "Still Waiting"; 12 p. 27) Reel 10, Part 2: "McKay Alone"; 10 p. 28) Reel 10, Part 3: "Night at Ladder Ranch"; 5 p. ,, 1958, 15 folios
[Full score: 665 pages in 46 folios]
Flat Box 239
Orchestral score: manuscript in hand of Bernard L. Mayers and others. 29) Reel 11, Part 1: "The Fight"; 17 p. 30) Reel 12, Part 1: "The Cattle at the River"; 22 p. 31) Reel 13, Part 1: "Pat's Mistake"; 10 p. 32) Reel 13, Part 2: "Buck Comes for Julia"; 9 p. 33) Reel 14, Part 1: "The Abduction"; 8 p. 34) Reel 15, Part 1: "The Captive"; 8 p. 35) Reel 15, Part 2 (revised): "The Attempted Rape"; 9 p. 36) Reel 15, Part 2 (new): "The Attempted Rape"; 17 p. ,, 1958, 8 folios
[Full score: 665 pages in 46 folios]
Flat Box 240
Orchestral score: manuscript in hand of Bernard L. Mayers and others. 37) Reel 16, Part 1: "The War Party Gathers"; 22 p. 38) Reel 16, Part 1 (new). 25 p. 39) Reel 17, Part 1: "McKay in Blanco Canyon." 27 p. 40) Reel 18, Part 1: "Jim and Julie"; 2 p. 41) Reel 18, Part 2: "The Major Alone"; 14 p. 42) Reel 19, Part 1: "The Duel"; 4 p. 43) Reel 19, Part 2: "The Death of Buck Hennessy"; 11 p. 44) Reel 19, Part 3 and Reel 20, Part 1: "Ambush in Blanco Canyon"; 30 p. 45) Reel 20, Part 2: "The Stalking"; 8 p. 46) Reel 20, Part 3: End Title; 12 p. ,, 1958, 10 folios
[Full score: 665 pages in 46 folios]
Flat Box 241
Orchestral score: manuscript on thin sheets in pencil; signed, 1958, 144 pages a.ms.s.
Flat Box 241
Orchestral score: ozalid copy., 1958, 144 pages bd.
Box 10
Programs: Royal Philharmonic Orchestra with Elmer Bernstein; Long Beach Symphony (CA) with letter from conductor John Green; Mantovani and his Concert Orchestra (Lincoln Center, NY)., v.p., n.d.; 1966-67; 1982, 4 programs
Flat Box 241
Plaque: Academy Award Nomination for Best Music Score., Los Angeles, 1958, 1 folder, 1 framed plaque
Box 40X
Microfilm. Copy of 665 p. Orchestral score shelved in Flatbox 238-240., 1958, 1 box/reel (2 copies)
Box 42
Record: "William Wyler's: The Big Country.", 1958, 1 disc
[See also compact disc (Box 43).]
Box 43
Soundtrack. Commemorative volume with compact disc. 2 copies., 1990, 2 boxes
Box 44
Tape recording., 1958, 3 boxes/reels
Box 44
Tape recording. 1987 copy of original., 1958, 3 boxes/reels
Box 44
Magnetic film transfer log., 1958, 2 pages
Subseries III.12: Biguine
Box 11
New Music Orchestra Series Orchestral score: 1) Published score. 2) Program (with notes): Symphony Under the Stars at Hollywood Bowl, 22-27 August 1944; 2 copies., San Fransisco, 1935 copyright; 1944., 32 pages, bd., 2 vol., bd.
Box 11
Orchestral score (6 Parts): manuscript in ink on thin sheets (incomplete)., 12 pages a.ms.
Box 11
Master score (32 Parts): published version., 95 pages
Subseries III.13: Blood Wedding
Box 11
Frederico Garcia Lorca; incidental music by Moross. Vocal score: 1) Manuscript in pencil. 2) Ozalid copy. 3) Ozalid copy (incomplete). 4) Negative ozalid copy. 5) Program: New Stages Theatre, 159 Bleecker St., New York; 4 copies., 1949 (program); ca. 1950, 15 pages a.ms.s., 15 pages bd., 10 pages, 15 pages, 4 vol.
Subseries III.14: Captive City
Box 11
Score (film sketches): manuscript in pencil., 64 pages a.ms.
Box 41
Video tape recording: "Captive City.", 1 cassette
Subseries III.15: Cardinal
Flat Box 241
Orchestral score: manuscript in pencil. 1) "Foxtrot"; 10 p. 2) "Foxtrot"; 10 p. 3) "Waltz"; 19 p. 4) "Waltz"; 19 p., 1963, 58 pages a.ms.
Box 11
"An Episode in Vienna": manuscript in pencil., 1963, 65 pages a.ms.
Box 11
Gamma Productions, Inc. Piano score: 1) "Main Theme," published version. 2) "Waltz," published version., 1963, 3 pages bd, 5 pages bd.
Box 11
Publicity items: 1) Article by Bill Batchelor, London. 2) Review. "The American Record Guide." February 1964; page 545. 3) Film production list and program., 1963-1964, 4 pages t.ms., 1 page, 1 booklet
Box 11
Orchestral score: manuscript in pencil on thin sheets with changes., 1963, 123 pages
Box 11
, Orchestral score: ozalid copy., 1963, 127 pages bd.
Box 11
Score: ozalid copies (incomplete)., 1963, 37 pages bd., 118 pages bd.
Box 42
Records: 1) "Otto Preminger presents: The Cardinal." 2) "The Cardinal: Dixieland Tango." 3) "The Cardinal: Theatre Tango." 4) "The Cardinal: U.S.A.", 1963, 4 discs
Subseries III.16: Close Up
Box 12
Score: ozalid copy., 1947(?), 39 pages
Subseries III.17: Cocaine Lil'
Box 12
American Composers Alliance, Inc. Vocal score: blue print., 8 pages
Subseries III.18: Concerto for Flute with String Quartet
Box 12
Orchestral score: manuscript on thin sheets., 1978, 61 pages a.ms.
Box 12
Scores for Parts: 1) Ozalid copy (5 parts). 2) Manuscript on thin sheets (6 parts)., 1978, 90 pages, 107 pages a.ms.
Box 12
Sorom Editions Score: solo flute and piano reduction. 1) Printed; 13 p. bd. and 45 p. bd. 2) Manuscript in pencil., 1998 copyright, 58 pages bd., 63 pages a.ms.
Box 12
Publicity items: 1) Contract (Moross and Monday Productions). 2) Collected reviews and notices (as of 24 June 1980). 3) Publicity prints (Moross as a child); 3 copies. 4) "Critic's Choice" listings in "High Fidelity," Vol. 30, No. 3: March 1980; page 82., 1975-1981, 1 page, 12 pages, 3 pages (12.5 x 12.5 in.), 1 page
Subseries III.19: Cow in Trailer
Box 12
Lyrics by Lynn Riggs and Ramon Naya; music by Jerome Moross 1) Playscript: carbon copy. 2) Vocal score: manuscript on thin sheets. Pages 1-58, 58-64, 71-106; 1 unidentified. 3) Vocal score "Scene 1": ozalid copy. 4) Vocal score: ozalid copy, unidentified pages., 90 pages t.ms., 102 pages, 12 pages, 104 pages, bd.
Subseries III.20: Creole Dance
Box 12
To John W. Green CBS Correspondence regarding radio performance of Moross' composition., New York City, 1934, 1 page t.l.s., 1 page a.l.s.
Subseries III.21: Culture Vultures or Rise and Fall of Picklepop (Musical farce)
Box 12
Scenerio: "First Outline.", 196?, 21 page t.ms.
Subseries III.22: Dance to the People
Box 12
Esther Junger and the Dance Theatre Series of the Y.M.H.A. Program: performance includes Moross work., 1940, 4 pages
Subseries III.23: Devil is an Ass
Original title "The Great Lucifer"
Box 12
John LaTouche and Jerome Moross Synopsis: carbon copy., 6, pages t.ms.
Subseries III.24: Etude d'Execution Transcendente sur une Chanson Populaire Americaine Le Voyageur d'Arkansaw
Box 12
Score: manuscript on thin sheets., 2 pages, 1 torn page
Subseries III.25: Five Finger Exercise
See also compact disc: "Valley of Gwangi."(Box 47)
Box 13
Score: manuscript sketches in pencil., 87 pages a.ms.
Box 13
Orchestral score: ozalid copy., 89 pages
[See also compact disc: "Valley of Gwangi." (Box 47)]
Subseries III.26: Flossy
Box 13
1) Lyrics with notes in pencil. 2) Publicity: newspaper clipping from Daily News., n.d.; 4 May 1963, 24 pages t.ms., 1 page
Box 13
Score, Parts I-IX: manuscript in pencil., 137 pages a.ms.
Box 13
Synopsis, carbon copies. 1) "Act 1"; 6 p. 2) "The First Lady"; 7 p. 3) "The First Lady" with corrections; 7 p. 4) "Flossie: An Outline for a Musical"; 9 p. 5) "Flossie: An Outline of a Work for the Musical Theatre"; 2 copies of 11 p., 51 pages t.ms.
Box 13
Vocal scores. 1) Manuscript on thin sheets, Acts I-IX. 2) Ozalid copy, Acts I-IX. 3) Ozalid copy., 105 pages, 67 pages, 32 pages bd.
Subseries III.27: For Joshua and Aaron
Box 13
Clarinet part: 1) Manuscript in ink on thin sheet; 1 p. 2) Ozalid copies; 4 p. Score for clarinet and piano: 3) Manuscript in pencil; 2 p. 4) Manuscript in ink on thin sheets; 3 p. 5) Ozalid copy; 3 p., 13 pages
[Duet for clarinet and piano]
Subseries III.28: Forget Me Not
Box 13
Orchestral and vocal score Movements I-V: manuscript in pencil on thin sheets., 43 pages a.ms.s.
