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   Howard "Stretch" Johnson Papers, 1923-2011 [Bulk Dates: 1980-2000].

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Preferred Citation

Identification of specific item; Date (if known); Howard "Stretch" Johnson Papers; Box and Folder; Rare Book and Manuscript Library, Columbia University Library.

COinS Metadata available (e.g., for Zotero).

Summary Information

Abstract

The Howard "Stretch" Johnson Papers document the life of Howard Johnson, known for most of his life as "Stretch." Johnson was a tap dancer with the Duke Ellington Orchestra and performed in Harlem at the Cotton Club and the Apollo Theater in the 1930s. After joining the Communist Party of the United States of America in 1940, Johnson went on to engage in social activism for most of his life, living in a number of places, including Brazil, Galveston, Texas, Hawaii, Paris, and St. Croix. The Papers contain correspondence, both personal and work related, as well as a nearly finished typescript of Stretch's autobiography. There are a number of photographs, mainly copies of the various performers at the Cotton Club, as well as audio and videocassettes, and ephemera. Additionally, the collection contains a family scrapbook with photos from the late 1940s and early 1950s.

At a Glance

Call No.:MS#1634
Bib ID:9681555 View CLIO record
Creator(s):Johnson, Howard E.
Title:Howard "Stretch" Johnson Papers, 1923-2011 [Bulk Dates: 1980-2000].
Physical description:5 linear ft. (6 document boxes, 2 flat boxes, 1 index card box)
Language(s): Material is in English.
Access: This collection is located off-site. You will need to request this material at least 2 business days in advance to use the collection in the Rare Book and Manuscript Library reading room. This collection has no restrictions.  More information »

Arrangement

Arrangement

Material is arranged into one series

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Description

Scope and Content

This small collection contains the personal papers of Howard "Stretch" Johnson. The materials range in date from 1923-2000 and consist of correspondence, clippings, and printed material as well as photographs, negatives, slides, audio and videocassettes, a scrapbook, and ephemeral material. Included are Johnson's notes and typescript for his nearly finished autobiography, as well as numerous letters, both personal and work-related. A number of folders are present which present Johnson as "Social and Political Figure." These folders contain material which relates to work that Johnson did with the Communist Party USA and also later as a social activist in Brazil, Galveston, Texas, Hawaii, Paris, and St. Croix. A transcript is present of Johnson testifying under the Smith Act trials as a witness for the defense. There is material related to work that "Stretch" did as a professor at the State University of New York at New Paltz, under the folder title, "The Educator." Several of Johnson's writings are present, including a pamphlet he wrote for the National Veterans Committee of the Communist Party USA under the folder title, "Author." There are a number of photographs in the collection, mainly copies, of performers at the Cotton Club as well as articles and clippings about the Cotton Club, and jazz more generally. The collection contains several audio and videocassettes, of note are various interviews with Johnson. The scrapbook is made up of family photographs, mainly of "Stretch", his wife, and their children ranging in date from 1945-1952.

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Using the Collection

Offsite

Access Restrictions

 This collection is located off-site. You will need to request this material at least 2 business days in advance to use the collection in the Rare Book and Manuscript Library reading room.

      offsite requestMore information and link to off-site request form

This collection has no restrictions.

Restrictions on Use

Single photocopies may be made for research purposes. The RBML maintains ownership of the physical material only. Copyright remains with the creator and his/her heirs. The responsibility to secure copyright permission rests with the patron.

Preferred Citation

Identification of specific item; Date (if known); Howard "Stretch" Johnson Papers; Box and Folder; Rare Book and Manuscript Library, Columbia University Library.

Finding aid in repository; folder level control.