Box 13
Scores for Movements I-V: 1) Manuscript for 4 parts (strings) in pen. 2) Ozalid copies of orchestral and vocal score; 4 copies of 43 p., 57 pages a.ms., 172 pages bd.
Box 13
Scenerio: carbon copy., 7 pages t.ms.
Box 13
Vocal score "Some Day" (song): 1) Manuscript on thin sheets in pencil. 2) Ozalid copy., 3 pages a.ms.s., 3 pages
Box 41
Video tape recording: "When I Grow Up.", 1 cassette
Box 42
Record: "J. Moross: Music from Forget Me Not.", 1 disc
Subseries III.29: Frankie and Johnny
Box 14
Orchestral score: 1) Ozalid copies; 194 pages each. 2) Notes by Moross., 1938, 2 vol., 2 pages
Box 14
Orchestral score: reduced negative transparencies; not in sequence., 1938, 194 pages
Flat Box 242
Orchestral score: enlarged photocopy with composer's corrections., 1938, 194 pages
Flat Box 242
Orchestral score: manuscript on thin sheets., 1938, 194 pages a.ms.s.
Flat Box 242
Orchestral score: ozalid copy., 1938, 194 pages bd.
Box 14
Publicity items. 1) Newspaper clippings collected with a personal memo from "Tom." 2) Season flyer from Chicago Ballet (1978). 3) Book: "Les Ballet Americains" by authors including Ruth Page (autographed), Jose Limon, and Bentley Stone with photographs by Serge Lido., 1945-1978, 9 pages a.s., 4 pages bd., 1 vol. s.
Box 14
Newspaper clippings: photocopies., n.d., 1933-1982, 66 pages
Box 14 [COPIES]
Periodical clippings: 1) "Saturday Review," page 52. 2) "Time," page 88. 3) "Musical America," page 19. 4) Clipping with signature of Mike Snell., 1945-1965, 1 folders
Box 14
Programs: Dance Theatre of Harlem; Cincinnati Ballet Company; Pittsburgh Ballet Theatre; Ballet Russe de Monte Carlo; Les Ballet des Champs-Elysees., 1945-1982, 23 programs
Box 15
Score (22 parts): manuscript on transparencies., 1938, 256 pages
Box 15
Orchestral score: early version with corrections and additions by Moross., 1938, 168 pages bd.
Box 15
Orchestral score: miniature photocopy of early version., 1938, 168 pages
Box 15
Score for two pianos: 1) Manuscript on thin sheets. 2) Ozalid copy., 1938, 56 pages a.ms. s., 55 pages bd.
Box 15
Vocal score "Women's Trio"(for 2 sopranos and 1 alto): manuscript in pencil., 1938, 12 pages a.ms.
Box 15
Vocal score "Women's trio": 1) Reduced ozalid; 5 copies of 12 p. bd. 2) Negative ozalid. 3) Reduced negative photostat., 1938, 5 vol., 12 pages, 12 pages
Box 42
Record: "Jerome Moross: The Scandalous Life of Frankie and Johnny." Vienna Symphony Orchestra. Walter Hendl, Dean Dixon, conductors., 1 disc
Box 45
Parts (22): new master parts with all corrections. Receipts for writing services (3)., 1938, 256 pages, 3 folders
Box 54
12" Vinyl Disk (damaged)
Subseries III.30: General Armchair
Box 16
1) Playscript. 2) Score: manuscript; signed; 3) Score in copyist's hand., 1943, 20 pages t.ms., 8 pages ms.s., 5 pages
Subseries III.31: Gentlemen, Be Seated!
Box 16
New York City Opera Company Cast list; 7 copies., 10 October 1963, 7 pages
[A Musical Entertainment in Two Acts]
Box 16
Opening night telegrams to Jerome and Hazel Moross., 9-11 October 1963, 36 telegrams
Box 16
Playscript: early draft with corrections and changes., 1963, 71 page t.ms.
Box 16
Playscript: drafts with many changes and additions and letters from collaborator Edward Eager., 1963, 184 pages t.ms.
Box 16
Playscript: later copy with changes., 1963, 100 pages t.ms.
Box 16
Playscript: final copy., 1963, 90 pages t.ms.
Box 16
Publicity: 1) Playbill. 2) Press release from The Playwrights' Company., 1963, 1 program, 2 pages
Box 16
Publicity: newspaper clippings., n.d.,15 April 1955-11 October 1963, 12 pages
Box 16
Publicity: periodical clippings. 1) "Saturday Review." 26 Oct 1963. 2) "Show." Jan 1964., 1963, 3 pages, 3 pages
Box 17
Orchestral scores: reduced ozalid copies. 1) "Grand March." 2) "In the Sunny Old South." 3) "The Freedom Train." 4) "Waltzing in the Shadow." 5) "Fare You Well." 6) "The Dome." 7) "Picnic at Manassas." 8) "Mockingbird." 9) [untitled] 10) "The Ballad of Belle Boyd." 11) "'Mancipation." 12) "It Isn't a Gentleman's War." 13) "The Contraband Ball." 14) "Gentlemen, Be Seated." 15) "All Quiet on the Potomac." [no designated 16] 17) "Mr. Brady Takes a Photograph." 18) "I Can't Remember." 19) "From Atlanta to the Sea.", 1963, 988 pages, 18 folders
Flat Box 243
Orchestral scores: manuscripts. Discarded sheets; 8 p. 1) "Grand March"; 51 p. 2) "In the Sunny Old South"; 31 p. 3) "Freedom Train"; 38 p. 4) "Waltzing in the Shadows"; 140 p. 5) "Fare You Well"; 28 p. 6) "The Dome"; 43 p. [no designated 7], 1963, 7 folders
Flat Box 244
Orchestral scores: manuscripts. 8) "Mockingbird"; 14 p. [no designated 9] 10) "The Ballad of Belle Boyd"; 88 p. 11) "'Mancipation"; 24 p. 12) "It Isn't a Gentleman's War"; 55 p. 13) "Contraband Ball"; 115 p. 14) "Gentlemen, Be Seated!"; 26 p., 1963, 6 folders
Flat Box 245
Orchestral scores: manuscripts. 15) "All Quiet on the Potomac"; 40 p. [no designated 16] 17) "Mr. Brady Takes a Photograph"; 88 p. 18) "I Can't Remember"; 26 p., 1963, 3 folders
Flat Box 246
Orchestral scores: manuscripts. 19) "From Atlanta to the Sea"; 132 p. 20) "What Has Become of Beauty?"; 47 p. 21) "Have You Seen Him?"; 29 p. 22) "Grand Finale"; 27 p., 1963, 4 folders
Mapcase 14-N-7
Stage design. 1) Watercolor painting, signed by William Pitkin. 2) Watercolor and ink painting for stage curtain; signed and inscribed to Moross by William Pitkin., 1963, 2 paintings s.
Flat Box 247
Piano/vocal scores, Act 1: 1) Songs 1-13. Ozalid copy with changes and additions. 2) Extra #13 "The Contraband Ball," ozalid copy with changes. 3) "Dialogue IX- page 1" with memo., 1963, 1 vol. bd., 39 pages bd., 2 1 page t.ms.; 1 page a.ms.
[Stamped "New York City Opera."]
Flat Box 247
Piano/vocal score, Act II: 1) Ozalid copy with changes in pencil. 2) #17 "Mr. Brady Takes a Photograph.", 1963, 138 pages bd., 24 pages bd.
[Stamped "New York City Opera Company."]
Flat Box 247
Ozalid copies in 4 folios, duplicates with additions in pencil. 1) Act I: "Grand March"; 17 p. 2) "The Freedom Train"; 17 p. 3) "The Contraband Ball"; 39 p. 4) "What Has Become of Beauty"; 12 p., 1963, 85 pages bd.
Flat Box 248
Vocal score: Act I and Act II. Ozalid copy in 23 folios., 1963, 355 pages bd.
Box 18
Parts for musical numbers 1-12. Manuscripts on transparancies (with changes) and copies in blueprint. 1) "Grand March," manuscript. 2) "Grand March," copies. 3) "In the Sunny Old South," manuscript. 4) "In the Sunny Old South," copies. 5) "The Freedom Train," manuscript. 6) "The Freedom Train," copies. 7) "Waltzing in the Shadows," manuscript. 8) "Waltzing in the Shadows," copies. 9) "Fare You Well," manuscript. 10) "Fare You Well," copies. 11) "The Dome," manuscript. 12) "The Mocking Bird," copies [no manuscript]. 13) "Ballad of Belle Boyd," manuscript. 14) "Ballad of Belle Boyd," copies. 15) "'Mancipation," manuscript [no copy]. 16) "This Isn't a Gentleman's War," manuscript. 17) "[It's Not] a Gentleman's War," copies., 1963, 17 folders
Box 19
Parts for musical numbers 13-22. Manuscripts on transparancies (with changes) and blueprint copies. 1) "The Contraband Ball," manuscript. 2) "The Contraband Ball," copies. 3) "Gentlemen, Be Seated!" manuscript. 4) "All Quiet on the Potomac," manuscript. 5) "All Quiet on the Potomac," copies. 6) "Mr. Brady Takes a Photograph," manuscript. 7) "Mr. Brady Takes a Photograph," copies. 8) "I Can't Remember," manuscript. 9) "I Can't Remember," copy. 10) "From Atlanta to the Sea," manuscript. 11) "From Atlanta to the Sea," copies. 12) "What Has Become of Beauty?" manuscript. 13) "What Has Become of Beauty?" copies.14) "Have You Seen Him?" manuscript. 15) "Have You Seen Him?" copies. 16) "Grand Finale," manuscript. 17) "Grand Finale," copies., 1963, 17 folders
Box 20
Curtain design: 8 photocopies of 1 page., 1963, 8 pages
[See also Mapcase 14-14-7.]
Box 20
Stage design: "The Dome." Watercolor and wash drawing signed by artist William Pitkin., 1963, 1 painting s.
Box 20
Vocal score Act I: manuscript on thin sheets., 1963, 212 pages a.ms.
Box 20
Vocal score, Act II: manuscript on thin sheets., 1963, 140 pages a.ms.
Box 20
Vocal score: manuscript on thin sheets (revised pages)., 1963, 11 pages a.ms.
Box 20
Vocal score: ozalid copies in 15 folios., 1963, 212 pages
Box 42
Records. "Gentlemen Be Seated!": 1) "Act I, Part 1" and "Act I, Part 2"; 2 copies. 2) "Act 1, Part 3" and "Act I, Part 4"; 2 copies. 3) "Act II, Part 1"and "Act II, Part 2"; 2 copies., 1963, 6 discs
Box 47
Score (Parts) "Picnic at Manassas, No. 7": 1) Xerox copy. 2) List of corrections., 1963, 62 pages, 3 pages
Subseries III.32: Golden Apple
Box 21
Director's score: ozalid copy with notes and changes., 1954, 325 pages bd.
Box 21
Director's score: ozalid copy with notes and changes., 1954, 157 pages bd., 191 pages bd.
Box 21
Director's score: ozalid copy with notes and changes., 1954, 157 pages bd., 191 pages bd.
Box 22
Orchestral score, Act I: manuscript on thin sheets; p. 3-105., 1954, 102 pages a.ms.
Box 22
Orchestral score, Act II: manuscript on thin sheets., 1954, 65 pages a.ms.
Box 22
Orchestral score: manuscript in ink on thin sheets., 1954, 395 pages a.ms.
Box 22
Orchestral score: manuscript in pencil on thin sheets., 1954, 197 pages a.ms.
Box 22
Orchestral score: ozalid copies with changes and additions on thin manuscript sheets in pencil., 1954, 251 pages a.ms.
Box 23
Orchestral score, Act 1 (1): ozalid copy with changes; p. 4-100., 1954, 96 pages bd.
Box 23
Orchestral score, Act 1 (2): ozalid copy with changes; p. 141-284., 1954, 143 pages bd.
Box 23
Orchestral score, Act 1 (3): ozalid copy with changes; p. 285-391C., 1954, 108 pages bd.
Box 23
Orchestral score, Act 1 (4): ozalid copy with changes; p. 391-480., 1954, 89 pages bd.
Box 23
Orchestral score, Act 1 (5): ozalid copy with changes; p. 481-530., 1954, 51 pages bd.
Box 23
Orchestral score, Act 2 (1): ozalid copy with changes; p. 1-116., 1954, 116 pages bd.
Box 23
Orchestral score, Act 2 (2): ozalid copy with changes; p. 117-197., 1954, 80 pages bd.
Box 23
Orchestral score, Act 2 (3): ozalid copy with changes; p. 198-311., 1954, 113 pages bd.
Box 23
Orchestral score, Act 2 (4): ozalid copy with changes; p. 312-460., 1954, 148 pages bd.
Box 23
Orchestral score, Act 2 (5): ozalid copy with changes; p. 460-533., 1954, 73 pages bd.
Box 24
Orchestral score, Act I (1): ozalid copy with changes; p. 2-100., 1954, 99 pages bd.
Box 24
Orchestral score, Act I (2): ozalid copy with changes; p. 141-284., 1954, 143 pages bd.
Box 24
Orchestral score, Act I (3): ozalid copy with changes; p. 285-390., 1954, 105 pages bd.
Box 24
Orchestral score, Act I (4): ozalid copy with changes; p. 391-506., 1954, 115 pages bd.
Box 24
Orchestral score, Act I (5): ozalid copy with changes; p. 507-595., 1954, 88 pages bd.
Box 24
Orchestral score, Act II (1): ozalid copy with changes; p. 1-106., 1954, 105 pages bd.
Box 24
Orchestral score, Act II (2): ozalid copy with changes; p. 107-223., 1954, 106 pages bd.
Box 24
Orchestral score, Act II (3): ozalid copy with changes; p. 224-353., 1954, 129 pages bd.
Box 24
Orchestral score, Act II (4): ozalid copy with changes; p.354-471., 1954, 117 pages bd.
Box 24
Orchestral score, Act II (5): ozalid copy with changes; p. 472-569., 1954, 97 pages bd.
Box 24
Orchestral score, Act II (6), "New Finale": ozalid copy with changes; p. 533-569., 1954, 36 pages bd.
Box 25
Orchestral Score, Act I: ozalid copy; p. 1-100 (series incomplete)., 1954, 40 pages (double sided)
Box 25
Orchestral score, Act II: ozalid copy with changes and additions; p. 1-116., 1954, 116 pages bd.
Box 25
Orchestral score, Act II: ozalid copy with changes; p. 117-197., 1954, 80 pages bd.
Box 25
Orchestral score, Act II: ozalid copy with changes; p.198-311., 1954, 113 pages bd.
Box 25
Orchestral score, Act II: ozalid copy with changes and additions; p. 312-439., 1954, 127 pages bd.
Box 25
Orchestral score, Act II: ozalid copy with changes and additions; p. 440-509., 1954, 69 pages bd.
Box 25
Orchestral score: miscellaneous pages with changes and additions; previously torn from binding., 1954, 15 pages (double sided)
Box 25
Orchestral score: miscellaneous pages, blueprint and ozalid copies., 1954, 519 pages
Box 25
Orchestral score: ozalid negatives., 1954, 4 pages
Flat Box 249
Orchestral score: discarded manuscript on thin sheets. Identified "55D" and "162-163.", 1954, 2 pages a.ms.
Flat Box 249
Orchestral score, Act I: ozalid copy with changes; p. 1-231., 1954, 230 pages bd.
Flat Box 249
Orchestral score, Act I: ozalid copy with changes; p. 232-431, 1954, 199 pages bd.
Flat Box 249
Orchestral score, Act I: ozalid copy with changes; p. 432-530., 1954, 98 pages bd.
Flat Box 249
Orchestral score, Act I: ozalid copy with changes; p. 531-595., 1954, 64 pages bd.
Flat Box 250
Orchestral score, Act II: ozalid copies with changes. 1) Pages 1-40 and 350; 41 p. bd. 2) Pages 1-143; 143 p. bd. 3) Pages 144-248; 104 p. bd. 4) Pages 249-411; 162 p. bd. 5) Pages 412-499; 87 p. bd. 6) Pages 533-567 - "New Finale"; 34 p. bd., 1954, 6 folios
Flat Box 250
Orchestral score, Act II: reverse blueprint (ink); p. 1-38., 1954, 38 pages
Flat Box 250
Vocal score: 1) Manuscript in pencil on thin sheets; pages identified: 321, 322, 325, 326, 328; 5 p. 2) Handwritten memo: "Photograph, original vocal score, Pages 318-319-320"; 1 p., 1954, 6 pages a.ms.
Flat Box 250
Bill Hargate, visual artist. Stage design: watercolor painting., 1954, 1 painting s.
Flat Box 250
Publicity poster. York Playhouse: 1st Ave. at 64th St., New York City., 1954, 1 folders
Box 26
Playscript: carbon draft with changes and additions., 1954, 97 pages bd.
Box 26
Playscript: mimeograph copy., 1954, 101 pages bd.
Box 26
Playscript: draft with changes and additions., 1954, 92 pages bd.
Box 26
Playscript, Act I: manuscript (early draft) on thin sheets with handwritten corrections., 1954, 85 pages t.ms./a.ms.
Box 26
Playscript, Act II: manuscript (early draft) on thin sheets., 1954, 72 pages t.ms.
Box 26
Playscript: miscellaneous handwritten notes and sketches., 1954, 53 pages a.ms.
Box 26
Playscript: miscellaneous draft., 1954, 46 pages t.ms.
Box 26
Playscript: carbon drafts., 1954, 62 pages
Box 26
Production papers including cast list, contract, correspondence with Lucy Kroll agency, statements, petition to Ford Foundation., 1954, 31 pages
Box 26
Production papers: statements., 1954, 1 folders
Box 26 [COPIES]
Publicity clippings: newspapers., 1954, 1 folders
Box 26
Publicity: 11 programs. Cast/production biographies., 1954, 1 folders
Box 27 [COPIES]
Publicity: newspaper clippings., 1954, 1 folders
Box 27 [COPIES]
Publicity: periodical clippings., 1954, 1 folders
Box 27
Publicity: photographs of Moross and production shots; various sizes., 1954, 30 photographs
Box 27
Publicity: programs., 1954, 56 items
Box 27
Embossed scrapbook: no contents., 1954, 1 folders
Box 28Askpatrick
Empty folder: marked "vocal score- ozalid copy bound, 2 vol.", 1954, 1 folders
Box 28
Vocal score: manuscript in pencil; miscellaneous pages., 1954, 38 pages a.ms.
Box 28
Vocal score: manuscript on thin sheets; miscellaneous pages., 1954, 26 pages a.ms.
Box 28
Vocal score, Act I: manuscript in pencil., 1954, 178 pages a.ms.
Box 28
Vocal score, Act II: manuscript in pencil., 1954, 167 pages a.ms.
Box 29
Vocal score, Act I: ozalid copy., 1954, 149 pages
Box 29
Vocal score: ozalid negatives., 1954, 155 pages
Box 29
Vocal score, Act II: ozalid copy., 1954, 45 pages bd.
Box 29
Vocal score: ozalid copy; misecellaneous pages., 1954, 1 folders
Box 29
Vocal score: printed songs; 7 pages each., 1954, 4 volumes, 28 pages bd.
Flat Box 251
Vocal score, Act I: ozalid copy; miscellaneous pages., 1954, 1 folders
Box 40
Microfilm. 1) "Orchestral score: Act I." 2) "Vocal Score.", 2 boxes/reels
Box 42
Record: "The Golden Apple." Original cast album: Phoenix Theatre production., 1 disc
Box 47
Compact disc: "The Golden Apple: A Musical Play." Hugh Ross, musical director., 1997 copyright., 1 disc
Box 48
Piano conductor score: "computerized score.", 1954, 388 pages
Box 48
Piano conductor score., 1954, 393 pages bd.