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About the Finding Aid / Processing Information

Columbia University Libraries. Rare Book and Manuscript Library; machine readable finding aid created by Columbia University Libraries Digital Library Program Division

Processing Information

Papers processed 09/18/2012 Adrien Hilton

Finding Aid written 09/19/2012 Adrien Hilton

Machine readable finding aid generated from MARC-AMC source via XSLT conversion October 2, 2012 Finding aid written in English. Finding aid adheres to that prescribed by Describing Archives: A Content Standard
    2012-10-02 xml instance created by Adrien Hilton

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Subject Headings

The subject headings listed below are found in this collection. Links below allow searches at Columbia University through the Archival Collections Portal and through CLIO, the catalog for Columbia University Libraries, as well as ArchiveGRID, a catalog that allows users to search the holdings of multiple research libraries and archives.

All links open new windows.

Genre/Form

HeadingCUL Archives:
Portal
CUL Collections:
CLIO
Nat'l / Int'l Archives:
ArchiveGRID
Audiocassettes.PortalCLIOArchiveGRID
Photographs.PortalCLIOArchiveGRID
Scrapbooks.PortalCLIOArchiveGRID
Videocassettes.PortalCLIOArchiveGRID

Subjects

HeadingCUL Archives:
Portal
CUL Collections:
CLIO
Nat'l / Int'l Archives:
ArchiveGRID
Apollo Theatre (New York, N.Y.: 42nd Street).PortalCLIOArchiveGRID
Communist Party of the United States of America.PortalCLIOArchiveGRID
Cotton Club.PortalCLIOArchiveGRID
Duke Ellington Orchestra.PortalCLIOArchiveGRID
Harlem Renaissance.PortalCLIOArchiveGRID
Johnson, Howard E.PortalCLIOArchiveGRID
Tap dancing.PortalCLIOArchiveGRID

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History / Biographical Note

Biographical Note

Howard "Stretch" Johnson was born in 1915 in Orange, New Jersey. He lived a colorful life, tap dancing with the Duke Ellington Orchestra at the Cotton Club and the Apollo in Harlem, serving in World War II in the army's segregated Buffalo Soldier unit, joining the Communist Party USA in 1940, and finally teaching about the history of jazz and engaging in social activism. Johnson was given the nickname "Stretch" for his long and lanky frame, which he maintained throughout most of his life.

Johnson's father gained stardom by playing on the black baseball teams of the Negro League. Stretch, however, more closely identified with his uncle, James Anderson, who was the founder of The Amsterdam News , an influential black newspaper in New York City. The Johnson family moved to Harlem in 1932, where Stretch's sister, Winnie became one of the featured dancers at the Cotton Club. She enlisted Stretch and later their brother Bobby to join the chorus line. The Johnson siblings performing under the name The Three Johnsons were featured in the ''New Faces of 1936'' and the ''Duke Ellington Revue of 1937'' at the Apollo Theater. Stretch Johnson also acted in a Harlem production of the Clifford Odets play, Waiting for Lefty .

Johnson was active with the NAACP since he was 15 years old. In 1940, when the Cotton Club decided to suspend its male chorus line, Johnson joined the Young Communist League of Harlem, a youth affiliate of the Communist Party of the United States of America. He was active in forcing Major League Baseball to accept a black player, passing out petitions at Yankee Stadium.

Amidst objection, Johnson married Martha Sherman, a fellow communist. The couple had three children, all girls. Sherman and Johnson eventually divorced. Johnson earned a general equivalency high school diploma, then a degree from Columbia University's College of General Studies, and taught black studies at the Fieldston School in the Bronx. He administered the Upward Bound program, which provided federal money for programs to steer disadvantaged youths to college for a participating institution, the Ethical Culture Society. He later taught sociology at the State University of New York at New Paltz.

Stretch spent his later years with Ann Anthony, whom he met at an Art Appreciation course at Columbia University in 1962. The two lived in numerous places, engaging in activist causes wherever they went. This included a campaign to recognize Martin Luther King Jr. Day in Hawaii, in the Virgin Islands he set up a social services network, and in Galveston, Texas, he helped set up a community center in an impoverished neighborhood.

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