Box 48
Playscript., 1954, 80 pages bd.
Orchestral Parts:
Box 50
Orchestral Parts, 1st Violins (2 sets), 2nd Violins, Viola, Cello, 1954, 2 sets
Box 51
Orchestral Parts, Bass, Flute, Oboe, French Horns, 1954
Box 52
Orchestral Parts, 1st Clarinet, 2nd Clarinet, Bassoon, Trumpets, Trombone, 1954
Box 53
Orchestral Parts, Percussion, Harp, Piano, Celesta, 1954
Subseries III.33: Guns and Castanets
Box 30
Vocal and piano score: ozalid copy., 1939, 46 pages
[Two songs from the ballet]
Box 30
Two songs from the Ballet. 1) Photostat of miniature orchestral score; p. 101-111. 2) Vocal and piano score: manuscript, signed. 3) Vocal and piano score: ozalid copy., 1939, 10 pages, 5 pages ms.s., 5 pages
Subseries III.34: Gunsmoke
Box 43
Orchestral score: manuscript in pencil. 1) "The Corral." 2) "The Horse Theft." 3) "Kitty." 4) "Jeff." 5) "Riding." 6) "Thataway." 7) "The Shark." 8) "In the Bushes." 9) "The Captive." 10) "Kurch." 11) "Back at the Ranch." 12) "Chief Quick Knife." 13) "Farewell.", 26 pages
Subseries III.35: Have Gun Will Travel
Box 30
Conductor's score: manuscript., 33 pages
Subseries III.36: I Hear America Singing
Text adapted from Walt Whitman
Box 30
Vocal score: 1) Manuscript, signed. 2) Ozalid copy., 1940, 8 pages a.ms.s., 8 pages
Subseries III.37: In Darkness that Surrounds Us
Box 30
1) Piano score: ozalid copy; 3 p. 2) Vocal score: ozalid copy; 3 p., 6 pages
Subseries III.38: In Memory of a Hero
Box 30
1) Piano score: manuscript draft; signed. 2) Piano score: manuscript in copyist's hand. 3) Playscript: mimeograph copy., 1943, 3 pages a.ms.s., 3 pages ms., 22 pages t.ms.
Subseries III.39: Inventions for Flute, Oboe and Bassoon
Box 30
Score: 1) Manuscript, signed. 2) Manuscript on thin sheets, signed., 4 pages a.ms.s., 2 pages a.ms.s.
Subseries III.40: Jabberwocky
Box 30
Vocal score: 1) Manuscript, signed. 2) Ozalid copy., 6 pages a.ms.s., 6 pages
Subseries III.41: Jayhawkers
Box 30
Score: ozalid copy. Reel 1, Part A): "Seal and Main Title." 1B) "Kansas." 1C) "Cam Recovers." 1E-2A) "Jeanne Hides Cam." 2B) "Chopping Wood." 2C) "Jeanne's House." 2E) "Cam's Capture." 3B) "A Smashed Guitar." 3Cx) "Cam Saves Jake." 3C) "Cam Saves Jake." 4B) "Cam Shoots Evans." 5A) "The Stronghold." 5B) "Attempted Assault." 6B) "Raid Montage," Part 1." 6B) "Raid Montage," Part II. 6D) "Cam Riding." 7A) "Love and a Doublecross." 7B) "The Posse." 8B) "Brothers." 8C) "A Raid." 8D) "Accusation." 9B) "Darcy Weakens." 9C) "Cam Arrives." 9D) "Darcy Arrives." 10B) "Premonitions." 10B1) "Premonitions" (continued). 10C) "Zero Hour." 10C1) "Zero Hour," continued. 10D) "Danger Trill." 11A) "The Last Act." 12A) "Prelude to Death." 12B) "Death." 12C) "Finale.", 1958, 113 pages
Box 30
Score: Manuscript on thin sheets. (See titles from previous file.), 1958, 113 pages a.ms.s.
Subseries III.42: Jerome Moross Sampler
Box 30
Programs: 2 photocopies., Lyric Theatre, New York, 12 pages, 12 pages
Subseries III.43: Joan of Arc
Orchestral Arrangements by Moross.
Box 30
Clipping: review. "The Hollywood Reporter.", 20 October 1948, 2 pages
Subseries III.44: Judith Anderson Presentation
Box 30
1) Score for Parts (4): manuscript in ink. 2) Orchestral score: manuscript on thin sheets in pencil. 3) Orchestral score: photocopy. 2 copies of 3 pages., 7 pages a.ms.s., 3 pages a.ms., 6 pages
Subseries III.45: Jury of Her Peers
Box 30
1) Score for two pianos: manuscript on thin sheets, signed. 2) Score: manuscript on thin sheets, signed. 3) Manuscript, signed. 4) Text by Susan Glaspell, printed copy., 8 pages a.ms.s., 6 pages a.ms.s., 8 pages a.ms.s., 9 pages
Flat Box 252
Orchestral score: manuscript in pencil on thin sheets., 24 pages a.ms.
Subseries III.46: King David: The Dance Before the Ark
Adapted from "Le Roi David: Le Danse devant l'Arche" by Arthur Honegger.
Box 30
1) Score for two pianos: manuscript on thin sheets. 2) Score for two pianos: ozalid copy of copyist's version; 2 copies of 26 pages., 1946, 19 pages a.ms.s., 52 pages
Subseries III.47: Last Judgement
See also compact disc: Symphony No. 1 (Box 46)
Box 30
Orchestral score: manuscript on thin sheets., 1975, 200 pages a.ms.
Box 30
Orchestral score: ozalid copy., 1975, 200 pages bd.
Box 31
Piano score: 1) Manuscript on thin sheets, signed. 2) Ozalid copy., 1975, 40 pages a.ms.s., 40 pages
Box 31
Score: manuscript, signed., 1975, 7 pages a.ms.s.
Box 31
Score for two pianos: 1) Manuscript on thin sheets, signed. 2) Ozalid copy; 2 copies of 51 pages, bd., 1975, 51 pages a.ms.s., 2 vol.
Box 41
Tape recording: "Piano 4 Hands," "3 Dances-Orchestral version," "Repeat of Side 1.", 1 cassette
Box 42
Records (damaged). 1) "The Last Judgement (TLJ): Piano Reduction" and "Three Dances from TLJ." 2) "TLJ: 1" and "TLJ: 3." 3) "TLJ: 2." 4) "Three Dances from TLJ." 5) "TLJ: The Los Angeles Philharmonic." 6) "TLJ: Parts 1, 2, 3" and "TLJ: Parts 8 and 9." 7) "TLJ: Parts 4 and 5" and "TLJ: Parts 6 and 7." 8) "TLJ: Part 10." 9) "TLJ: Excerpts: Three Dances" and "Piano Groove.", 9 discs
Subseries III.48: Life of the Bee
Box 31
Concert programs: Robin Hood Dell., 1935, 2 vol.
Subseries III.49: Little Mermaid Ballet
Adapted by Moross from Franz Liszt for a Hans Christian Anderson film.
Box 31
Orchestral scores. 1) Part One "Gnomenreigen": manuscript, signed. 2) Part Four "Underwater Ballet": manuscript, signed. 3) Part Six "Valse Oubilee": manuscript., 10 pages a.ms.s., 14 pages a.ms.s., 35 pages a.ms.
Subseries III.50: Love and Kisses
Box 31
Vocal score: 1) Manuscript on thin sheets, signed. 2) Ozalid copy; 2 copies of 2 pages., 2 pages a.ms.s., 4 pages
Subseries III.51: Love Me
Box 31
Piano score: ozalid copy., 6 pages
Subseries III.52: Make Me Care
Box 31
Vocal score "Reel 3, Part 2": ozalid copies; 3 copies of 3 p., 9 pages
Subseries III.53: Man with a Beard
Script by Talbot Jennings
Box 31
1) Orchestral score: ozalid copy. 2) Playscript: mimeograph copy., 30 May 1943, 4 pages, 22 pages
Subseries III.54: Mr Fox and Mrs Flye
Adapted from Ben Jonson's "Valpone."
Box 31
Scenario: carbon copy with signed letter of agreement., 11 pages
Subseries III.55: Mountain Road
See also compact disc: "Valley of Gwangi."(Box 47)
Box 31
Periodical review: "Daily Variety," Hollywood, California., 23 March 1960, 1 page
Box 45
Orchestral score: manuscript, signed., 1960, 164 pages
Box 45
Orchestral score: photocopy., 1960, 114 pages
Box 45
Score "Can Can": photostat., 1960, 4 pages
Box 45
Timing chart: photostat; 2 copies of 3 p., 1960, 3 pages
Subseries III.56: Music for the Flicks
Box 31
Program with composer note: Oakland Symphony Youth Orchestra., 11 April 1980, 1 item
[A suite of film music for Orchestra]
Flat Box 252
Orchestral score: manuscript in pencil on thin sheets in five parts. 1) Outline and list of parts. 2) I. An Episode in Venice. 3) II. Pastorale. 4) III. Romanza. 5) IV. Habanera and Danzon. 6) V. Nocturnal Procession., 1966, 1 page t.ms., 40 pages a.ms., 27 pages a.ms.s., 31 pages a.ms.s., 40 pages a.ms.s., 17 pages a.ms.s.
Subseries III.57: New Music Revues for Old
Article written by Moross.
Box 31 [COPIES]
Article: "New Theatre" magazine; pgs. 12-13, 33., October 1935, 2 vol.
Subseries III.58: Nocturne
Box 31
Programs with inserts: 1) New Chamber Orchestra (NY). 2) Newspaper clipping, no identified source (photocopy)., 25 February 1934, 10 items, 1 page
Subseries III.59: Notes on Program
Box 31
Mimeograph copy of Moross' program notes for a concert in which none of his works were played., 3 pages t.ms.
Subseries III.60: One for Me
Box 31
Vocal score: 1) Manuscript on thin sheets, signed. 2) Published version., 1955 c., 2 pages a.ms.s., 5 pages
Subseries III.61: Paenans
Box 31
1) Orchestral score: manuscript in pencil, signed. 2) Orchestral score: published version; 3 copies of 16 pages, bd. 3) Programs with announcements: Chamber Symphony Orchestra (NY)., 1931; 13 February 1932, 18 pages a.ms.s., 3 vol., 4 items
Subseries III.62: Parade
See also compact disc: "Underworld."(Box 47)
Box 31
1) Orchestral score "Letter to the President": manuscript in pencil, signed. 2) Vocal score "Letter to the President": manuscript in the hand of a copyist with ozalid copy; each 7 p., bd. 3) Vocal score "Life Could be so Beautiful": published version; two copies of 5 p., bd., 1935, 16 pages, a.ms.s., 2 vol., 2 vol.
[Musical revue. See also compact disc: "Underworld." (Box 47)]
Box 31
Publicity: 1) Program: Guild Theatre (NY); 3 copies. 2) Newspaper clippings including the New York Times and The Boston Globe. 3) Periodical clipping: "The New Theatre," June 1935 with photocopy; 2 copies of 5 p., n.d., March-June 1935, 3 items, 27 pages, 10 pages
Box 49
Lyrics. Xerox copy of materials at the Library of Congress., 1935, 16 pages
Box 49
Miscellaneous notes. Xerox copy of materials at the Library of Congress., 1935, 5 pages
Box 49
"Music Notebook." Xerox copy of materials at the Library of Congress., 1935, 15 pages
Flat Box 252
Orchestral score: "Bourgeois Processional." Xerox copy of materials at the Library of Congress., 1935, 52 pages
Flat Box 252
Orchestral score: "Cock-eyed Finale." Xerox copy of materials at the Library of Congress., 1935, 10 pages
Box 49
Orchestral score: "Don't Tell Us You're Going." Xerox copy of materials at the Library of Congress., 1935, 36 pages
Flat Box 252
Orchestral score: "Flight from the Soviets." Xerox copy of materials at the Library of Congress., 1935, 30 pages
Box 49
Orchestral score: "I'm All Washed Up on Love." Xerox copy of materials at the Library of Congress., 1935, 19 pages
Box 49
Orchestral score: "I'm Telling You, Louie"; pages 9-16A. Xerox copy of materials at the Library of Congress., 1935, 9 pages
Box 49
Orchestral score: "I'm Telling You, Louie." Xerox copy of materials at the Library of Congress., 1935, 9 pages
Box 49
Orchestral score: "I'm Telling You, Louie." Xerox copy of materials at the Library of Congress., 1935, 24 pages
Box 49
Orchestral score: "I'm Telling You, Louie." Xerox copy of materials at the Library of Congress., 1935, 35 pages
Flat Box 252
Orchestral score: "Join Our Ranks." Xerox copy of materials at the Library of Congress., 1935, 15 pages
Box 49
Orchestral score: "Life Could Be so Beautiful." Xerox copy of materials at the Library of Congress., 1935, 52 pages
Box 49
Orchestral score: "Marry Me." Xerox copy of materials at the Library of Congress., 1935, 34 pages
Box 49
Orchestral score: "Marry Me: Encore." Xerox copy of materials at the Library of Congress., 1935, 20 pages
Box 49
Orchestral score: "Newsboy-ballet scene." Xerox copy of materials at the Library of Congress., 1935, 6 pages
Box 49
Orchestral score: "Newsboy-opening music." Xerox copy of materials at the Library of Congress., 1935, 6 pages
Box 49
Orchestral score: "No Time to Sing a Gay Song Now." Xerox copy of materials at the Library of Congress., 1935, 19 pages
Box 49
Orchestral score: "On Parade." Xerox copy of materials at the Library of Congress., 1935, 2 pages
Flat Box 252
Orchestral score: "On Parade." Xerox copy of materials at the Library of Congress., 1935, 26 pages
Flat Box 252
Orchestral score: "Parade No. 2." Xerox copy of materials at the Library of Congress., 1935, 1 page
Box 49
Orchestral score: "The Policeman." Xerox copy of materials at the Library of Congress., 1935, 8 pages
Box 49
Orchestral score: "Selling Sex." Xerox copy of materials at the Library of Congress., 1935, 15 pages
Box 49
Orchestral score: "Selling Sex." Xerox copy of materials at the Library of Congress., 1935, 35 pages
Box 49
Orchestral score: "Selling Sex: Encore." Xerox copy of materials at the Library of Congress., 1935, 20 pages
Box 49
Orchestral score: "Send for the Militia." Xerox copy of materials at the Library of Congress., 1935, 15 pages
Box 49
Orchestral score: "Snow from Heaven." Xerox copy of materials at the Library of Congress., 1935, 36 pages
Box 49
Orchestral score: "Wild Boys on the Road." Xerox copy of materials at the Library of Congress., 1935, 18 pages
Box 49
Orchestral score: "You Ain't So Hot." Xerox copy of materials at the Library of Congress., 1935, 6 pages
Box 49
Orchestral score: "You Ain't So Hot"; pages 5-37. Xerox copy of materials at the Library of Congress., 1935, 33 pages
Box 49
Score for parts: "I'm Telling You, Louie." Xerox copy of materials at the Library of Congress., 1935, 31 pages
Box 49
Vocal score: "Dance." Xerox copy of materials at the Library of Congress., 1935, 8 pages
Box 49
Vocal score: "Don't Tell Us You're Going." Xerox copy of materials at the Library of Congress., 1935, 18 pages
Box 49
Vocal score: "Don't Tell Us You're Going." Xerox copy of materials at the Library of Congress., 1935, 20 pages
Box 49
Vocal score: "Fear in My Heart." Xerox copy of materials at the Library of Congress., 1935, 2 pages
Box 49
Vocal score: "I'm All Washed Up on Love." Xerox copy of materials at the Library of Congress., 1935, 6 pages
Box 49
Vocal score: "I'm Telling You, Louie." Xerox copy of materials at the Library of Congress., 1935, 6 pages
Box 49
Vocal score: "Join Our Ranks." Xerox copy of materials at the Library of Congress., 1935, 5 pages
Box 49
Vocal score: "Letter to the President." Xerox copy of materials at the Library of Congress., 1935, 7 pages
Box 49
Vocal score: "Marry Me." Xerox copy of materials at the Library of Congress., 1935, 5 pages
Box 49
Vocal score: "My Feet are Planted Firmly on the Ground." Xerox copy of materials at the Library of Congress., 1935, 16 pages
Box 49
Vocal score: "My Feet are Planted Firmly on the Ground." Xerox copy of materials at the Library of Congress., 1935, 7 pages
Box 49
Vocal score: "No Time to Sing a Gay Song Now." Xerox copy of materials at the Library of Congress., 1935, 5 pages
Box 49
Vocal score: "No Time to Sing a Gay Song Now." Xerox copy of materials at the Library of Congress., 1935, 6 pages
Box 49
Vocal score: "No Time to Sing a Gay Song Now." Xerox copy of materials at the Library of Congress., 1935, 6 pages
Box 49
Vocal score: "On Parade." Xerox copy of materials at the Library of Congress., 1935, 6 pages
Box 49
Vocal score: "On Parade." Xerox copy of materials at the Library of Congress., 1935, 7 pages
Box 49
Vocal score: "On Parade." Xerox copy of materials at the Library of Congress., 1935, 7 pages
Box 49
Vocal score: "The Policeman." Xerox copy of materials at the Library of Congress., 1935, 3 pages
Box 49
Vocal score: "The Policeman (I Love Boys in Blue)." Xerox copy of materials at the Library of Congress., 1935, 3 pages
Box 49
Vocal score: "Selling Sex." Xerox copy of materials at the Library of Congress., 1935, 6 pages
Box 49
Vocal score: "Selling Sex." Xerox copy of materials at the Library of Congress., 1935, 8 pages
Box 49
Vocal score: "Selling Sex." Xerox copy of materials at the Library of Congress., 1935, 12 pages
Box 49
Vocal score: "Snow From Heaven." Xerox copy of materials at the Library of Congress., 1935, 8 pages
Box 49
Vocal score: "Snow From Heaven." Xerox copy of materials at the Library of Congress., 1935, 9 pages
Box 49
Vocal score: "The Tabloid Reds." Xerox copy of materials at the Library of Congress., 1935, 16 pages
Box 49
Vocal score: "The Tabloid Reds." Xerox copy of materials at the Library of Congress., 1935, 22 pages
Box 49
Vocal score: "Wild Boys of the Road." Xerox copy of materials at the Library of Congress., 1935, 7 pages
Box 49
Vocal score: "Wild Boys of the Road." Xerox copy of materials at the Library of Congress., 1935, 7 pages
Subseries III.63: Peppermint Tree
Box 32
1) Orchestral score: manuscript, signed. 2) Publicity: periodical "Film Music" Vol. XII, Jan.-Feb. 1953; p. 18, 1952, 40 pages a.ms.s., 1 page
Subseries III.64: Proud Rebel
Box 32
Orchestral score: 1) Manuscript, signed. 2) Ozalid copy. 3) Photostat of miniaturized score. Vocal score: 4) "My Rebel Heart": published version., 1958, 118 pages a.ms.s., 117 pages, 54 pages, 3 pages
Box 40
Microfilm., 1 box/reel
Box 40
Tape recordings: 2 copies of 2 reels., 4 boxes/reels
Box 32
Music cues: xerox copy., 1968, 17 pages
Box 42
Record: "Soundtrack Music from The Proud Rebel.", 1 disc
Box 42
Records: unidentified., 12 discs
Subseries III.65: Rachel, Rachel
Original title: "Jest of God." See also compact disc "Valley of Gwangi."(Box 47)
Box 32
1) Piano score: ozalid copy. 2) Publicity: "Life," Vol. 65, No. 16, 18 Oct 1968, p. 46-53., 1968, 3 pages, 7 pages
Box 32
Orchestral score: xerox copy., 1968, 85 pages
Flat Box 252
Orchestral score: xerox copies. 1) Japonica Street; 2 p. 2) Shadow Pictures; 5 p. 3) Accident Fantasy; 5 p. 4) Hand-Kissing Fantasy; 2 p. 5) Auto-Erotica; 7 p. 6) Hysteria; 7 p. 7) Country Walk; 15 p. 8) The Sci-Fi Flick; 7 p. 9) Fantasy Dance; 2 p. 10) Love Scene; 7 p. 11) Pill Fantasy; 2 p. 12) The Cellar Door; 4 p. 13) Down on the Farm; 6 p. 14) End of the Affair; 2 p. 15) Rachel Pregnant; 5 p. 16) The Basement; 2 p. 17) Suicide Fantasy; 6 p. 18) The Operation; 6 p. 19) End Title; 6 p., 1968, 101 pages
Subseries III.66: Ramble on a Hobo Tune
Box 32
1) Piano score "III- Invention" and "Symphony IIIrd Movement": manuscript in ink, signed. 2) Orchestral score: ozalid copy., 5 pages a.ms.s., 9 pages
Box 42
Records. "Music from Rachel, Rachel.", 4 discs
Subseries III.67: Recitative and Aria
Box 32
Score for violin: purple hectograph; two copies of 5 p., 10 pages
Subseries III.68: Recitative and Aria
Box 32
Score for Violin: 1) Manuscript on thin sheets. 2) Ozalid copy. 3) Purple ozalid; 2 copies of 4 p., 4 pages a.ms., 4 pages, 8 pages
Box 32
Score for Violin II: 1) Manuscript, signed. 2) Ozalid copy., 8 pages a.ms.s., 8 pages
Box 32
Score for violin and orchestra: manuscript on thin sheets; signed., 10 pages a.ms.s.
Subseries III.69: Recitative and Aria for Violin and Piano
Box 32
Score for violin and piano (drafts): 1) Manuscript, signed. 2) Manuscript on thin sheets. 3) manuscript on thin sheets., 1941, c. 1947, 14 pages a.ms.s., 18 pages a.ms.s., 13 pages a.ms.s.
Box 32
Score for violin and piano: 1) Ozalid copy. 2) Purple ozalid copy; two copies of 13 p. 3) Ozalid copy, signed; 10 p., bd. 4) Photostat., 1941, c. 1947, 13 pages, 26 pages 1 , vol. 18, pages
Subseries III.70: Roundelay
Box 32
Score: manuscript on transparencies., 272 pages ms.
Subseries III.71: Second Battle of Warsaw
Box 33
l) Playscript: mimeograph copy with pencil corrections. 2) Score: manusript, signed. 3) Ozalid copy of score., 1943, 22 pages t.ms, 4 pages ms.s., 2 pages
Subseries III.72: Seven Wonders of the World
Box 33
1) Music notes: carbon copy. 2) Published publicity brouchure (Stanley Warner Corp.). Scores: signed manuscripts on thin sheets and ozalid copies. 3) "The Holy Land," manuscript; 15 p. 4) "The Mediterranean," manuscript; 8 p. 5) "Rome," manuscript; 5 p. 6) "The Vatican (Beginning),"manuscript; 5 p. 7) "The Holy Land," copy with pencil additions; 2 copies of 15 p. 8) "The Mediterranean," copy; 8 p. 9) "Rome," copy; 6 p. 10) "The Vatican (Beginning)," copy; 5 p. 11) "The Vatican (Ending)," copy; 3 p., 1953, 18 pages t.ms., 1 item, 85 pages
Subseries III.73: Sharkfighters
See also compact disc "The Valley of Gwangi."(Box 47)
Box 33
Orechestral scores: 1) Manuscript on thin sheets, signed. 2) Rejected manuscript on thin sheets, signed. 3) "Theme from the Sharkfighters": manuscript on thin sheets, signed. 4) Text to "Restless Lover.", 1956, 94 pages a.ms.s., 3 pages a.ms.s., 3 pages a.ms.s., 2 pages
Box 33
Orchestral score: 1) Photostat copy. 2) "Theme from the Sharkfighters," published score. 3) Ozalid copy with additions in pencil., 1956, 57 pages, 2 pages, 94 pages
Box 40
Microfilm. "Orchestral Score.", 1 box/reel
Box 47
Score for 30 parts., 352 pages
Flat Box 255
1) Orchestral score: master score in pencil. 2) List of players., 97 pages a.ms.s., 2 pages
Subseries III.74: Sonata for Piano
Box 33
Program: Pan American Association of Composers Inc.(NY), 1 page
Subseries III.75: Sonata for Piano Duet and String Quartet
Box 33
Scores. 1) Orchestral score: manuscript on thin sheets, signed. 2) Score for 4 Parts: ozalid copies with pencil notations. 3) Score: manuscript, signed., 1975, 85 pages a.ms.s., 54 pages, 61 pages a.ms.s.
Subseries III.76: Sonata for Piano Duet and String Quartet
Box 42
Record: "Test Pressing.", 1975, 1 disc
Subseries III.77: Sonatina for Brass Quintet
Box 34
1) Manuscript on thin sheets, signed. 2) Score: manuscript in pencil, signed. 1) Programs: Miami Chamer Ensemble; 3 copies., 1969, 16 pages a.ms.s., 21 pages a.ms.s., 3 pages
[Sonatinas for Divers Instruments No 4]
Subseries III.78: Sonatina for Clarinet Sextet
Box 34
Orchestral score: 1)Manuscript in pencil on thin sheets, signed. 2) Ozalid copy. 3) Manuscript in pencil. 4) Published music review (no source): original and photocopy., 1966, 35 pages a.ms.s., 35 pages bd., 35 pages a.ms.s., 2 pages
[Sonatinas for Divers Instruments No 1]
Subseries III.79: Sonatina for String Bass and Piano
Box 34
Orchestral score: 1) Manuscript on thin sheets, signed. 2) Ozalid copy; 2 copies of 24 p., bd. 3) Score: manuscript in pencil., 1966, 24 pages, 2 vol., 32 pages a.ms.
[Sonatina for Divers Instruments No 2]
Subseries III.80: Sonatina for Woodwind Quintet
Box 34
1) Orchestral score: manuscript on thin sheets, signed. 2) Five parts: manuscript on transparencies. 3) Score: manuscript, signed., 1970, 30 pages a.ms.s., 50 pages a.ms., 39 pages a.ms.s.
[Sonatina for Divers Instruments No 3]
Box 34
Orchestral score: 1) Ozalid copy; 30 p. 2) Ozalid copies; 3 copies of 30 p., bd. 3) Score for 5 parts: 3 copies of 5 vol., 1970, 30 pages, 3 vol., 15 vol.
Subseries III.81: Sonatinas
Box 42
Records: "Sonatinas for Divers Intruments." Pro Musica of London., 1 disc
Subseries III.82: Sorry Wrong Number
Box 35
Vocal score: manuscript on thin sheets, signed., 1977, 83 pages a.ms.s.
Box 35
Vocal score: manuscript, signed., 1977, 116 pages a.ms.
Box 35
Score for 23 parts: manuscript on transparencies., 1977, 354 pages
Box 35
Playscript: mimeograph copy; two copies of 28 p., 1977, 56 pages t.ms.
Box 35
Programs: Lake George Opera Festival (Glen Falls, NY)., 1977, 4 items
Box 35
Periodical clipping: Contemporary American Opera Studio., June-August 1980, 1 page
Box 35
1) Vocal score: ozalid copy of rehearsal score. 2) Score for two pianos and voices: manuscript, signed., 1977, 80 pages, 116 pages a.ms.
Flat Box 253
1) Orchestral score: manuscript in pencil on thin sheets. 2) Correction sheet written in pencil., 1977, 327 pages a.ms., 1 page
Flat Box 253
Orchestral score: reduced ozalid negatives with original postal packaging to Moross., 1978, 327 pages
Box 41
Tape recording: "Orchestral Reading: Lake George Opera.", 1, reel
Box 41
Tape recording: "Orchestral reading: Lake George Opera.", 1 cassette
Subseries III.83: Stevedore
Box 35
Programs: Civic Repertory Theatre (New York City)., 1934, 2 items
Subseries III.84: Symphony No 1
Box 36
Orchestral score: ozalid copy with additions in pencil; 2 copies of 106 p., bd., 1943, 2 vol.
Box 36
Orchestral score: reduced ozalid negatives., 1943, 146 pages
Box 36
Orchestral score: manuscript on thin sheets., 1943, 106 pages a.ms.
Box 36
Parts (30): manuscript on transparencies., 1943, 220 pages a.ms.
Box 36
Piano score: manuscript on thin sheets., 1943, 42 pages a.ms.
Box 36
Programs. Philharmonic Orchestra of Los Angeles (6 with 2 inserts); The Philharmonic-Symphony Orchestra, City College of New York (3); Seattle Symphony Orchestra (3); Glendale Philharmonic Orchestra presents the Philharmonic Orchestra of Los Angeles (2)., 1943-1945, 14 items, 2 inserts
Box 36
Season programs: The Southern California Symphony Association presents the Philharmonic Orchestra of Los Angeles., 1944-1955, 3 items
Box 36
Publicity: newspaper clippings., n.d., 19 Oct 1943-19 Nov 1944, 28 pages
Box 36
Publicity: periodicals. 1) "Modern Music," Vol. 22, No. 2. Jan.-Feb. 1945. (p. 111-114.) 2) "Rob Wagner's Script," Vol. 30, No. 693. Dec. 2, 1944. (p. 24). 3) Photocopies of articles., 1944-1945, 1 vol., 1 vol., 4 pages
Box 36
Miscellaneous publicity: 1) Statement. 2) Guggenheim Fellowship application., 1944, n.d., 1 page, 2 pages
Box 37
Score for two pianos "Second Movement Sonata Scherzo": manuscript on thin sheets, signed., 1943, 21 pages a.ms.s.
Box 37
Score for two pianos: 1) Ozalid copy; p. 8-28. 2) "Second Movement": ozalid copy; p. 9-28., 1943, 21 pages, 20 pages
Box 37
Score for two pianos "IV-Fugue": ozalid copy; p. 34-42., 1943, 9 pages
Box 41
Tape recording of radio broadcast: "Symphony No. 1: L.A. Philharmonic-Wallenstein.", 19 Nov 1944, 1 cassette
Box 43
Records: Los Angeles Philharmonic, Alfred Wallenstein, conductor. 1) "Symphony No. 1," 4 copies. 2) "Symphony No. 1, 3rd and 4th Movements" and "1st and End mvts." 3) "Symphony #1, First Movement.", 4 discs, 1 disc, 1 disc
Box 46
Orchestral Score (30 parts): new master parts with all corrections., 1943, 220 pages, 3 folders
Box 46
Piano score: new master part with all corrections., 1943, 15 pages
Box 46
Recording: compact disc. London Symphony Orchestra , JoAnn Falletta conductor., London, 1993, 1 disc
[Gift 1993. With "The Last Judgement" and "Variations on a Waltz."]
Flat Box 254
1) Orchestral score: photocopy with composer's corrections. 2) List of movements and instruments specific to performance the Seattle Symphony Orchestra (WA)., 18 Oct 1943, 146 pages, 1 page
Flat Box 254
1) Orchestral score: manuscript on thin sheets, signed. 2) Composers notes on reduced copy of score., 1943, 146 pages a.ms.s., 2 pages
Flat Box 254
Orchestral score: ozalid copy., 1943, 146 pages bd.
Subseries III.85: Symphony No 2
Box 37
Score: manuscript sketches., 95 pages
Box 37
Score: manuscript sketches, signed., 5 pages a.ms.s.
Subseries III.86: Tall Story for Orchestra
Box 37
1) Programs. 2) Orchestral score: reduced ozalid negatives., 1938, 14 items, 96 pages
Box 37
Parts (27): manuscript on transparencies., 1938, 149 pages
Flat Box 255
1) Orchestral score: manuscript on thin sheets, signed. 2) List of players., 1938, 96 pages a.ms., 1 page t.ms.
Subseries III.87: There's a Moon Tonight
Box 37
Announcement/ticket., 1 item
Subseries III.88: Those Everlasting Blues
Box 37
Orchestral score: manuscript, signed., 1932, 27 pages a.ms.s.
Box 37
1) Program: New School for Social Research (NY). 2) Newspaper clippings including New York Sun, 29 Oct 1932., 1932, 1 item, 2 pages
Subseries III.89: Those Gamblers' Blues
Box 37
Vocal score: ozalid copy., 6 pages
Subseries III.90: Tumwater Rhapsody
Box 37
Orchestral score: ozalid negatives., 1966, 55 pages
Box 37
Piano score "Theme from Tumwater Music": 1) Manuscript on thin sheets, signed. 2) Ozalid copy; 2 copies of 2 p., 1966, 2 pages a.ms.s., 4 pages
Flat Box 255
Score: ozalid copy., 1966, 55 pages bd.
Subseries III.91: Two Songs
"Jabberwocky" and "Those Gamblers Blues."
Box 37
1) Program: The New School Auditorium (NY). 2) Newspaper clipping., 1933, 2 items, 1 page
Subseries III.92: Underworld
Box 37
Playscript: 1) Mimeograph copy. 2) Mimeograph copy., 1960, 111 pages, 110 pages
Box 37
Playscript: miscellaneous pages with notes added in pencil., 1960, 43 pages t.ms.
Box 37
Playscript: draft, carbon copy; two copies of 60 pages., 1960, 120 pages
Box 37
Playscript: miscellaneous xerox pages., 1960, 52 pages t.ms.
Box 38
Vocal score "Baby's Gonna Shake It Tonight" (song): 1) Manuscript, signed. 2) Ozalid copy., 1960, 7 pages a.ms., 7 pages
Box 38
"The Bad Old Days" (song). 1) Lyrics. Vocal score: 1) Manuscript, signed. 3) Manuscript, signed. 4) Ozalid copies with changes; two copies of 4 p., 1960, 1 page, 6 pages a.ms.s., 4 pages a.ms.s., 8 pages
Box 38
"Beer and Flowers" (song). Vocal score: manuscript, signed., 1960, 9 pages a.ms.s.
Box 38
Vocal score "The Cream of Society" (song): 1) Manuscript, signed. 2) Ozalid copy with pencil changes. 3) Ozalid copy; 3 copies of 9 p., 1960, 9 pages a.ms.s., 9 pages, 27 pages
Box 38
"Danger" (song): 1) Lyrics with changes in pencil. Vocal score: 2) Manuscript on thin sheets in pencil, signed. 3) Ozalid copy with pencil changes; two copies of 6 p., bd. 4) Manuscript on thin sheets in pencil, signed. 5) Photocopy. "Cicero's Danger Song." Vocal score: 6) Manuscript on thin sheets in pencil with ozalid copy; two copies of 8 p., 1960, 1 page t.ms., 3 pages a.ms.s., 2 vol., 11 pages a.ms.s., 11 pages, 16 pages
Box 38
"The Girls" (song): 1) Lyrics with pencil changes. 2) Vocal score: manuscript on thin sheets., 1960, 5 pages t.ms., 5 pages a.ms.
Box 38
Vocal score "Give Me a Chance" (song): 1) Manuscript on thin sheets with pencil changes; signed. 2) Ozalid copy with pencil changes; three copies of 6 p. 3) Ozalid copy., 1960, 6 pages a.ms.s., 18 pages, 6 pages
Box 38
Vocal score "It's Almost Time Now" (song): 1) Manuscript, signed. 2) Ozalid copy with pencil notes., 1960, 5 pages, 5 pages
Box 38
Vocal score "I've Even Been in Love" (song): 1) Manuscript, signed. 2) Ozalid copy with pencil notes; 2 copies of 11 p. 3) Ozalid copy., 1960, 11 pages a.ms.s., 22 pages, 11 pages
Box 38
"Keep on Saying It" (song). Score: 1) Manuscript on thin sheets, signed. Vocal score: 2) Manuscript on thin sheets, signed. 3) Manuscript on thin sheets, signed., 1960, 6 pages a.ms.s., 6 pages a.ms.s., 4 pages a.ms.s.
Box 38
"Kinda Like" (song). 1) Lyrics. Score: 2) Manuscript on thin sheets, signed;. 3) Manuscript sketch., 1960, 2 pages, 5 pages a.ms.s., 1 page a.ms.
Box 38
Vocal score "Love Me" (song): 1) Manuscript, signed. 2) Ozalid copy with pencil changes. 3) Ozalid copy., 1960, 6 pages a.ms.s., 6 pages, 6 pages
Box 38
Vocal score "Paddy Boy" (song): manuscript on thin sheets, signed., 1960, 9 pages a.ms.s.
Box 38
Score "Pepita's Song" (song): manucript on thin pages., 1960, 7 pages a.ms.
Box 38
"Prologue" (song). 1) Lyrics. 2) Score: manuscript on thin sheets. Vocal score: 3) Manuscript on thin sheets, signed. 4) Ozalid copy., 1960, 3 pages t.ms., 6 pages a.ms., 6 pages a.ms., 6 pages
Box 38
Vocal score "That Extra Bit" (song): 1) Manuscript, signed. 2) Ozalid copy., 1960, 8 pages a.ms.s., 8 pages
Box 38
"You've Got Brains" (song). 1) Score: manuscript, signed. 2) Vocal score: manuscript, signed., 1960, 6 pages a.ms.s., 2 pages a.ms.s.
Box 38
Miscellaneous items. Scores: 1) Manuscript sketches; 2 p. Lyrics, t.ms.: 2) "All I Have Left," carbon copy; 1 p., t.ms. 3) "Chicago Isn't Mine Anymore," with pencil changes; 3 p. 4) "Fighting and Drinking"; 4 p., t.ms. 5) "Make It a Fast One"; 2 p., a.ms. 6) "Mock Wedding" carbon copy; 2 p., t.ms. 7) "Start It Moving"; 4 p., a. and t.ms. 8) "We're Throwing a Party" carbon copy; 1 p., t.ms., 1960, 17 pages ms.
Box 47
Compact disc: "Songs from the Underworld" and "Parade." Broadway soundtrack., 1991, 1 disc
Flat Box 255
Vocal scores: ozalid copies with pencil changes. 1) "Beer and Flowers"; 9 p. 2) "Keep on Saying It"; 4 p. 3) "Paddy Boy"; 9 p. 4) "Prologue and Epilogue"; 6 p. 5) "That Extra Bit"; 8 p. 6) "You Got Brains"; 2 p. 7) "You Got Brains (Tango)"; 2 p., 1960, 7 folios, 40 pages
Subseries III.93: V-Day
Box 38
1) Playscript: mimeograph copy with pencil changes. 2) Score: ozalid copy., 27 June 1943, 21 pages, 3 pages
Subseries III.94: Valley of Gwangi
Box 38
Score: manuscript on thin sheets, signed., 1968, 164 pages a.ms.s.
Box 38
Score: ozalid copy., 1968, 164 pages bd.
Box 47
Compact disc: "The Classic Film Music of Jerome Moross." City of Prague Philharmonic conducted by Paul Bateman. Includes: "The Valley of Gwangi," "The Sharkfighters," "Rachel, Rachel," "The War Lord," "The Mountain Road," "Five Finger Exercise," "Wagon Train," and "The Adventures of Huckleberry Finn.", 1995 copyright, 1 disc
Subseries III.95: Variations
Box 38
Program: The New Chamber Orchestra., Town Hall, 113 West 43rd St., New York City., 3 December 1933, 4 items
Subseries III.96: Variations on a Waltz
See also compact disc: Symphony No. 1.(Box 46)
Box 38
Score (31 Parts): manuscript on transparencies in copyist's hand., 1980, 259 pages ms.
Box 43
Record. "Variations on a Waltz: Two Piano Demo.", 1 disc
Flat Box 255
1) Orchestral score: manuscript on thin sheets; signed. 2) List of players., 1980, 156 pages a.ms.s., 1 page t.ms.
Subseries III.97: Wagons Ho!
Box 39
Theme music: published score in vol.; p. 62-64, 1959, 3 pages bd.
Subseries III.98: Warlord
See also compact disc: "Valley of Gwangi."(Box 47)
Box 39
Conductor parts: 2 ozalid copies of 128 p., 1965, 256 pages
Box 39
Conductor parts: Ozalid copy with recording history., 1965, 128 pages bd.
Box 43
Record. "The War Lord: Original Soundtrack Album.", 1965, 1 disc
Flat Box 256
Conductor score: manuscript; signed. 1) 1A: "Prelude"; 4 p. -- 2) 1C: "Main Title"; 7 p. -- 3) Reel 2, Cue B: "Pagan Shrine"; 3 p. -- 4) Reel II, Part C: "Forsaken Village"; 4 p. -- 5) Reel II, Part D and Reel II Part A: "Obsession Begins"; 8 p. -- 6) Reel III, Part B: "Father's Fate"; 3 p. -- 7) 3C: "The Hunt"; 1 p. -- 8) 3D: "Naked Emotion"; 6 p. -- 9) 4A: "To Ease the Pain"; 9 p. -- 10) 4B: "Agony Shared"; 2 p. -- 11) 4C: "Injured Dignity"; 3 p. -- 12) 4D-5A: "Witch Chase"; 4 p. -- 13) 5B: "Come Lie with Me"; 6 p. -- 14) 5C: "Judge and Jury"; 2 p. -- 15) 5D: "Consent to Wed"; 5 p. -- 15) Reel VI, Part A: "Rustic Wedding"; 5 p. -- 16) 6B: "Marriage Ceremony and Dance"; 6 p. -- 17) 7A: "Virgin Sacrifice"; 6 p. -- 18) 7B: "Bewitched"; 5 p. -- 19) 7C-8A: "Vigil in the Night"; 1 p. -- 20) 8B: "Pledge at Dawn"; 6 p. -- 21) 9B: "What of the Future"; 11 p. -- 22) 13C-14A: "Vengeance and Death"; 10 p. -- 23) 14B: "End Title"; 2 p., 1965, 23 folios, 128 pages
Flat Box 256
Orchestral score: thermofax copy., 1965, 17 pages
Subseries III.99: When I Grow Up
Box 39
1) Score: manuscript, signed. -- 2) Payment receipts., 1951, 82 pages a.ms.s., 2 pages
Box 41
Video tape recording: "When I Grow Up.", 1951, 1 cassette
Subseries III.100: World Turned Upside Down
Based upon a Revolutionary War tune played at the surrender of Cornwallis.
Box 39
1) Score: manuscript in pencil, signed. 2) Photocopy from "The Music of George Washington's Time," p. 36-37., 6 pages a.ms.s., 1 page
Subseries III.101: Would-Be Gentleman
Music adapted from J.B. Lully
Box 39
1) Contract (Moross/William Morris Agency, Inc.). 2) Program (Booth Theatre, NY). Scores:manuscripts on thin sheets. 3) "Finale Act I"; 2 p. 4) "Final Minuet-Finale Act II"; 2 p. 5) "Madame Jourdains Exit"; 1 p. 6) "Overture"; 3 p. 7) "Pas de Trois"; 5 p. 8) "Serenade"; 2 p. 9) "Stop Thief"; 1 p. 10) "Turkish March"; 1 p. 11) "Werner's Specialty"; 7 p. 12) "Werner's Specialty"; 2 p. 13) "Pas de Trois," score for five parts in copyist's hand; 18 p. 14) "Pas de Trois," ozalid copy; 5 p. 15) Miscellaneous. Ozalid copy; 1 p., 1945, 2 items, 50 pages
Series IV: Miscellaneous items
Subseries IV.1: Lyrics
Box 39
"All She Knew How to Do was the Tango.", 1 page
Subseries IV.2: Outline for Operetta
Box 39
"The Marriage of Lorenzo.", 1 page
Subseries IV.3: Score
Box 39
Untitled manuscript sketch: "Page 9.", 1 page
Series V: Additions to the Collection, 2018-2020
2018:
Contracts:
Box 55
1940s
Box 55
1950s
Box 55
1960s
Box 55
1970s
Box 55
1980s
Box 55
1990s
Box 55
2000s
Box 55
Dramatist Guild
Box 55
General Artists Corp.
Box 55
Kroll Agency Agreements
Box 55
MCA Artists
Box 55
William Morris Agency
Box 55
Huckleberry Finn
Box 55
"Awaken, My Love, Awaken"
Box 55
Ballet Theatre Foundation
Box 55
Ballet Ballads
Box 55
"The Banjo" Agreement
Box 55
Sonatina-String Bass and Piano
Box 55
"The Big Country"
Box 55
"Big Country" Song
Box 55
"Biguine"
Box 55
"Blood Wedding"
Box 55
"Sonatina for Brass Quintet"
Box 55
"Captive City"
Box 55
"The Cardinal"
Box 55
"Sonatina for Clarinet Choir"
Box 55
"Clarinet Choir"
Box 55
"Close Up"
Box 55
"Five Finger Exercise"
Box 55
"Flute Concerto"
Box 55
"Forget Me Not"
Box 55
"Frankie and Johnny"
Box 55
"Gentlemen, Be Seated"
Box 55
"The Golden Apple"
Box 55
Grayson, Dick
Box 55
"Grizzly"
Box 55
"Gunsmoke"
Box 55
"Hail Hero"
Box 55
"Hans Christian Andersen"
Box 55
1953 Goldwin Letters
Box 55
"I'm a Lawyer"
Box 55
"In Tulsey Town"
Box 56
"The Jayhawkers"
Box 56
"Lancer"
Box 56
"The Lst Judgement"
Box 56
Dranoff Foundation
Box 56
Latouche/Moross
Box 56
"Mountain Road"
Box 56
"Music for the Flicks"
Box 56
"The One for Me"
Box 56
Moross Contracts
Box 56
"Parade"
Box 56
"Playhouse 90"
Box 56
"Rachel, Rachel"
Box 56
"Recitative and Aria"
Box 56
Ruth Page
Box 56
"Seven Wonders of the World"
Box 56
"The Sharkfighters"
Box 56
"Sorry, Wrong Number"
Box 56
"Symphony #1"
Box 56
"Tall Story"
Box 56
Tams-Witmark
Box 56
"Trifles"
Box 56
"Tumwater Theme"
Box 56
"Underworld Songs"
Box 56
"Gwangi"
Box 56
"Walter Mitty"
Box 56
"The Warlord"
Box 56
"The Warlord" re. Silva Recording
Box 56
"Wagon Train"
Box 56
"WFMT"
Box 56
"When I Grow Up"
Box 56
"Woodwind Quintet-Sonatina"
Box 56
Chapell & Co.
Box 56
Emusic.com
Box 56
Moross Music, Inc.
Box 56
New Music Edition (Crowell)
Box 56
"Gentlemen, Be Seated"
Box 56
"Someday"
Box 56
"Sound Exchange"
Box 56
"Subito"
Box 56
Theodore Presser Company
Box 56
"PS Classics"
Box 56
Silva Screen "The Cardinal"
Box 56
"Koch"
Box 56
"Koch" Albany
Box 56
Music Reports
Box 56
"The Golden Apple"
Box 56
Belth, Stephen
2019:
Box 57
The Big Country: A Suite of Film Music for Orchestra. Full score.
Box 57
Sorry, Wrong Number: An Opera in One Act. Music by Jerome Moross. Libretto by Lucille Fletcher. Piano-Vocal score.
Box 57
Ballet Ballads: A Musical in 4 Acts. Composed by Jerome Moross. Lyrics by John Latouche
Score features the music and lyrics for all four acts: Susanna and the Elders, Willie the Weeper, The Eccentricities of Davy Crockett and Riding Hood Revisited.
Box 57
Ballet Ballads: A Musical in 4 Acts. Composed by Jerome Moross. Lyrics by John Latouche
Published as the commemoration of the 70th Anniversary of its world premiere, May 17, 2018.
CDs:
Box 57
Jerome Moross: The Big Country and Beyond! Hosted by Michael Feinstein. Produced by JonTolansky, 2013
(Not for commercial use. Use of this CD for any commercial purpose is expressly forbidden)
Box 57
Jerome Moross: American Original (2 copies). Running time: 14 minutes.
Box 57
Selections from Ballet Ballads (2 CDs)
(Not for commercial use or reproduction)
(Recorded in 1950 at the Century Theatre, Los Angeles)
Box 57
"Moross Ballet Ballads" Finale Music files. Final Version, 2011
Box 57
"Moross Sorry, Wrong Number" Finale files, Text files. Final Version, 2011
Box 57
The Jayhawkers. Music from the Motion Picture Composed and Conducted by Jerome Moross., 2012
(Unauthorized duplication is a violation of applicable laws)
Box 57
The Golden Apple. Music by Jerome Moross. Written by John Latouche, 1997
2020:
Box 57
The Golden Apple. Written by John Latouche. Music composed by Jerome Moross, 2015, 2 compact disks
Series VI: Archived Web Site
Jerome Moross Web Site, 2013-present
Archived web site captures of the official web site of Jerome Moross, at http://jeromemoross.com/. Captured semi-annually, 2013-present.
Link to Archived Website
